When C. S. Lewis published The Lion, the Witch and the Wardrobe he created one of Christendom's most cherished allegories. Viewers of the movie, as well as readers of the book will come away deeply moved by what they have encountered in Narnia. They will have countless questions such as: How did the Witch take over Narnia? Why couldn't Edmund resist temptation? Why did the Lion have to die? And they will find the answers in this wonderful book written for Christians and non-Christians alike. Receive a free poster (a $10 value) with every order! Enter promotion code SLposterat checkout. Poster is delivered rolled (not folded) and is suitable for framing!

From Pinocchio to The Chronicles of Narnia to Charlotte's Web, classic children's tales have shaped generations of young people. In recent years, homeschoolers and new classical schools have put these masterpieces of children's literature at the center of their curricula. And these stories continue to be embraced by parents, students, and educators alike. In Tending the Heart of Virtue, Vigen Guroian illuminates the power of classic tales and their impact on the moral imagination. He demonstrates how these stories teach the virtues through vivid depictions of the struggle between good and evil, while he also unveils components of the good, the true, and the beautiful in plot and character. With clarity and elegance, Guroian reads deeply into the classic stories. He demonstrates how these stories challenge and enliven the moral imaginations of children. And he shows the reader how to get "inside" of classic stories and communicate their lessons to the child. For more than two decades Tending the Heart of Virtue has been embraced by parents, guardians, and teachers for whom the stories it discusses are not only beloved classics but repositories of moral wisdom. This new revised edition includes three new chapters and an expanded annotated bibliography in which Guroian interprets such stories as Hans Christian Andersen's The Ugly Duckling, the Grimms' Cinderella, and John Ruskin's The King of the Golden River.

An exploration of the Chronicles of Narnia and the Space Trilogy that “enriches our understanding of how to care for our world” (Alan Jacobs, author of Breaking Bread with the Dead). In Narnia and the Fields of Arbol: The Environmental Vision of C. S. Lewis, authors Matthew Dickerson and David O’Hara illuminate an important yet overlooked aspect of the author’s visionary work. They go beyond traditional theological discussions of Lewis’s writing to investigate themes of sustainability, stewardship of natural resources, and humanity’s relationship to wilderness. The authors examine the environmental and ecological underpinnings of Lewis’s work by exploring his best-known works of fantasy, including the seven books of the Chronicles of Narnia and the three novels collectively referred to as the Space Trilogy. Taken together, these works reveal Lewis’s enduring environmental concerns, and Dickerson and O’Hara offer a new understanding of his pioneering style of fiction. Narnia and the Fields of Arbol, the first book-length work on the subject, finds the author’s legacy to have as much in common with the agrarian environmentalism of Wendell Berry as it does with the fantasy of J. R. R. Tolkien. In an era of increasing concern about deforestation, climate change, and other environmental issues, Lewis’s work remains as pertinent as ever. The widespread adaption of his work in film lends credence to the author’s staying power as an influential voice in both fantastical fiction and environmental literature. With Narnia and the Fields of Arbol, Dickerson and O'Hara have written a timely work of scholarship that offers a fresh perspective on one of the most celebrated authors in literary history. “Both revelatory and a pleasure to read.” —Robert Siegel, award-winning author of The Whalesong Trilogy

Clives Staples Lewis (1898-1963) called his theological writings as that "of a layman and an amateur" who merely attempted to restate "ancient and orthodox doctrines." However, S. Steve Park argues that Lewis's theological reflections are well-informed, thoughtful and weighty. For instance, Lewis's notion of "mere Christianity" consistently shows his commitment to "supernaturalism" (vs. naturalism) and "eucatastrophic salvationism" (vs. ethical developmentalism) in sharp contrast to many prevailing theologians of his time. In this book, the author expounded Lewis's theological writings rather comprehensively and organized the results according to Lewis's signature literary motif of the journey towards home, in four stages: "Away from Home," "Homeward Turning," "Home Away from Home," and "The Final Home." Under these headings, Lewis's major theological and literary themes find illuminating treatments with rich contents and penetrating analyses. In so doing, the author presents to the readers, probably for the first time, a systematic theology of C. S. Lewis. It turns out that Lewis, more than just a storyteller, was a significant participant in the world of theological reflections, demonstrating himself to be a rather formidable theological mind to be reckoned with.

