The Lengest Neoi embraces and complicates what it means to err--to wander or go astray; a deviation from a code of behavior or truth; a mistake, flaw, or defect. In this collection from Stephanie Choi, you'll find the poet's "tongue writing herself, learning to speak."

The pilgrimage to Mecca, or Hajj, has been a yearly phenomenon of great importance in Muslim lands for well over one thousand years. Each year, millions of pilgrims from throughout the Dar al-Islam, or Islamic world, stretching from Morocco east to Indonesia, make the trip to Mecca as one of the five pillars of their faith. By the end of the nineteenth century, and the beginning of the twentieth, fully half of all pilgrims making the journey in any given year could come from Southeast Asia. The Longest Journey, spanning eleven modern nation-states and seven centuries, is the first book to offer a history of the Hajj from one of Islam's largest and most important regions.

Two parts of this three part book are based upon fact: anti-Semitism and World War 2. One part of this book represents a fiction tale involving World War 2 Jewish refugees and Russian army soldiers teamed up for behind the lines partisan warfare against the invading Nazi army.

Trouble the Waters gathers the tidal force of bestselling, renowned writers from Lagos to New Orleans, Memphis to Copenhagen, Northern Ireland and London, offering extraordinary speculative fiction tales of ancient waters in all its myriad forms. Meet techno savvy water spirits, bayou saints and sirens, robots and river rootwomen, a pod of joyful space whales, and a castle of water-born terrors and mysteries. Including work by Nalo Hopkinson, Jaquira Diaz, Andrea Hairston, Linda D. Addison, Rion Amilcar Scott, Marie Vibbert, Maurice Broaddus, and other breakout beautiful voices, these stories and poems celebrate the most vital of elemental forces, water.

The first comprehensive collection on the subject of Hong Kong neo-noir cinema, this book examines the way Hong Kong has developed its own unique and culturally specific version of the neo-noir genre, while at the same time drawing on and adapting existing international noir cinemas. With a range of contributions from established and emerging scholars, this book illuminates the origins of Hong Kong neo-noir, its styles and contemporary manifestations, and its connection to mainland China. Case studies include classics such as The Wild Wild Rose (1960) and more recent films like Full Alert (1997) and Exiled (2007), as well as an in-depth look at the careers of iconic figures like Johnnie To and Jackie Chan. By examining at its past and its contemporary development, Hong Kong Neo-Noir also points towards the genre's possible future development.

With an introduction by Gregor Benton. The Longest Night tells the story of Chinese Trotskyism in its later years, including after Mao Zedong's capture of Beijing in 1949. It treats the three ages of Chinese Trotskyism: the founding generation around Chen Duxiu, Zheng Chaolin, Wang Fanxi, and Peng Shuzhi, who joined the Opposition after their expulsion from the Chinese Communist Party (CCP); the first generation of those who (after 1931) did not first pass through the ranks of the CCP before becoming Trotskyists; and those who became Trotskyists after 1949, mainly in Hong Kong and the diaspora.

Perry Rhodan has discovered a huge space ship, an ark in space, carrying a population of humans who set out on their journey 55,000 years ago, from Earth - Lemurians, the legendary forefathers of mankind. A new onslaught of the Beasts is imminent. These organic killing machines have learned about the arks and used them - unnoticed by their inhabitants - for their own purposes. Meanwhile Levian Parron sets out to go back in time to undo the onslaught, including 55,000 years of history. Only Perry Rhodan can stop the Beasts as well as Levian Parron ...

The New Earth Odyssey continues and the Quest for the Stone of Power begins. Book Two finds the Company of the Quest meeting in Wissenval where a Council is held to determine how to best unite the White Stone with the three lesser stones to crown the Emperor Returned.

African Americans once passed as whites to escape the pains of racism. Today's neo-passing has pushed the old idea of passing in extraordinary new directions. A white author uses an Asian pen name; heterosexuals live "out" as gay; and, irony of ironies, whites try to pass as black. Mollie Godfrey and Vershawn Ashanti Young present essays that explore practices, performances, and texts of neo-passing in our supposedly postracial moment. The authors move from the postracial imagery of Angry Black White Boy and the issues of sexual orientation and race in ZZ Packer's short fiction to the politics of Dave Chappelle's skits as a black President George W. Bush. Together, the works reveal that the questions raised by neo-passing—questions about performing and contesting identity in relation to social norms—remain as relevant today as in the past. Contributors: Derek Adams, Christopher M. Brown, Martha J. Cutter, Marcia Alesan Dawkins, Michele Elam, Alisha Gaines, Jennifer Glaser, Allyson Hobbs, Brandon J. Manning, Loran Marsan, Lara Narcisi, Eden Osucha, Gayle Wald, and Deborah Elizabeth Whaley