"A can't-put-it-down modern Western." —Kirk Siegler, NPR Longlisted for the PEN/ESPN Award for Literary Sports Writing The Last Cowboys is Pulitzer Prize-winning reporter John Branch’s epic tale of one American family struggling to hold on to the fading vestiges of the Old West. For generations, the Wrights of southern Utah have raised cattle and world-champion saddle-bronc riders—many call them the most successful rodeo family in history. Now they find themselves fighting to save their land and livelihood as the West is transformed by urbanization, battered by drought, and rearranged by public-land disputes. Could rodeo, of all things, be the answer? Written with great lyricism and filled with vivid scenes of heartache and broken bones, The Last Cowboys is a powerful testament to the grit and integrity that fuel the American Dream.

Leroy Webb represents the vanishing era of the open-range cowboy. For six decades he has rounded up, roped, chased, wrestled, and cajoled cattle while riding over vast ranchlands and sleeping under the stars in New Mexico and Texas. Besides tackling the daily back-breaking chores of the cowboy, he has tirelessly worked to breed, train, and show horses while keeping up with the rodeo circuit. And despite frequent moves from ranch to ranch, his devotion to family has remained unquestioned. He may not have filled his pockets with the life he chose, but his heart is filled with riches.

In a series of letters to his grandson, an elderly gentleman relates how he and his remarkable little dog traveled to America on an expedition to the Wild West to find the dog's grandfather, rumored to be living among cowboys following a successful moviecareer.

'The West that Henry mourned belonged to the Western movie, where the land and the cattle went to their proper guardians and brought a fortune in respect and power. It was a West where the best cowboy got to shoot the meanest outlaw, woo the prettiest schoolteacher, bed her briefly to produce sons, and then ignore her for the finer company of other cowboys - a West as sentimental and as brutal as the people who made a virtue of that curious combination of qualities and called it the American experience. ' From the Introduction Henry Blanton is the 'last cowboy' of Jane Kramer's classic portrait, the failed hero of his own mythology, the man who ends an era for himself. His story - his flawed, funny, and in the end tragic efforts to be a proper cowboy, 'expressin' right' in a world where the range is a feed yard and college boys run ranches from air-conditioned Buicks -is the story of a country coming of age in great promise and greater disappointment. A hundred and fifty miles up the highway from agri-business Amarillo, Henry claimed the extravagant prerogatives of a free man on a horse. He rode his own frontier, decked out in his vigilance and his honour, until the shocking moment when in the person of Henry Blanton the West and the Western had a showdown.

Two rodeo stars get a second chance at high school love when they meet again on a California ranch in a romance by the New York Times bestselling author. Ry Morgan has always had a thing for Avery Hayes—one more hope his twin wrecked for him, kissing her at the high school prom while pretending to be Ry. Eight years later, Ry has had enough: he’s quitting the pro rodeo circuit, moving home to California to mend fences, and letting his brother clean up his own messes for a change. Reclaiming Avery’s stolen kiss is at the top of his agenda. But Avery isn’t the girl she used to be. At the height of her rodeo career, a bad fall left Avery lucky to be alive, let alone walking. Between surgeries and fighting off everybody’s pity, she hasn’t been on a horse since. Ry is strong, confident, and sexy as hell—exactly what she thought she wanted at seventeen. Now, she’ll have to protect the safe space she’s made for herself—or risk it all for a dream she thought would never come again. “If you love cowboys—and who doesn’t—you’ll love the Morgans!” --Cora Seton, New York Times bestselling author on The Reluctant Cowboy

“Thompson-Hernández's portrayal of Compton's black cowboys broadens our perception of Compton's young black residents, and connects the Compton Cowboys to the historical legacy of African Americans in the west. An eye-opening, moving book.”—Margot Lee Shetterly, New York Times bestselling author of Hidden Figures “Walter Thompson-Hernández has written a book for the ages: a profound and moving account of what it means to be black in America that is awe inspiring in its truth-telling and limitless in its empathy. Here is an American epic of black survival and creativity, of terrible misfortune and everyday resilience, of grace, redemption and, yes, cowboys.”— Junot Díaz, Pulitzer prize-winning author of This is How You Lose Her A rising New York Times reporter tells the compelling story of The Compton Cowboys, a group of African-American men and women who defy stereotypes and continue the proud, centuries-old tradition of black cowboys in the heart of one of America’s most notorious cities. In Compton, California, ten black riders on horseback cut an unusual profile, their cowboy hats tilted against the hot Los Angeles sun. They are the Compton Cowboys, their small ranch one of the very last in a formerly semirural area of the city that has been home to African-American horse riders for decades. To most people, Compton is known only as the home of rap greats NWA and Kendrick Lamar, hyped in the media for its seemingly intractable gang violence. But in 1988 Mayisha Akbar founded The Compton Jr. Posse to provide local youth with a safe alternative to the streets, one that connected them with the rich legacy of black cowboys in American culture. From Mayisha’s youth organization came the Cowboys of today: black men and women from Compton for whom the ranch and the horses provide camaraderie, respite from violence, healing from trauma, and recovery from incarceration. The Cowboys include Randy, Mayisha’s nephew, faced with the daunting task of remaking the Cowboys for a new generation; Anthony, former drug dealer and inmate, now a family man and mentor, Keiara, a single mother pursuing her dream of winning a national rodeo championship, and a tight clan of twentysomethings--Kenneth, Keenan, Charles, and Tre--for whom horses bring the freedom, protection, and status that often elude the young black men of Compton. The Compton Cowboys is a story about trauma and transformation, race and identity, compassion, and ultimately, belonging. Walter Thompson-Hernández paints a unique and unexpected portrait of this city, pushing back against stereotypes to reveal an urban community in all its complexity, tragedy, and triumph. The Compton Cowboys is illustrated with 10-15 photographs.