The characters, plots, and potent language of C. S. Lewis's novels reveal everywhere the modern writer' admiration for Dante's Divine Comedy. Throughout his career Lewis drew on the structure, themes, and narrative details of Dante's medieval epic to present his characters as spiritual pilgrims growing toward God. Dante's portrayal of sin and sanctification, of human frailty and divine revelation, are evident in all of Lewis's best work. Readers will see how a modern author can make astonishingly creative use of a predecessor's material - in this case, the way Lewis imitated and adapted medieval ideas about spiritual life for the benefit of his modern audience. Nine chapters cover all of Lewis's novels, from Pilgrim's Regress and his science-fiction to The Chronicles of Narnia and Till We Have Faces. Readers will gain new insight into the sources of Lewis's literary imagination that represented theological and spiritual principles in his clever, compelling, humorous, and thoroughly human stories.

Crammed with crucial facts, ideas, and warnings never before brought together into clear focus, this guide is not only fun to read, but also work-boots practical. Not only inspiring, but pinch-penny accurate, it is an energizing tonic for writers' weary brain cells. *Lightning Print On Demand Title

There is a seeming dichotomy in C. S. Lewis's writing. On the one hand we see the writer of argumentative works, and on the other hand we have the imaginative poet. Lewis also found this dichotomy within himself. When he was a rationalist and atheist he found that these two sides of him were pulling in different directions: he believed that his rationalist side could not be reconciled with his imaginative side. Once he became a Christian, he eventually found a means of marrying the two--principally, through story and myth.Within C. S. Lewis studies, there is also a common conception of Lewis as a modern rationalist philosopher, i.e., a rationalist who thinks arguments (and his arguments in particular) are the last answer on the questions he undertakes. Reasoning beyond Reason attempts to take this view to task by placing Lewis back into his pre-modern context and showing that his sources and influences are classical ones. In this process Lewis is viewed through the idea that imagination and reason are connected in an intimate way: they are different expressions of a single divine source of truth, and there is an imagination already present upon which reason works. Lewis's "transpositional" view of imagination implicitly pushes towards a somewhat radical position: the imagination is to be seen as theological in its reliance upon something more than the merely material; it necessarily relies on a transcendent funding for its use and meaning. In other words, the imagination is a well-source for what we might normally label "rational."

Exploring the ethical questions posed by, in, and about children’s literature, this collection examines the way texts intended for children raise questions of value, depict the moral development of their characters, and call into attention shared moral presuppositions. The essays in Part I look at various past attempts at conveying moral messages to children and interrogate their underlying assumptions. What visions of childhood were conveyed by explicit attempts to cultivate specific virtues in children? What unstated cultural assumptions were expressed by growing resistance to didacticism? How should we prepare children to respond to racism in their books and in their society? Part II takes up the ethical orientations of various classic and contemporary texts, including 'prosaic ethics' in the Hundred Acre Wood, moral discernment in Narnia, ethical recognition in the distant worlds traversed by L’Engle, and virtuous transgression in recent Anglo-American children’s literature and in the emerging children’s literature of 1960s Taiwan. Part III’s essays engage in ethical criticism of arguably problematic messages about our relationship to nonhuman animals, about war, and about prejudice. The final section considers how we respond to children’s literature with ethically focused essays exploring a range of ways in which child readers and adult authorities react to children’s literature. Even as children’s literature has evolved in opposition to its origins in didactic Sunday school tracts and moralizing fables, authors, parents, librarians, and scholars remain sensitive to the values conveyed to children through the texts they choose to share with them.

C. S. Lewis has been read and studied as though he were two authors—a writer of Christian apologetics and a writer of science fiction and fantasy. Only in recent years has there been any move to examine his work as the creation of a single, unique mind. This is the first major critical study to undertake that task. Chad Walsh, who wrote an earlier study of Lewis, Apostle to the Skeptics, reassesses the Oxford don’s legacy fifteen years after his death—his poetry, visionary fiction, and space fiction; The Chronicles of Narnia; Till We Have Faces; his criticism; and his religious-philosophical writing. Lewis emerges as an archetypal Christian and the creator of some of the most original books of our century.

A lively and engaging exploration of the many Christian themes in C.S. Lewis's widely-known and universally loved children's stories.