Could the Great Pyramid of Giza be a repository of ancient magical knowledge? Or perhaps evidence of a vanished pre–Ice Age civilization? Misinformation and myths have attached themselves to the Egyptian pyramids since ancient Greece and Rome. While many Americans believe that the pyramids were built by aliens, archaeologists understand that the Giza pyramids were built by the pharaohs of the Fourth Dynasty around 2450 BCE. So why is there such a disconnect between scholarly opinion and the popular view of Egypt? In The Legends of the Pyramids, Jason Colavito takes us back to Late Antique Egypt, where the replacement of polytheism with Christianity gave rise to local efforts to rewrite the stories of Egyptian history in the image of the Bible. When the Arab conquest absorbed Egypt into the Islamic community, these stories then passed into Islamic historiography and reentered the West. Colavito's The Legends of the Pyramids lays open pop culture's view of Egypt in movies, TV shows, popular books, and New Age beliefs, detailing how the hidden history of Egypt has grown alongside the official history of archaeology and Egyptology.

Could the Great Pyramid of Giza be a repository of ancient magical knowledge? Or perhaps evidence of a vanished pre–Ice Age civilization? Misinformation and myths have attached themselves to the Egyptian pyramids since ancient Greece and Rome. While many Americans believe that the pyramids were built by aliens, archaeologists understand that the Giza pyramids were built by the pharaohs of the Fourth Dynasty around 2450 BCE. So why is there such a disconnect between scholarly opinion and the popular view of Egypt? In The Legends of the Pyramids, Jason Colavito takes us back to Late Antique Egypt, where the replacement of polytheism with Christianity gave rise to local efforts to rewrite the stories of Egyptian history in the image of the Bible. When the Arab conquest absorbed Egypt into the Islamic community, these stories then passed into Islamic historiography and reentered the West. Colavito's The Legends of the Pyramids lays open pop culture's view of Egypt in movies, TV shows, popular books, and New Age beliefs, detailing how the hidden history of Egypt has grown alongside the official history of archaeology and Egyptology.

2008 — Leeds Honor Book in Urban Anthropology – Society for Urban, National, and Transnational/Global Anthropology Living in Egypt at the turn of the millennium, cultural anthropologist L. L. Wynn was struck by the juxtapositions of Western, Gulf Arab, and Egyptian viewpoints she encountered. For some, Egypt is the land of mummies and pharaohs. For others, it is a vortex of decadence, where nightlife promises a chance to salivate over belly dancers and maybe even glimpse a movie star. Offering a new approach to ethnography, Pyramids and Nightclubs examines cross-cultural encounters to bring to light the counterintuitive ways in which Egypt is defined. Guiding readers on an armchair journey that introduces us to Russian and Australian belly dancers on Nile cruise ships, Egyptian rumors about an Arab prince and his royal entourage, Saudi girls looking for a less restrictive dating scene, and other visitors to this "antique" land, Wynn uses the lens of travel and tourism to depict a fascinating and often surprising version of Egypt, while exploring the concept of stereotype itself. Tracing the history of Western and Arab fascination with Egypt through spurious hunts for lost civilizations and the new economic disparities brought about by the oil industry, Pyramids and Nightclubs ultimately describes the ways in which moments of cultural contact, driven by tourism and labor migration, become eye-opening opportunities for defining self and other.

Is it a mere coincidence that pyramids are found throughout our globe? Did cultures ranging across vast spaces in geography and time, such as the ancient Egyptians; early Bud-dhists; the Maya, Inca, Toltec, and Aztec civilizations of the Americas; the Celts of the British Isles; and even the Mississippi Indians of pre-Columbus Illinois, simply dream the same dreams and envision the same structures? Robert M. Schoch-one of the world's preeminent geologists in recasting the date of the building of the Great Sphinx-believes otherwise. In this dramatic and meticulously reasoned book, Schoch, like anthropologist Thor Heyerdahl in his classic Kon-Tiki, argues that ancient cultures traveled great distances by sea. Indeed, he believes that primeval sailors traveled from the Eastern continent, primarily Southeast Asia, and spread the idea of pyramids across the globe, particularly to the New World of the Americas where they abounded until the days of the Conquistadors.

Exploring Egypt's lost underworld for the first time"--Cover

Originally published: London: Bodley Head, 1967.

This book offers an explanation of how the Great Pyramid was designed and built.

Myths and Legends of Ancient Egypt The dead man was practically at the mercy of the living for subsistence in the otherworld. Unless his kinsmen continued their offerings to him he was indeed in bad case, for his ka would starve. This ka was his double, and came into the world at the same time as himself. It must be sharply distinguished from the ba, or soul, which usually took the form of a bird after the death of its owner, and, indeed, was capable of assuming such shape as it chose if the funeral ceremonies were carried out correctly. Some Egyptologists consider the ka to be the special active force which imbues the human being with life, and it may be equivalent to the Hebrew expression 'spirit' as apart from 'soul.' In the book of Genesis we are informed that God breathed the breath of life into man and he lived. In like manner did He lay His arms behind the primeval gods, and forthwith His ka went up over them, and they lived. When the man died his ka quitted the body, but did not cease to take an interest in it, and on occasion even reanimated it. It was on behalf of the ka that Egyptian tombs were so well furnished with food and drink, and the necessities, not to say the luxuries, of existence.

What mystical secrets lie beneath the Great Pyramids? Traveling with Napoleon's ambitious expedition, American adventurer Ethan Gage solves a five-thousand-year-old riddle with the help of a mysterious medallion. William Dietrich's books have been hailed for their vivid imagery, evocative atmospheres, impeccable historical accuracy, and ambitious plots. Now, in the breakout novel of his career, he delivers an enthralling story of intrigue, greed, and danger. Ethan Gage, assistant to Ben Franklin and expatriate American in post-revolutionary France, wins an ancient—and possibly cursed—medallion in a card game one night. It turns out that the medallion, covered in seemingly indecipherable symbols, may be linked to a Masonic mystery. That same night, however, Ethan is framed for a prostitute's murder and barely escapes France with his life. Faced with either prison or death, Gage is offered a third choice: to accompany the new emperor, Napoleon Bonaparte, as France sails to conquer Egypt—with Lord Nelson's fleet following close behind. Once Gage arrives, he encounters incredible surprises: one in the form of a beautiful Macedonian slave and another in the dawning knowledge that the medallion may solve one of the greatest riddles of history—who built the Great Pyramids, and why. What is revealed to Gage is more shocking than anyone could ever have imagined. Moving from the lascivious salons of post-revolutionary Paris to the Mediterranean's high seas to the treacherous sands of Egypt, Napoleon's Pyramids is a riveting, action-packed thriller that will captivate readers and introduce them to this supremely talented author.