In The Last Good Neighbor Eric Zolov presents a revisionist account of Mexican domestic politics and international relations during the long 1960s, tracing how Mexico emerged from the shadow of FDR's Good Neighbor policy to become a geopolitical player in its own right during the Cold War. Zolov shows how President Adolfo López Mateos (1958–1964) leveraged Mexico's historical ties with the United States while harnessing the left's passionate calls for solidarity with developing nations in a bold attempt to alter the course of global politics. During this period, Mexico forged relationships with the Soviet Bloc, took positions at odds with US interests, and entered the scene of Third World internationalism. Drawing on archival research from Mexico, the United States, and Britain, Zolov gives a broad perspective on the multitudinous, transnational forces that shaped Mexican political culture in ways that challenge standard histories of the period.

INSTANT NEW YORK TIMES BESTSELLER * One of NPR's Best Books of 2020 "A provocative, absorbing read." — People “A feast of a read... I finished A Good Neighborhood in a single sitting. Yes, it’s that good.” —Jodi Picoult, #1New York Times bestselling author of Small Great Thingsand A Spark of Light In Oak Knoll, a verdant, tight-knit North Carolina neighborhood, professor of forestry and ecology Valerie Alston-Holt is raising her bright and talented biracial son, Xavier, who’s headed to college in the fall. All is well until the Whitmans—a family with new money and a secretly troubled teenage daughter—raze the house and trees next door to build themselves a showplace. With little in common except a property line, these two families quickly find themselves at odds: first, over an historic oak tree in Valerie's yard, and soon after, the blossoming romance between their two teenagers. A Good Neighborhood asks big questions about life in America today—what does it mean to be a good neighbor? How do we live alongside each other when we don't see eye to eye?—as it explores the effects of class, race, and heartrending love in a story that’s as provocative as it is powerful.

“A modern-day Crucible….Beneath the surface of a suburban utopia, madness lurks.” —Liv Constantine, bestselling author of The Last Mrs. Parrish “Sarah Langan is a phenomenal talent with a wicked sense of wry humor. Good Neighbors knocked me out. Like Shirley Jackson, Langan’s work blends a bleak streak with an underlying sense of the humane that wrung my heart.” —Victor LaValle, author of The Changeling Celeste Ng’s enthralling dissection of suburbia meets Shirley Jackson’s creeping dread in this propulsive literary noir, when a sudden tragedy exposes the depths of deception and damage in a Long Island suburb—pitting neighbor against neighbor and putting one family in terrible danger. Welcome to Maple Street, a picture-perfect slice of suburban Long Island, its residents bound by their children, their work, and their illusion of safety in a rapidly changing world. Arlo Wilde, a gruff has-been rock star who’s got nothing to show for his fame but track marks, is always two steps behind the other dads. His wife, beautiful ex-pageant queen Gertie, feels socially ostracized and adrift. Spunky preteen Julie curses like a sailor and her kid brother Larry is called “Robot Boy” by the kids on the block. Their next-door neighbor and Maple Street’s Queen Bee, Rhea Schroeder—a lonely community college professor repressing her own dark past—welcomes Gertie and family into the fold. Then, during one spritzer-fueled summer evening, the new best friends share too much, too soon. As tensions mount, a sinkhole opens in a nearby park, and Rhea’s daughter Shelly falls inside. The search for Shelly brings a shocking accusation against the Wildes that spins out of control. Suddenly, it is one mom’s word against the other’s in a court of public opinion that can end only in blood. A riveting and ruthless portrayal of American suburbia, Good Neighbors excavates the perils and betrayals of motherhood and friendships and the dangerous clash between social hierarchy, childhood trauma, and fear.

Izzy Lane never thought of herself as a liar. In fact, she's always played by the rules. She's an excellent mother, has loyal friends, and a rich career as a school counselor. Fresh from a new divorce, however, Izzy feels like she needs a little fun. So when, on a whim, she starts a blog it seems like a rather benign indulgence. But as her online quips begin to gain traction, Izzy makes a slip. Somehow a new boyfriend winds his way into the picture. The problem? Izzy makes him up. What, at first, feels like a harmless fib quickly spins out of control and Izzy must figure out how to balance fantasy and reality. Keeping up appearances while managing an absent ex-husband, two very nosy friends, a toddler son, and full-time job soon prove impossible, and Izzy feels utterly lost. It's only when her long-time neighbor and surrogate mother, Mrs. Feldman, re-enters her life that Izzy begins to see the mess she's made. And it's with Mrs. Feldman's guidance that Izzy learns to face reality, find comfort in new norms, and open herself up to the possibility of real love.

