(FAQ). There are few modern animated television shows that could survive over a decade and a half and remain as funny... or as stupid... or as sick... or as depraved... today as when they started. Even fewer can claim to cater to "mature" audiences, while their critics complain that everything about the show is immature. And fewer still where, for the first decade or so, one of the main characters was killed off every week. Then returned, no worse for wear, seven days later. That, however, is the world of South Park , and this is a book about that world. A journey through the lives, times, and catastrophes that have established the tiny mountain town of South Park, Colorado, as America's favorite dysfunctional community. A voyage into a universe where Barbra Streisand is reborn as a Japanese monster movie; where Kentucky Fried Chicken is a registered drug; where Canada is forever on a footing for war; and where we discover that even feces love Christmas. From Zebulon Pike to Chef, from Brian Boitano to Mel Gibson, from "Super Best Friends" to South Park: Bigger, Longer & Uncut , it's all covered in South Park FAQ . Featuring A-Z coverage of the all the characters readers have come to know and the stories behind the episodes, it also includes an episode guide and an appendix of all of the songs featured in South Park . Nothing is sacred and nobody is safe. Even physical and emotional disabilities are just another banana skin for someone to slip on, and the term "politically correct" has been translated into "oh good, you're getting annoyed." It is a place where ... you get the picture. This is not Bambi !

Trey Parker and Matt Stone’s long-running Comedy Central hit cartoon South Park has been equally cheered and reviled for its edgy humor, poited satire of current events and celebrities, and all-around obnoxiousness. But is there more to Kyle, the lonely Jew, Timmy and the Crips, Cartman’s bitchiness, Chef’s inappropriate advice, and Kenny’s continued violent deaths than meets the eye? This collection of essays affirms that possibility. Individual chapters take a sometimes witty, often provocative look at “Is South Park a Libertarian Manifesto?", "That's So Gay!", and "Why Is Cartman Such an Asshole?”. The writers apply classical philosophical analysis to this two-dimensional dystopia, whether in Paul Draper’s “Why Good Things Happen to Bad People — The Problem of Evil in South Park” or Randall Auxier’s “Finding South Park on the Map: Officer Barbrady, Mayor McDaniel, and Chef in Plato’s Republic.” South Park and Philosophy presents new and thoughtful approaches to understanding this surprisingly meaningful show.

If you think Saddam and Satan make a kinky couple, wait till you get a load of South Park and Philosophy. Get your Big Wheels ready, because we’re going for a ride, as 22 philosophers take us down the road to understanding the big-picture issues in this small mountain town. A smart and candid look at one of television’s most subversive and controversial shows, celebrating its 10th anniversary this year Draws close parallels between the irreverent nature of South Park and the inquiring and skeptical approach of philosophy Addresses the perennial questions of the show, and the contemporary social and political issues that inspire each episode Uses familiar characters and episodes to illustrate topics such as moral relativism, freedom of expression, gay marriage, blasphemy, democracy, feminism, animal ethics, existential questions and much more makes you laugh out loud

Collection of scholarly essays on the wildly popular Comedy Central show.

Enlightenment from the South Park gang faster than you can say, "Screw you guys, I'm going home"! The Ultimate South Park and Philosophy: Respect My Philosophah! presents a compilation of serious philosophical reflections on the twisted insights voiced by characters in TV’s most irreverent animated series. Offers readers a philosophically smart and candid approach to one of television’s most subversive and controversial shows as it enters its 17th season Draws sharp parallels between the irreverent nature of South Park and the inquiring and skeptical approach of Western philosophy Journeys deep beyond the surface of the show’s scatological humor to address the perennial questions raised in South Park and the contemporary social and political issues that inspire each episode Utilizes familiar characters and episodes to illustrate such philosophical topics as moral relativism, freedom of expression, gay marriage, blasphemy, democracy, feminism, animal ethics, existential questions, and much more It’s a Bigger, Longer & Uncut version of the highly acclaimed South Park and Philosophy: You Know, I Learned Something Today—and is guaranteed to be much funnier than killing Kenny

A lively history of American libertarianism and its decay into dangerous fantasy. In 2010 in South Fulton, Tennessee, each household paid the local fire department a yearly fee of $75.00. That year, Gene Cranick's house accidentally caught fire. But the fire department refused to come because Cranick had forgotten to pay his yearly fee, leaving his home in ashes. Observers across the political spectrum agreed—some with horror and some with enthusiasm—that this revealed the true face of libertarianism. But libertarianism did not always require callous indifference to the misfortunes of others. Modern libertarianism began with Friedrich Hayek’s admirable corrective to the Depression-era vogue for central economic planning. It resisted oppressive state power. It showed how capitalism could improve life for everyone. Yet today, it's a toxic blend of anarchism, disdain for the weak, and rationalization for environmental catastrophe. Libertarians today accept new, radical arguments—which crumble under scrutiny—that justify dishonest business practices and Covid deniers who refuse to wear masks in the name of “freedom.” Andrew Koppelman’s book traces libertarianism's evolution from Hayek’s moderate pro-market ideas to the romantic fabulism of Murray Rothbard, Robert Nozick, and Ayn Rand, and Charles Koch’s promotion of climate change denial. Burning Down the House is the definitive history of an ideological movement that has reshaped American politics.

Popular culture often champions freedom as the fundamentally American way of life and celebrates the virtues of independence and self-reliance. But film and television have also explored the tension between freedom and other core values, such as order and political stability. What may look like healthy, productive, and creative freedom from one point of view may look like chaos, anarchy, and a source of destructive conflict from another. Film and television continually pose the question: Can Americans deal with their problems on their own, or must they rely on political elites to manage their lives? In this groundbreaking work, Paul A. Cantor explores the ways in which television shows such as Star Trek, The X-Files, South Park, and Deadwood and films such as The Aviator and Mars Attacks! have portrayed both top-down and bottom-up models of order. Drawing on the works of John Locke, Adam Smith, Alexis de Tocqueville, and other proponents of freedom, Cantor contrasts the classical liberal vision of America -- particularly its emphasis on the virtues of spontaneous order -- with the Marxist understanding of the "culture industry" and the Hobbesian model of absolute state control. The Invisible Hand in Popular Culture concludes with a discussion of the impact of 9/11 on film and television, and the new anxieties emerging in contemporary alien-invasion narratives: the fear of a global technocracy that seeks to destroy the nuclear family, religious faith, local government, and other traditional bulwarks against the absolute state.

In this pathbreaking book, Pierre Charbonnier opens up a new intellectual terrain: an environmental history of political ideas. His aim is not to locate the seeds of ecological thought in the history of political ideas as others have done, but rather to show that all political ideas, whether or not they endorse ecological ideals, are informed by a certain conception of our relationship to the Earth and to our environment. The fundamental political categories of modernity were founded on the idea that we could improve on nature, that we could exert a decisive victory over its excesses and claim unlimited access to earthly resources. In this way, modern thinkers imagined a political society of free individuals, equal and prosperous, alongside the development of industry geared towards progress and liberated from the Earth’s shackles. Yet this pact between democracy and growth has now been called into question by climate change and the environmental crisis. It is therefore our duty today to rethink political emancipation, bearing in mind that this can no longer draw on the prospect of infinite growth promised by industrial capitalism. Ecology must draw on the power harnessed by nineteenth-century socialism to respond to the massive impact of industrialization, but it must also rethink the imperative to offer protection to society by taking account of the solidarity of social groups and their conditions in a world transformed by climate change. This timely and original work of social and political theory will be of interest to a wide readership in politics, sociology, environmental studies and the social sciences and humanities generally.