All the Cowboys Ain’t Gone is the rollicking adventure story of Lincoln Smith, a young Texan living at the beginning of the twentieth century, who thinks of himself as the last true cowboy. He longs for the days of the Old West, when men like his father, a famous Texas Ranger, lived by the chivalric code. Lincoln finds himself hopelessly out of time and place in the fast-changing United States of the new century. When he gets his heart broken by a sweetheart who doesn’t appreciate his anachronistic tendencies, he does what any sensible young romantic would do: he joins the French Foreign Legion. On his way to an ancient and exotic country at the edge of the Sahara, Lincoln encounters a number of curious characters and strange adventures, from a desert hermit who can slow up time to a battle with a crocodile cult that worships the god of death. He meets them all with his own charming brand of courage and resourcefulness.

“Shows us, in tender detail, a life consumed by our unholy appetites.”—Steve Almond, New York Times Book Review The tragic death of hockey star Derek Boogaard at twenty-eight was front-page news across the country in 2011 and helped shatter the silence about violence and concussions in professional sports. Now, in a gripping work of narrative nonfiction, acclaimed reporter John Branch tells the shocking story of Boogaard's life and heartbreaking death. Boy on Ice is the richly told story of a mountain of a man who made it to the absolute pinnacle of his sport. Widely regarded as the toughest man in the NHL, Boogaard was a gentle man off the ice but a merciless fighter on it. With great narrative drive, Branch recounts Boogaard's unlikely journey from lumbering kid playing pond-hockey on the prairies of Saskatchewan, so big his skates would routinely break beneath his feet; to his teenaged junior hockey days, when one brutal outburst of violence brought Boogaard to the attention of professional scouts; to his days and nights as a star enforcer with the Minnesota Wild and the storied New York Rangers, capable of delivering career-ending punches and intimidating entire teams. But, as Branch reveals, behind the scenes Boogaard's injuries and concussions were mounting and his mental state was deteriorating, culminating in his early death from an overdose of alcohol and painkillers. Based on months of investigation and hundreds of interviews with Boogaard's family, friends, teammates, and coaches, Boy on Ice is a brilliant work for fans of Michael Lewis's The Blind Side or Buzz Bissinger's Friday Night Lights. This is a book that raises deep and disturbing questions about the systemic brutality of contact sports—from peewees to professionals—and the damage that reaches far beyond the game.

Visit a Florida where sunburn is the result of honest, hard work--not an afternoon at the beach "Without its lush ranchlands, there would be precious little left to see of old Florida, and nowhere for some of our most endangered wildlife to survive. Carlton Ward's colorful tribute to this dwindling frontier is also a call to save what remains of it. The alternative is unthinkable."--Carl Hiaasen "Ward's masterful photographs go beyond pictures of cowboys and the Florida landscape to taste the life, feel the land, and appreciate the importance of the past, present, and future of ranching in the unique environment of Florida."--Todd Bertolaet "Exploring the rich history and culture of the Florida ranch, this book opens a window to a world that many Floridians are unaware of, and teaches us why we should all care about this disappearing way of life."--Jason Hahn Drive a few miles beyond Disney World, past the gaudy souvenir shops, all-you-can-eat buffets, and chain hotels, and you'll find the largest producing cattle ranch in the world. Indeed, nearly one-fifth of the state is devoted to the cattle industry, and these working ranches play a vital role in Florida's economic health. Yet even as encroaching urban sprawl threatens their way of life, photographer Carlton Ward has been documenting the often unseen world of Florida cowboys. Every day before dawn, they saddle their horses, coil their lariats and whips, and ride out to work the herds. Over 15,000 ranches raise nearly two million head of cattle--the living legacies of the longest history of ranching in North America. Florida cowboys share their land with bears, panthers, and other endangered species, along with irreplaceable wetlands that help sustain the state's strained water resources. Complemented by twenty historical, cultural, and environmental essays from Dana Ste Claire, Joe Akerman, Auduon of Florida, and the Seminole Tribe, among others, Ward's stunning photographs capture the grit and raw beauty of inland Florida, its enduring cowboys, and the land they protect.