The Life and Death of Theodore of Stoudios collects three important works promoting the influential Constantinople monastery of Stoudios and the memory of its founder, who is celebrated as a saint in the Orthodox Church for defending icon veneration. New editions of the Byzantine Greek texts appear alongside the first English translations.

This volume includes seventeen essays on Byzantine monasticism, focusing on the 9th to 15th centuries. Envisaged as a companion Variorum volume to Talbot's Women and Religious Life in Byzantium (2001), this compendium complements its predecessor by focusing more attention on male monasteries, hermits and holy mountains, while offering some pioneering studies of female patrons, rural nuns, and the links of many Byzantine women to Mount Athos. The volume also complements Talbot's 2019 monograph, Varieties of Monastic Experience in Byzantium, 800-1453, by offering detailed analyses of topics that could only be briefly addressed in that book. Introductory essays include an overview of the historical development of Byzantine monasteries and holy mountains, emphasising the intertwining of monasticism with urban and rural society. Subsequent essays explore the regimen at coenobitic monasteries, while paying considerable attention to the less well-known lifestyles of hermits, especially those on holy mountains. Other topics include monastery gardens and horticulture; the culture of the refectory; challenges for adolescent novices; factors influencing the choice of a monastery’s foundation site; female patronage of monastery construction and restoration; the conversion of monasteries from male to female and vice-versa; rules regarding personal poverty for monastics; and the choice of a monastic name.

This volume explores concepts of fiction in late antique hagiographical narrative in different cultural and literary traditions. It includes Greek, Latin, Syriac, Armenian, Persian and Arabic material. Whereas scholarship in these texts has traditionally focussed on historical questions, this book approaches imaginative narrative as an inherent element of the genre of hagiography that deserves to be studied in its own right. The chapters explore narrative complexities related to fiction, such as invention, authentication, intertextuality, imagination and fictionality. Together, they represent an innovative exploration of how these concepts relate to hagiographical discourses of truth and the religious notion of belief, while paying due attention to the various factors and contexts that impact readers’ responses.

First published in 2000. Routledge is an imprint of Taylor & Francis, an informa company.

Mobility and migration were not uncommon in Byzantium, as is true for all societies. Yet, scholarship is only beginning to pay attention to these phenomena. This book presents in English translation a wide array of relevant source texts from ca. 650 to ca. 1450 originally written in medieval Greek: from administrative records, saints’ lives and letters by churchmen to ego-documents by ambassadors and historical narratives by court historians. Each source text is accompanied by a detailed introduction, commentary and further bibliography, thus making the book accessible to both scholars and students and laying the groundwork for future research on the internal dynamics of Byzantine society.

The Byzantines surrounded themselves with their saints, invisible but constant companions, who were made visible by dreams, visions, and art. The composition and presentation of this imagined gallery followed a logical structure, a construct that was itself a collective work of art created by Byzantine society. The purpose of this book is to analyze the logic of the saint's image in Byzantium, both in portraits and in narrative scenes. Here Henry Maguire argues that the Byzantines gave to their images differing formal characteristics of movement, modeling, depth, and differentiation, according to the tasks that the icons were called upon to perform in the all-important business of communication between the visible and the invisible worlds. The book draws extensively on sources that have been relatively little utilized by art historians. It considers both domestic and ecclesiastical artifacts, showing how the former raised the problem of access by lay men and women to the supernatural and fueled the debates concerning the role of images in the Christian cult. Special attention is paid to the poems inscribed by the Byzantines upon their icons, and to the written lives of their saints, texts that offer the most direct and vivid insight into the everyday experience of art in Byzantium. The overall purpose of the book is to provide a new view of Byzantine art, one that integrates formal analysis with both theology and social history.

The nature of the typkia, discussed by John Thomas in the introduction, was one of flexible and personal documents, which differed considerably in form, length, and content. Not all of them were foundation documents in the strict sense, since they could be issued at any time in the history of an institution. Some were wills; others were reform decrees and rules; yet others were primarily liturgical in character.

For an entire millennium, Byzantine hagiography, inspired by the veneration of many saints, exhibited literary dynamism and a capacity to vary its basic forms. The subgenres into which it branched out after its remarkable start in the fourth century underwent alternating phases of development and decline that were intertwined with changes in the political, social and literary spheres. The selection of saintly heroes, an interest in depicting social landscapes, and the modulation of linguistic and stylistic registers captured the voice of homo byzantinus down to the end of the empire in the fifteenth century. The seventeen chapters in this companion form the sequel to those in volume I which dealt with the periods and regions of Byzantine hagiography, and complete the first comprehensive survey ever produced in this field. The book is the work of an international group of experts in the field and is addressed to both a broader public and the scholarly community of Byzantinists, medievalists, historians of religion and theorists of narrative. It highlights the literary dimension and the research potential of a representative number of texts, not only those appreciated by the Byzantines themselves but those which modern readers rank high due to their literary quality or historical relevance.

This third volume in the pioneering A People's History of Christianity series focuses on the religious lives of ordinary people and introduces the religion of the Byzantine Christian laity by asking the questions: What did ordinary Christians do in church, in their homes and their workshops? How were icons used? How did the people celebrate, marry, and mourn? Where did they go on pilgrimage? Contributors include: Derek Krueger, University of North Carolina at Greensboro; Vasiliki Limberis, Temple University; Georgia Frank, Colgate University; James Skedros, Holy Cross Greek Orthodox School of Theology; Nicholas Constas, Harvard University; Sharon Gerstel, University of Maryland; Peter Hatlie, University of Dallas at Rome; Charles Barber, University of Notre Dame; Brigitte Pitarakis, Centre National de la Recherche Scientifique, Paris; Alice-Mary Talbot, Dumbarton Oaks; Jaclyn Maxwell, Ohio University