Published In 1978 In Tamil, This Book Is A Superbly Contemporary Drama About A Seventh-Century Hero In A Clash Between High-Caste Hindus And The Suppressed People Of Atypical Tamil Village.

Compelled to leave his native village in South Tamil Nadu with his widow mother who was brutally raped and his teenage sister, the 17-year-old boy arrive at the door steps of a Motor Workshop owned by a Punjabi in a small town near Chennai. He accidentally kills three thugs of a local politician. He becomes an assassin when he kills the local powerful politician as secretly ordered by the District Police Chief. During the course of time, he forms a team of assassins. With the help Police Chief friend, he gets contract for killing bad people for money. In a few years he becomes a popular and dreaded assassin through dark web world. Chasing a victim from Mumbai to Los Angeles, California USA to execute a contract, he was introduced to FBI/CIA. After this he gets regular contract from CIA and other crime syndicates in the world. He executes various contracts not only in India but also in USA, Venezuela, Italy, Dubai, Hongkong and other countries. With the money earned from his profession, he starts building a city of his own, which was his dream.

The narrative of this book is built around the historical experiences of the Paraiyars of Tamil Nadu. The author traces the transformation of the Paraiyars from an ‘untouchable’ and socially despised community to one that came to acquire prominence in the political scene of Tamil Nadu, especially in early 20th century. Through this framework, the book studies a number of issues: subaltern history, colonial ethnography, agrarian systems, agrarian bondage, land legislations, and the interventions by missionaries and social and political organizations.

Kaustav Chakraborty (PhD) is Assistant Professor, Department of English, Southfield (formerly Loreto) College, Darjeeling, West Bengal. He has authored one book and also edited a volume of critical essays. Dr. Chakraborty has contributed many articles in reputed national journals and anthologies. This edited volume on Indian Drama in English, including Indian plays in English translation, with contributions from experts specializing on the different playwrights, covers the works of major dramatists who have given a distinctive shape to this enormous mass of creative material. This comprehensive and well-researched text, in its second edition, continues to explore the major Indian playwrights in English. It encompasses works like Rabindranath Tagore’s Red Oleanders; Vijay Tendulkar’s Silence! The Court is in Session, Kanyadaan, The Vultures, and Kamala; Girish Karnad’s Hayavadana, Tughlaq, Naga Mandala, and The Fire and the Rain; Mahasweta Devi’s The Mother of 1084; Mahesh Dattani’s Final Solutions, Tara, Dance Like a Man, and Bravely Fought the Queen; Habib Tanvir’s Charandas Chor; Indira Parthasarathy’s Auranzeb; and Badal Sircar’s Evam Indrajit. The book focuses on different aspects of their plays and shows how the Indian Drama in English, while maintaining its relation with the tradition, has made bold innovations and fruitful experiments in terms of both thematic and technical excellence. New to This Edition The new edition incorporates two new essays on very popular plays of all times—one, Manipuri dramatist Ratan Thiyam’s Chakravyuh, and the second, Maharashtrian playwright, Mahesh Elkunchwar‘s Desire in the Rocks. The essays added give a panoramic view of the plays in succinct style and simple language. The book is intended for the undergraduate and postgraduate students of English literature. Besides, it will also be valuable for those who wish to delve deeper into the plays covered and analyzed in the text.

The importance of Antonio Gramsci's work for postcolonial studies can hardly be exaggerated, and in this volume, contributors situate Gramsci's work in the vast and complex oeuvre of postcolonial studies. Specifically, this book endeavors to reassess the impact on postcolonial studies of the central role assigned by Gramsci to culture and literature in the formation of a truly revolutionary idea of the national--a notion that has profoundly shaped the thinking of both Frantz Fanon and Edward Said. Gramsci, as Iain Chambers has argued, has been instrumental in helping scholars rethink their understanding of historical, political, and cultural struggle by substituting the relationship between tradition and modernity with that of subaltern versus hegemonic parts of the world. Combining theoretical reflections and re-interpretations of Gramsci, the scholars in this collection present comparative geo-cultural perspectives on the meaning of the subaltern, passive revolution, hegemony, and the concept of national-popular culture in order to chart out a political map of the postcolonial through the central focus on Gramsci.