Predominantly based on the Barberini version of the original Greek manuscript entitled: Bios kai politeia kai merik thaumatn digsis tou hagiou kai thaumatourgou Niknos myroblytou tou Metanoeite = The life, conduct, and partial narration of the miracles of the holy, miracle-worker Nikon Myrobletes the Metanoeite.

The nature of the typkia, discussed by John Thomas in the introduction, was one of flexible and personal documents, which differed considerably in form, length, and content. Not all of them were foundation documents in the strict sense, since they could be issued at any time in the history of an institution. Some were wills; others were reform decrees and rules; yet others were primarily liturgical in character.

"This volume gives an account of the Church in the period from the end of the Sixth Ecumenical Synod in 681 to the Battle of Manzikert in 1071. Although "Greek East" and "Latin West" are becoming distinct entities during this expanse of time, the author treats them in parallel, observing the points at which their destinies coincide or conflict. The author notes developments within the whole of the Church rather than striving simply, or even primarily, to explain the eventual schism between Eastern and Western Christendom. Coveriing events both unique to each part (the Iconoclastic controversy in the East and the rise of the Carolingian Empire in the West) and common to each part (monastic reform, renaissance, and mission) the author skillfully portrays two Christian civilizations that share much in common yet become increasingly incomprehensible to one another. Despite curious synchronisms between East and West, the author demonstrates how two paths diverged from a once common route, and how eventually Byzantine Orthodoxy defined the Greek East over and against the Latin West in theological, religious, cultural, and political terms." -- Provided by publisher.

The studies in this volume all deal with images and texts that relate to the veneration of the saints in Byzantium after the 9th century. Some papers are devoted to the church calendar and the annual commemorations of hundreds of saints through liturgical poetry and sequences of isolated images in fresco, icon painting and illuminated manuscripts. Others are concerned with the longer and rarer, narrative cycles devoted to the life of a single saint, cycles found mainly in fresco and on the so-called vita icons that first appear in the East in the late 12th century. Additional studies deal with the developing role of icons in liturgical ceremonies, and with images of a saint being approached by a supplicant or patron. A final section is devoted to places made holy by the saints, and to their holy relics.

The biography of this 12th-century Byzantine saint is one of the few works of the genre which are known from this period. It is an important hagiographical work, providing valuable historical information and a fascinating insight into 12th-century monasticism.

For an entire millennium, Byzantine hagiography, inspired by the veneration of many saints, exhibited literary dynamism and a capacity to vary its basic forms. The subgenres into which it branched out after its remarkable start in the fourth century underwent alternating phases of development and decline that were intertwined with changes in the political, social and literary spheres. The selection of saintly heroes, an interest in depicting social landscapes, and the modulation of linguistic and stylistic registers captured the voice of homo byzantinus down to the end of the empire in the fifteenth century. The seventeen chapters in this companion form the sequel to those in volume I which dealt with the periods and regions of Byzantine hagiography, and complete the first comprehensive survey ever produced in this field. The book is the work of an international group of experts in the field and is addressed to both a broader public and the scholarly community of Byzantinists, medievalists, historians of religion and theorists of narrative. It highlights the literary dimension and the research potential of a representative number of texts, not only those appreciated by the Byzantines themselves but those which modern readers rank high due to their literary quality or historical relevance.

The reign of Basil II (976-1025), the longest of any Byzantine emperor, has long been considered as a 'golden age', in which his greatest achievement was the annexation of Bulgaria. This, we have been told, was achieved through a long and bloody war of attrition which won Basil the grisly epithet Voulgartoktonos, 'the Bulgar-slayer'. In this new study Paul Stephenson argues that neither of these beliefs is true. Instead, Basil fought far more sporadically in the Balkans and his reputation as 'Bulgar-slayer' was created only a century and a half later. Thereafter the 'Bulgar-slayer' was periodically to play a galvanizing role for the Byzantines, returning to centre-stage as Greeks struggled to establish a modern nation state. As Byzantium was embraced as the Greek past by scholars and politicians, the 'Bulgar-slayer' became an icon in the struggle for Macedonia (1904-8) and the Balkan Wars (1912-13).

This volume, the first ever of its kind in English, introduces and surveys Greek literature in Byzantium (330 - 1453 CE). In twenty-five chapters composed by leading specialists, The Oxford Handbook of Byzantine Literature surveys the immense body of Greek literature produced from the fourth to the fifteenth century CE and advances a nuanced understanding of what "literature" was in Byzantium. This volume is structured in four sections. The first, "Materials, Norms, Codes," presents basic structures for understanding the history of Byzantine literature like language, manuscript book culture, theories of literature, and systems of textual memory. The second, "Forms," deals with the how Byzantine literature works: oral discourse and "text"; storytelling; rhetoric; re-writing; verse; and song. The third section ("Agents") focuses on the creators of Byzantine literature, both its producers and its recipients. The final section, entitled "Translation, Transmission, Edition," surveys the three main ways by which we access Byzantine Greek literature today: translations into other Byzantine languages during Late Antiquity and the Middle Ages; Byzantine and post-Byzantine manuscripts; and modern printed editions. The volume concludes with an essay that offers a view of the recent past--as well as the likely future--of Byzantine literary studies.

The imperial government over the central provinces of the Byzantine Empire was sovereign and, at the same time, apathetic, dealing effectively with a narrow set of objectives, chiefly collecting revenue and maintaining imperial sovereignty. Outside of these spheres, action needed to be solicited from imperial officials, leaving vast opportunities for local people to act independently without legal stricture or fear of imperial involvement. In the absence of imperial intervention provincial households competed with each other for control over community decisions. The emperors exercised just enough strength at the right times to prevent the leaders of important households in the core provinces from becoming rulers themselves. Membership in a successful household, wealth, capacity for effective violence and access to the imperial court were key factors that allowed one to act with authority. This book examines in detail the mechanisms provincial households used to acquire and dispute authority.