This book proposes an analysis of the underlying 'logic' of culture, drawing on a wide range of material not previously examined in works of this kind.

Advocates of computers make sweeping claims for their inherently transformative power: new and different from previous technologies, they are sure to resolve many of our existing social problems, and perhaps even to cause a positive political revolution. In The Cultural Logic of Computation, David Golumbia, who worked as a software designer for more than ten years, confronts this orthodoxy, arguing instead that computers are cultural “all the way down”—that there is no part of the apparent technological transformation that is not shaped by historical and cultural processes, or that escapes existing cultural politics. From the perspective of transnational corporations and governments, computers benefit existing power much more fully than they provide means to distribute or contest it. Despite this, our thinking about computers has developed into a nearly invisible ideology Golumbia dubs “computationalism”—an ideology that informs our thinking not just about computers, but about economic and social trends as sweeping as globalization. Driven by a programmer’s knowledge of computers as well as by a deep engagement with contemporary literary and cultural studies and poststructuralist theory, The Cultural Logic of Computation provides a needed corrective to the uncritical enthusiasm for computers common today in many parts of our culture.

Sketches in the Theory of Culture is a remarkable work by all measures. Written by Zygmunt Bauman when he was still a professor in Poland, and originally intended for publication in 1968, it was suppressed by the Polish government in the wave of repression following the protests in March of that year. For decades, it was thought to be lost. Astonishingly, it survived in the form of an uncorrected set of proofs which was recently discovered, and is the basis of this edition. Now published in English for the first time, this book sheds new light on Bauman’s work prior to his emigration and illuminates the intellectual climate of Poland in the late 1960s. Bauman’s pursuit of a semiotic theory of culture includes a discussion of processes of individualization and the intensification of global ties, anticipating themes that became central to his later work. Though this book stands as a testament to a historical moment, it also transcends it. ‘[W]e live in an age that seems, for the first time in human history, to acknowledge cultural multiplicity as an innate and fixed feature of the world, one which gives rise to new forms of identity that are at ease with plurality, like a fish in water’, writes Bauman – a statement that is as true today as it was when he penned it in the 1960s. Sketches in the Theory of Culture is a strikingly prescient reflection on culture and society by one of the most influential social thinkers of the late twentieth and early twenty-first centuries. It will appeal to students and scholars across the social sciences and humanities and to the many readers of Bauman’s work.

The self serves as a universally available, effective, and indispensable filter for making sense of the chaos of the world. In her latest book, Takie Lebra attempts a new understanding of the Japanese self through her unique use of cultural logic. She begins by presenting and elaborating on two models ("opposition logic" and "contingency logic") to examine concepts of self, Japanese and otherwise. Guided by these, she delves into the three layers of the Japanese self, focusing first on the social layer as located in four "zones"—omote (front), uchi (interior), ura (back), and soto (exterior)—and its shifts from zone to zone. New light is shed on these familiar linguistic and spatial categories by introducing the dimension of civility. The book expands the discussion in relation to larger constructions of the inner and cosmological self. Unlike the social self, which views itself in relation to the "other," the inner layer involves a reflexivity in which self communicates with self. While the social self engages in dialogue or trialogue, the inner self communicates through monologue or soliloquy. The cosmological layer, which centers around transcendental beliefs and fantasies, is examined and the analysis supplemented with comments on aesthetics. Throughout, Lebra applies her methodology to dozens of Japanese examples and makes relevant comparisons with North American culture and notions of self. Finally, she provides a spirited analysis of critiques of Nihonjinron to reinforce the relevancy of Japanese studies. This volume is the culmination of decades of thinking on self and social relations by one of the most influential scholars in the field. It will prove highly instructive to Japanese and non-Japanese readers alike in a range of disciplines, including anthropology, sociology, and social psychology.

This book proposes to identify three long-term structures in causal reasoning - in particular, in terms of the relationship between cause and identity - that appear to be of value in categorizing and organizing various trends in philosophical thought. Such conceptual schemes involve a host of philosophical dilemmas (such as the problem of relativism), which are examined in the first chapter. A number of naturalistic and transcendental approaches to this problem are also analysed. In particular, the book attempts to construct a theoretical basis for Foucault's tripartite classification of epistemological structures in European thought. The final chapter attempts to buttress the above schema by extending the analysis from cause and identity to growth, change, and stability, critiquing certain ideas of Foucault and Heidegger, as well as examining the contemporary thought of process philosophy and complexity theory.

This third volume in a bestselling series on culture, society, and museums examines the effects of globalization on contemporary museum, heritage, and exhibition practices.

Edmund Leach's book investigates the writings of 'structuralists' and their theories in anthropology.

Individualism: The Cultural Logic of Modernity explores ideas of the modern sovereign individual in the western cultural tradition. Divided into two sections, this volume surveys the history of western individualism in both its early and later forms: chiefly from the sixteenth to the eighteenth centuries, and then individualism in the twentieth century. These essays boldly challenge not only the exclusionary framework and self-assured teleology, but also the metaphysical certainty of that remarkablytenacious narrative on "the rise of the individual." Some essays question the correlation of realist characterization to the eighteenth-century British novel, while others champion the continuing political relevance of selfhood in modernist fiction overand against postmodern nihilism. Yet others move to the foreground underappreciated topics, such as the role of courtly cultures in the development of individualism. Taken together, the essays provocatively revise and enrich our understanding of individualism as the generative premise of modernity itself. Authors especially considered include Locke, Defoe, Freud, and Adorno. The essays in this volume first began as papers presented at a conference of the American Comparative Literature Association held atPrinceton University. Among the contributors are Nancy Armstrong, Deborah Cook, James Cruise, David Jenemann, Lucy McNeece, Vivasvan Soni, Frederick Turner, and Philip Weinstein.