A literary figure often overshadowed by his famed wife, Sylvia Plath, and their troubled marriage, Ted Hughes was a brilliant poet in his own right who wrote some of the most important British poetry of the twentieth century. The first in-depth study of Hughes’s personal papers published after his death, The Laughter of Foxes, is here offered in a newly revised second edition. An intimate yet critical survey of Hughes’s work, The Laughter of Foxes is penned by an acclaimed scholar and one of Hughes’ closest friends. Keith Sagar probes all aspects of the poet's life and work, delving into the specifics of his life as revealed by his writings and correspondence. A wide array of topics—including the mythic imagination, the poetic relationship between Plath and Hughes, and a detailed analysis of Hughes’s poem “A Dove Came” through its evolving drafts—reveals fascinating new avenues of literary and biographical analysis in Hughes’s work. Augmenting the rich text in this edition are excerpts of letters from Hughes to Sagar, a detailed chronology of Hughes’s life by Ann Skea, and the first publication of the story "Crow." Sagar also revisits his original introduction in this new edition, expanding it with additional insights into Hughes’s poetry as well as a detailed account of Hughes’s version of Euripedes’ Alcestis. A compelling study that the Daily Telegraph called “invaluable for anyone interested in Hughes’ work,” The Laughter of Foxes unearths the man behind the myth who struggled to transform his imaginative life from pain into hope.

Best-selling poet and painter Richard Siken uses strong, bold strokes to reveal a world abstract, concrete, and exquisitely complex.

A 2019 Theodore Seuss Geisel Award Honoree NPR Best Books of the Year, New York Times Notable Children's Book, Boston Globe Best Book of the Year Join the dynamic, yet opposite duo as they learn to appreciate differences among friends: Fox and Chick don't always agree, but Fox and Chick are always friends. With sly humor and companionable warmth, Sergio Ruzzier deftly captures the adventures of these seemingly opposite friends. With spare text and airy images, this early chapter book is also accessible to a picture book audience. • Book teaches a lesson about accepting and cherishing our differences through sweet and funny characters as they embark on silly adventures • Luminous watercolor images showcased in comic-book panel form will entice emerging readers, keeping them engaged and wanting more • Sergio Ruzzier is a Sendak Fellow whose work has been lauded by the Society of Illustrators, Communication Arts, and the Society of Publication Designers "A subtle lesson, couched in humor: We can be friends with people who aren't just like us." — The New York Times • Great family and classroom read-aloud book • Books for kids ages 5-8 • Books for early and emergent readers

Tucked away in Siberia, there are furry, four-legged creatures with wagging tails and floppy ears that are as docile and friendly as any lapdog. But, despite appearances, these are not dogs—they are foxes. They are the result of the most astonishing experiment in breeding ever undertaken—imagine speeding up thousands of years of evolution into a few decades. In 1959, biologists Dmitri Belyaev and Lyudmila Trut set out to do just that, by starting with a few dozen silver foxes from fox farms in the USSR and attempting to recreate the evolution of wolves into dogs in real time in order to witness the process of domestication. This is the extraordinary, untold story of this remarkable undertaking. Most accounts of the natural evolution of wolves place it over a span of about 15,000 years, but within a decade, Belyaev and Trut’s fox breeding experiments had resulted in puppy-like foxes with floppy ears, piebald spots, and curly tails. Along with these physical changes came genetic and behavioral changes, as well. The foxes were bred using selection criteria for tameness, and with each generation, they became increasingly interested in human companionship. Trut has been there the whole time, and has been the lead scientist on this work since Belyaev’s death in 1985, and with Lee Dugatkin, biologist and science writer, she tells the story of the adventure, science, politics, and love behind it all. In How to Tame a Fox, Dugatkin and Trut take us inside this path-breaking experiment in the midst of the brutal winters of Siberia to reveal how scientific history is made and continues to be made today. To date, fifty-six generations of foxes have been domesticated, and we continue to learn significant lessons from them about the genetic and behavioral evolution of domesticated animals. How to Tame a Fox offers an incredible tale of scientists at work, while also celebrating the deep attachments that have brought humans and animals together throughout time.

A spellbinding animal story from War Horse author and former Children's Laureate, Michael Morpurgo.

The fourteen contributors to this new collection of essays begin with Ted Hughes’s proposition that ‘every child is nature’s chance to correct culture’s error.’ Established Hughes scholars alongside new voices draw on a range of approaches to explore the intricate relationships between the natural world and cultural environments — political, as well as geographical — which his work unsettles. Combining close readings of his encounters with animals and places, and explorations of the poets who influenced him, these essays reveal Ted Hughes as a writer we still urgently need. Hughes helps us manage, in his words, ‘the powers of the inner world and the stubborn conditions of the other world, under which ordinary men and women have to live’.

From Paris to London to wartime New York, a young woman comes of age—and comes apart—in this witty novel by the author of The Man Who Loved Children. When Letty Fox first arrives in Manhattan, her goal is to escape her chaotic upbringing in London and Paris and the cynicism of her family, and create a fresh new start. This will be the existence she dreamed of—flitting from affair to affair, debating social issues over martinis, and finishing that novel about Robespierre that will make her envied by all the right people. Yet, Letty is at odds with both the city and herself: sexually adventurous yet fidgety for lasting romance, radically independent yet conservative, as likely to be betrayed by friends as she is to betray. And when Letty runs through the streets of Greenwich Village, it’s as much to unleash her glorious appetite for life as it is to suppress the “black moods” that always threaten to derail it. “No wonder [Christina Stead’s] work has reminded many of Tolstoy, Ibsen, Joyce,” said the New York Times Book Review. When this poisonously funny satire of the American bourgeoisie was first published in 1947, it was banned in the author’s native Australia, and met with alarm by stateside critics for its moral ambiguity. Ahead of its time with its vibrant and furious heroine, it is destined for rediscovery. From an author Saul Bellow called “really marvelous,” Letty Fox is a “merciless, cruel, and magnificently unforgiving” comedy of manners (Angela Carter, London Review of Books).

Named to the Evanston Public Library's Blueberry List: Kids' Book that Inspire Love of Nature and Action for Planet Earth Selected for the Notable Social Studies 2022 list Named to the ALA Notable Children's Books 2022 “Wowww!”—– Raina Telgemeier, #1 NY Times, #1 USA Today, #1 Publishers Weekly bestselling author/illustrator KIRKUS STAR: Lustrous illustrations and meditative text reflect on the role of smoke in nature and civilization... Smoke dissipates quickly, but this poetic text will linger. KIRKUS'S LIST OF 150 MOST ANTICIPATED FALL 2021 BOOKS Smoke itself acts as narrator, telling us how it has served humankind since prehistoric times in signaling, beekeeping, curing and flavoring food, religious rites, fumigating insects, and myriad other ways. Smoke speaks in mesmerizing riddles: “I lack a mouth, but I can speak…. I lack hands, but I can push out unwanted guests…. I’m gentler than a feather, but I can cause harm…". This rhythmically powerful narration is complemented by illustrations in which swirling smoke was captured on art paper held over smoky candle flames, and the dancing smoke textures were then deepened and elaborated with watercolors and Photoshop finishes. With this unique method, Merce López “let the smoke decide how the idea I had in mind would dance with it, giving freedom to the images.” The resulting illustrations are astounding, and they resonate with the otherworldly text.