A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. A memoir and book of mourning, a grandson’s attempt to reconcile his own uncontested citizenship with his grandfather’s lifelong struggle. Award-winning poet Brandon Shimoda has crafted a lyrical portrait of his paternal grandfather, Midori Shimoda, whose life—child migrant, talented photographer, suspected enemy alien and spy, desert wanderer, American citizen—mirrors the arc of Japanese America in the twentieth century. In a series of pilgrimages, Shimoda records the search to find his grandfather, and unfolds, in the process, a moving elegy on memory and forgetting. Praise for The Grave on the Wall: "Shimoda brings his poetic lyricism to this moving and elegant memoir, the structure of which reflects the fragmentation of memories. … It is at once wistful and devastating to see Midori's life come full circle … In between is a life with tragedy, love, and the horrors unleashed by the atomic bomb."—Booklist, starred review "In a weaving meditation, Brandon Shimoda pens an elegant eulogy for his grandfather Midori, yet also for the living, we who survive on the margins of graveyards and rituals of our own making."—Karen Tei Yamashita, author of Letters to Memory "Sometimes a work of art functions as a dream. At other times, a work of art functions as a conscience. In the tradition of Juan Rulfo’s Pedro Páramo, Brandon Shimoda's The Grave on the Wall is both. It is also the type of fragmented reckoning only America could instigate."—Myriam Gurba, author of Mean “Within this haunted sepulcher built out of silence, loss, and grief—its walls shadowed by the traumas of racial oppression and violence—a green river lined with peach trees flows beneath a bridge that leads back to the grandson."—Jeffrey Yang, author of Hey, Marfa: Poems "It is part dream, part memory, part forgetting, part identity. It is a remarkable exploration of how citizenship is forged by the brutal US imperial forces—through slave labor, forced detention, indiscriminate bombing, historical amnesia and wall. If someone asked me, Where are you from? I would answer, From The Grave on the Wall."—Don Mee Choi, author of Hardly War "Shimoda intercedes into the absences, gaps and interstices of the present and delves the presence of mystery. This mystery is part of each of us. Shimoda outlines that mystery in silence and silhouette, in objects left behind at site-specific travels to Japan and in the disparate facts of his grandpa’s FBI file. Gratitude to Brandon Shimoda for taking on the mystery which only literature accepts as the basic challenge."—Sesshu Foster, author of City of the Future "Shimoda is a mystic writer … He puts what breaches itself (always) onto the page, so that the act of writing becomes akin to paper-making: an attention to fibers, coagulation, texture and the water-fire mixtures that signal irreversible alteration or change. … he has written a book that touches the bottom of my own soul."—Bhanu Kapil, author of Ban en Banlieue "The Grave on the Wall is a passage of aching nostalgia and relentless assembly out of which something more important than objective truth is conjured—a ritual frisson, a veracity of spirit. I am grateful to have traveled along.”—Trisha Low, The Believer

FANS OF MAURICE SENDAK’S CALDECOTT MEDAL-WINNING WHERE THE WILD THINGS ARE WILL LOVE THE BIG GREEN BOOK—NOW BACK IN PRINT! A little boy named Jack discovers a big green book of magic in the attic and learns all sorts of spells—spells to change the look of things, spells to make him old and gray or disappear entirely! Jack makes the most of his new magic powers, and his poor old aunt and uncle are quite bewildered. This enchanting tale by noted British author Robert Graves is masterfully illustrated by Maurice Sendak, seven-time Caldecott Honor recipient, National Book Award winner, and the Caldecott Medal-winning creator of Where the Wild Things Are.