The New York Times bestseller: “A superb, thoughtful biography” of the creator and star of Mister Rogers’ Neighborhood (David McCullough). Fred Rogers was an enormously influential figure in the history of television and in the lives of tens of millions of children. Through his long-running television program, he was a champion of compassion, equality, and kindness. Rogers was fiercely devoted to children and to taking their fears, concerns, and questions about the world seriously. The Good Neighbor, the first full-length biography of Fred Rogers, tells the story of this utterly unique and enduring American icon. Drawing on original interviews, oral histories, and archival documents, Maxwell King traces Rogers’s personal, professional, and artistic life through decades of work. King explores Rogers’s surprising decision to walk away from his show to make television for adults, only to return to the neighborhood with increasingly sophisticated episodes, written in collaboration with experts on childhood development. An engaging story, rich in detail, The Good Neighbor is the definitive portrait of a beloved figure, cherished by multiple generations.

"This book traces the history of rock 'n' roll in Mexico and the rise of the native countercultural movement La Onda (the wave). This story frames the most significant crisis of Mexico's postrevolution period: the student-led protests in 1968 and the government-orchestrated massacre that put an end to the movement".--BOOKJACKET.

A history of Walt Disney's cartoons set in Latin America as part of the Good Neighbor program initiated by Nelson Rockefeller during the early 1940s.

A study of how and why US-Latin American relations changed in the 1930s: “Brilliant . . . [A] charming and perceptive work.” ―Foreign Affairs During the 1930s, the United States began to look more favorably on its southern neighbors. Latin America offered expanded markets to an economy crippled by the Great Depression, while threats of war abroad nurtured in many Americans isolationist tendencies and a desire for improved hemispheric relations. One of these Americans was Franklin Delano Roosevelt, the primary author of America’s Good Neighbor Policy. In this thought-provoking book, Bolton Prize winner Fredrick Pike takes a wide-ranging look at FDR’s motives for pursuing the Good Neighbor Policy, how he implemented it, and how its themes played out up to the mid-1990s. Pike’s investigation goes far beyond standard studies of foreign and economic policy. He explores how FDR’s personality and Eleanor Roosevelt’s social activism made them uniquely simpático to Latin Americans. He also demonstrates how Latin culture flowed north to influence U.S. literature, film, and opera. This book is essential reading for everyone interested in hemispheric relations.

DIVThe first cultural history of post-1940s Mexico to relate issues of representation and meaning to questions of power; it includes essays on popular music, unions, TV, tourism, cinema, wrestling, and illustrated magazines./div

The Good Neighbor Policy was tested to the breaking point by Argentina-U.S. relations during World War II. In part, its durability had depended both upon the willingness of all American republics to join with the United States in resisting attempts by extrahemispheric sources to intervene in New World affairs and upon continuity within the United States foreign-policy establishment. During World War II, neither prerequisite was satisfied, Argentina chose to pursue a neutralist course, and the Latin American policy of the United States became the subject of a bitter bureaucratic struggle within the Roosevelt administration. Consequently, the principles of nonintervention and noninterference, together with “absolute respect for the sovereignty of all states,” ceased to be the guideposts of Washington’s hemispheric policy. In this study, Randall Bennett Woods argues persuasively that Washington’s response to Argentine neutrality was based more on internal differences—individual rivalries and power struggles between competing bureaucratic empires—than on external issues or economic motives. He explains how bureaucratic infighting within the U.S. government, entirely irrelevant to the issues involved, shaped important national policy toward Argentina. Using agency memoranda, State Department records, notes on conversations and interviews, memoirs, and personal archives of the participants, Woods looks closely at the rivalries that swayed the course of Argentine-American relations. He describes the personal motives and goals of men such as Sumner Welles, Cordell Hull, Henry Morgenthau, Harry Dexter White, Henry A. Wallace, and Milo Perkins. He delineates various cliques within the State Department, including the contending groups of Welles Latin Americanists and Hull internationalists—and describes the power struggles between the State Department, the Treasury Department, the Board of Economic Welfare, the Caribbean Defense Command, and other agencies. Of special interest to students of contemporary history will be Woods’s discussion of the careers and views of Juan Peron and Nelson Rockefeller—for American policy contributed in no small way to Peron’s rise, and Rockefeller was the man chiefly responsible for the U.S. rapprochement with Argentina in 1944-45. Woods also gives special attention to the impact of the Wilsonian tradition—especially its contradictions—on policy formation. The last chapter, dealing with Argentina’s admission to the U.N., sheds some light on the origins of the Cold War. Wood’s investigation of the Argentine problem makes a significant contribution toward the understanding of U.S.-Latin American relations in the era of the Good Neighbor Policy, and provides new insights into the evolution of hemispheric policy as a whole during World War II. It reflects the growing emphasis on bureaucratic politics as a principal determinant of U.S. diplomacy.