A detailed study of the factional struggles and political purges that occurred in Yi Korea in 1498, 1504, and 1519. Also includes a description of the administrative structure of the early Yi dynasty government.

Preliminary Material /Edward Willett Wagner --Introduction /Edward Willett Wagner --The Setting /Edward Willett Wagner --The Purge of 1498 /Edward Willett Wagner --The Purge of 1504 /Edward Willett Wagner --The Purge of 1519 /Edward Willett Wagner --The Summing Up /Edward Willett Wagner --List of Government Offices and Posts /Edward Willett Wagner --Sillok Locations of Date Citations /Edward Willett Wagner --Notes /Edward Willett Wagner --General Glossary /Edward Willett Wagner --Glossary of Names of Persons Appearing in the Text /Edward Willett Wagner --Bibliography /Edward Willett Wagner --Index /Edward Willett Wagner --Harvard East Asian Monographs /Edward Willett Wagner.

Chinese cinema has a long history of engagement with China’s art traditions, and literati (wenren) landscape painting has been an enduring source of inspiration. Literati Lenses explores this interplay during the Mao era, a time when cinema, at the forefront of ideological campaigns and purges, was held to strict political guidelines. Through four films—Li Shizhen (1956), Stage Sisters (1964), Early Spring in February (1963), and Legend of Tianyun Mountain (1979)—Mia Liu reveals how landscape offered an alternative text that could operate beyond political constraints and provide a portal for smuggling interesting discourses into the film. While allusions to pictorial traditions associated with a bygone era inevitably took on different meanings in the context of Mao-era cinema, cinematic engagement with literati landscape endowed films with creative and critical space as well as political poignancy. Liu not only identifies how the conventions and aesthetics of traditional literati landscape art were reinvented and mediated on multiple levels in cinema, but also explores how post-1949 Chinese filmmakers configured themselves as modern intellectuals in the spaces forged among the vestiges of the old. In the process, she deepens her analysis, suggesting that landscape be seen as an allegory of human life, a mirror of the age, and a commentary on national affairs.

This book discusses the historical development of Korean Confucianism in terms of its social functions. It also examines the types of transfiguration Confucianism underwent and the role it played in each period of Korean history. The Land of Scholars spans from the Three Kingdoms period in 18 BC to the Joseon dynasty in 1910. The book not only gives a comprehensive and in-depth survey of the history of Korean Confucian thought but also touches on the transmission of Buddhism, Confucianism, and Christianity in Korea. Kang Jae-eun approaches the significance of Confucianism from the perspective of its cultural and social context. He explains Confucianism from a viewpoint that reflects on exchanges between Korea and Japan and the broader context of East Asian relationships. Kang also challenges the views of some Korean academics whose works on Confucianism are considered to be distortions and misinterpretations. ABOUT THE AUTHOR Born in 1926 in Korea, Kang Jae-eun earned his PhD in literature from Kyoto University in Japan. For twenty-two years, he has been the editor of Samcheolli (Three thousand li) and Cheonggu (Korea), quarterly magazines that act as a forum and compass for Korean residents in Japan. Professor Kang is regarded as one of the foremost historians that led the Japanese academia after the liberation of Korea. His other books include Modern Thoughts of Korea and A Study of the Modern History of Korea in Japanese. ABOUT THE TRANSLATOR A Korean-American, Suzanne Lee graduated from University of California, Los Angeles with a degree in psychology. She is interested in Korean studies and her current study/research focus is Korean philosophy.

This is a comprehensive narrative history of Korean literature. It provides a wealth of information for scholars, students and lovers of literature. Combining both history and criticism the study reflects the latest scholarship and offers a systematic account of the development of all genres. Consisting of twenty-five chapters, it covers twentieth-century poetry, fiction by women and the literature of North Korea. This is a major contribution to the field and a study that will stand for many years as the primary resource for studying Korean literature.

This is a study of the most significant debate in Korean Neo-Confucianism between the two most eminent Neo-Confucian thinkers, summarizing their philosophies and providing refreshing insights into Confucian language and culture.

Yi Hwang (1501-1570), better known by his pen name T'oegye, is generally considered Korea's preeminent Neo-Confucian scholar. The Ten Diagrams on Sage Learning is his final masterpiece, a distillation of the learning and practice of a lifetime, and one of the most important works of Korean Neo-Confucianism. In it he crystallized the essence of Neo-Confucian philosophy and spiritual practice in ten brief chapters that begin with the grand vision of the universe and conclude with a description of a well-lived day. In To Become a Sage, Michael Kalton supplements a superb translation of this pivotal text with useful commentary that will greatly enhance its value and interest to the lay reader. The Ten Diagrams is the first complete primary text of Korean Neo-Confucianism to be translated into English. Korea's Yi Dynasty (1392-1910), the only East Asian regime founded exclusively under Neo-Confucian auspices, was unique in its allegiance to the orthodox Ch'eng Chu school, predominant in China, Korea, and Japan. Although the Ten Diagrams is a relatively short work, it fully presents the entire vision of Neo-Confucianism as framed in that school. Kalton provides a brief history of Neo-Confucianism in China and Korea as well as commentary that includes extensive passages from T'oegye's voluminous personal correspondence. These annotations expand the meaning distilled in each chapter. They help the uninitiated reader understand the basic elements of the complex Ch'eng Chu school of Neo-Confucianism, while enabling the scholar to distinguish characteristic aspects of Korean Neo-Confucianism as presented in the thought of the nation's leading philosopher of the time.

A comparative look at North and South Korea's political and economic institutions and processes, and an examination of their evolution since 1945. Problems such as leadership succession, democratization, nuclear weapons, education and reunification are explored.

The Lives and Legacy of Kim Sisŭp (1435–1493) offers an account of the most extraordinary figure of Korean literature and intellectual history. The present work narrates the fascinating story of a prodigious child, acclaimed poet, author of the first Korean novel, Buddhist monk, model subject, Confucian recluse and Daoist master. No other Chosŏn scholar or writer has been venerated in both Confucian shrines and Buddhist temples, had his works widely read in Tokugawa Japan and became an integral part of the North Korean literary canon. The nine studies and further materials presented in this volume provide a detailed look on the various aspects of Kim Sisŭp’s life and work as well as a reflection of both traditional and modern narratives surrounding his legacy. Contributors are: Vladimír Glomb, Gregory N. Evon, Dennis Wuerthner, Barbara Wall, Kim Daeyeol, Miriam Löwensteinová, Anastasia A. Guryeva, Sixiang Wang, and Diana Yüksel.