“I ended up devouring the entire book in just one sitting… I was completely pulled into this one and found myself completely unable to put this down.” Little Miss Book Lover 87, ⭐⭐⭐⭐⭐ It’s been five years since Detective Amanda Steele’s life was derailed by the tragic death of her young daughter. The small community of Dumfries, Virginia, may have moved on, but Amanda cannot. When the man who killed Lindsey is found murdered, she can’t keep away from the case. Fighting her sergeant to be allowed to work such a personal investigation, Amanda is in a race to prove that she can uncover the truth. But the more she digs into the past of the man who destroyed her future, the more shocking discoveries she makes. And when Amanda finds the link between a silver bracelet in his possession and the brutal unsolved murder of a young woman five years ago, she realizes she’s caught up in something darker than she ever imagined and suspects that more girls could be in danger. But as Amanda edges toward the truth, she gets closer to a secret as personal as it is deadly. Amanda has stumbled upon a dangerous killer, and she must face some terrible truths in order to catch this killer – and save his next victim as she couldn’t save her own daughter… A gripping, page-turning thriller full of mystery and suspense. Perfect for fans of Rachel Caine, Lisa Regan and Robert Dugoni. Readers love The Little Grave: “Your jaw will drop. I loved this book!… I couldn’t catch my breath. The ending will blow you away… Had me turning pages unable to put it down. What an intense ride… A must-read.” Goodreads reviewer “I absolutely LOVE LOVE LOVE this book!” NetGalley reviewer, ⭐⭐⭐⭐⭐ “I LOVED this book… An engrossing page-turner and that ending, phew I didn't see that coming at all!!! Can’t wait for the next in the series.” NetGalley reviewer, ⭐⭐⭐⭐⭐ “I already can’t wait for the next one! This one pulls you in from the very beginning… The mystery is full of action and twists. I absolutely did not see that ending coming.” Goodreads reviewer, ⭐⭐⭐⭐⭐ “I sat with the intention of reading just a couple of chapters and ended up devouring the entire book in just one sitting. I have been completely pulled into this one and found myself completely unable to put this down.” Little Miss Book Lover 87, ⭐⭐⭐⭐⭐ “Compulsive, compelling and enthralling… I became completely riveted… Intrigue to compel you to read through the night.” Avid Reader’s Retreat, ⭐⭐⭐⭐⭐ “This is a fast-paced, unputdownable story… Exciting and heartbreaking. Never saw that ending! I loved it!” Debatably Bookish “Fantastic book. It was exciting and thrilling and kept me reading late into the night.” Goodreads reviewer, ⭐⭐⭐⭐⭐ “Full of suspense. Once I started it was very hard to not finish the book. I absolutely loved the ending.” NetGalley reviewer, ⭐⭐⭐⭐⭐ “An exciting, intriguing, pulse-pounding mystery that had so many twists and turns, keeping me glued to my kindle… Suspenseful, intense.” The Reading Café, ⭐⭐⭐⭐⭐ “Gripping mystery—hooked me from the beginning.” NetGalley reviewer, ⭐⭐⭐⭐⭐ “Such an intense, fantastic read for me. I was enthralled throughout the entire book… Chilling.” NetGalley reviewer, ⭐⭐⭐⭐⭐ “Keeps you on pins and needles until the terrific conclusion.” Goodreads reviewer, ⭐⭐⭐⭐⭐

Poetry from Beyond the Grave is the first English publication of a large selection of poems by the Brazilian medium and Spiritist leader Francisco Cândido “Chico” Xavier. These poems, originally collected in the volume Parnaso de Além-Túmulo, were dictated to Xavier by a variety of spirits of Brazilian poets from the afterlife, as journeying souls or as witnesses of the spiritual city Nosso Lar, “our house.” Poetry from Beyond the Grave is a veritable collection of haunted writing, in which poets present their posthumous work as if they were alive. The brilliant translation by Vitor Pequeno is supplemented by an extensive afterword by Jeremy Fernando, who traces what it means to speak through the other.

r.h. Sin returns with a force in Planting Gardens in Graves: a powerful collection of poetry that hones in on the themes dearest to his readers. This original volume celebrates connection, mourns heartbreak, and above all, empowers its readers to seek the love they deserve.

This beautiful and moving poem, by an unknown author, was left by a soldier killed in Ulster "to all my loved ones". This special edition, sensitively illustrated with delicate drawings by Paul Saunders, is intended as a lasting keepsake for those mourning a loved one.

In language both plainspoken and lyrical, East Tennessee poet Jesse Graves examines the connections that hold people together across generations and against the breaches of time and distance. The landscapes of his native region possess a mythic beauty and Graves writes of the animating force it can become in a poet's imagination. Graves's poems are haunted by the lost futures of lives cut short and by speculative narrations of omens and portents. For all the darkness visible in the world, Graves elevates the great joy of feeding birds, walking in the woods, and sharing a life, sometimes only in memory, with the people we love. Those who have passed on are remembered here and their stories become a source of light. The new work in MERCIFUL DAYS will remind readers why Ron Rash has said, These poems have the music, wisdom, and singular voice of a talent fully realized, and make abundantly clear that Jesse Graves is one of America's finest young poets.

Tenth Anniversary Expanded Edition First released in 2011, Tennessee Landscape with Blighted Pine was the debut poetry collection from Tennessee poet Jesse Graves and was awarded the 2011 Weatherford Award in Poetry from Berea College, the Book of the Year in Poetry Award from the Appalachian Writers’ Association, and the Thomas and Lillie D. Chaffin Award for Appalachian Writing. The poems in Tennessee Landscape with Blighted Pine take part in many of the traditions of lyric poetry, including elegies for lost loved ones, odes to the beauty of family and the natural world, expressed through a range of poetic forms and techniques. The 10th Anniversary Expanded Edition includes twelve new poems and an introduction by Matthew Wimberley. from “Emissaries” Some mornings when I’m reading early, no light yet but the table lamp, my left hand will run through scales along the spine of the open book. My hands keep their own remembrance buried in fine grooves of flesh. The fingers turn over ignitions, faucets, always attuned to their proper force, knuckles never breaking things unless my brain overpowers them. They’ve discovered spectacular terrains, soft enclosures I can never enter again. I send them ahead as scouts for survey, emissaries that flip the lights in every dark hallway of the future.