_____________ 'It is almost impossible not to fall under the spell of Eustace Conway ... his accomplishments, his joy and vigor, seem almost miraculous' - New York Times Review of Books 'Gilbert takes a bright-eyed bead on Eustace, hitting him square with a witty modernist appraisal of folkloric American masculinity' - The Times 'Conversational, enthusiastic, funny and sharp, the energy of The Last American Man never ebbs' - New Statesman _____________ A fascinating, intimate portrait of an endlessly complicated man: a visionary, a narcissist, a brilliant but flawed modern hero At the age of seventeen, Eustace Conway ditched the comforts of his suburban existence to escape to the wild. Away from the crushing disapproval of his father, he lived alone in a teepee in the mountains. Everything he needed he built, grew or killed. He made his clothes from deer he killed and skinned before using their sinew as sewing thread. But he didn't stop there. In the years that followed, he stopped at nothing in pursuit of bigger, bolder challenges. He travelled the Mississippi in a handmade wooden canoe; he walked the two-thousand-mile Appalachian Trail; he hiked across the German Alps in trainers; he scaled cliffs in New Zealand. One Christmas, he finished dinner with his family and promptly upped and left - to ride his horse across America. From South Carolina to the Pacific, with his little brother in tow, they dodged cars on the highways, ate road kill and slept on the hard ground. Now, more than twenty years on, Eustace is still in the mountains, residing in a thousand-acre forest where he teaches survival skills and attempts to instil in people a deeper appreciation of nature. But over time he has had to reconcile his ambitious dreams with the sobering realities of modernity. Told with Elizabeth Gilbert's trademark wit and spirit, The Last American Man is an unforgettable adventure story of an irrepressible life lived to the extreme. The Last American Man is a New York Times Notable Book and National Book Critics Circle Award Finalist.

WRITERS ALAN GRANT & JOHN WAGNER ARTIST MIKE MCMAHON I pledged allegiance to the flag of the United Sates of America, and to the republic for which it stood, look where it got me. Over twenty years have passed since a global war plunged the world into nuclear armageddon. Placed in suspended animation by his superiors, U.S. Army Captain, Ulysses Pilgrim, is woken by three military robot aides. Now Pilgrim has one last mission: wade through a post-holocaust U.S.A. and search for survivors. Written by John Wagner and Alan Grant and featuring the unique art of Mick McMahon, The Last American is a brilliant, yet terrifying look at the reality and futility of nuclear war.

Vampire Henry Sturges returns in the highly anticipated sequel to Abraham Lincoln: Vampire Hunter-a sweeping, alternate history of twentieth-century America by New York Times bestselling author Seth Grahame-Smith. THE LAST AMERICAN VAMPIRE In Reconstruction-era America, vampire Henry Sturges is searching for renewed purpose in the wake of his friend Abraham Lincoln's shocking death. Henry's will be an expansive journey that first sends him to England for an unexpected encounter with Jack the Ripper, then to New York City for the birth of a new American century, the dawn of the electric era of Tesla and Edison, and the blazing disaster of the 1937 Hindenburg crash. Along the way, Henry goes on the road in a Kerouac-influenced trip as Seth Grahame-Smith ingeniously weaves vampire history through Russia's October Revolution, the First and Second World Wars, and the JFK assassination. Expansive in scope and serious in execution, THE LAST AMERICAN VAMPIRE is sure to appeal to the passionate readers who made Abraham Lincoln: Vampire Hunter a runaway success.

The astounding discoveries of Khan-li of Dimph-yoo-chur have thrown floods of light upon the domestic life of the Mehrikan people. He little realized when he landed upon that sleeping continent what a service he was about to render history, or what enthusiasm his discoveries would arouse among Persian archaeologists.

A “marvelous…compelling” (The New York Times Book Review) biography of literary icon Henry Adams—one of America’s most prominent writers and intellectuals, who witnessed and contributed to the United States’ dramatic transition from a colonial society to a modern nation. Henry Adams is perhaps the most eclectic, accomplished, and important American writer of his time. His autobiography and modern classic The Education of Henry Adams was widely considered one of the best English-language nonfiction books of the 20th century. The last member of his distinguished family—after great-grandfather John Adams, and grandfather John Quincy Adams—to gain national attention, he is remembered today as an historian, a political commentator, and a memoirist. Now, historian David Brown sheds light on the brilliant yet under-celebrated life of this major American intellectual. Adams not only lived through the Civil War and the Industrial Revolution but he met Abraham Lincoln, bowed before Queen Victoria, and counted Secretary of State John Hay, Senator Henry Cabot Lodge, and President Theodore Roosevelt as friends and neighbors. His observations of these powerful men and their policies in his private letters provide a penetrating assessment of Gilded Age America on the cusp of the modern era. “Thoroughly researched and gracefully written” (The Wall Street Journal), The Last American Aristocrat details Adams’s relationships with his wife (Marian “Clover” Hooper) and, following her suicide, Elizabeth Cameron, the young wife of a senator and part of the famous Sherman clan from Ohio. Henry Adams’s letters—thousands of them—demonstrate his struggles with depression, familial expectations, and reconciling with his unwanted widower’s existence. Offering a fresh window on nineteenth century US history, as well as a more “modern” and “human” Henry Adams than ever before, The Last American Aristocrat is a “standout portrait of the man and his era” (Publishers Weekly, starred review).

On February 20, 1962, John Glenn became a national star. That morning at Cape Canaveral, a small-town boy from Ohio took his place atop a rocket and soared into orbit to score a victory in the heavily contested Cold War. The television images were blurry black-and-white phantoms. The cameras shook as the rocket moved, but by the end of the day, one thing was clear: a new hero rode that rocket and became the center of the world's attention for the four hours and fifty-five minutes of his flight. From that day forward, Glenn restively wore the hero label. Refusing to let that dramatic day define his life, he went on to become a four-term US senator--and returned to space at the age of seventy-seven. He was a creation of the media, in some ways, but he was also a product of the Cold War. At a time when increasingly cynical Americans need heroes, his aura burns brightly in American memory.

This publication is a major evaluation of the 1970s American cinema, including cult film directors such as Bogdanovich Altman and Peckinpah.

Two months before David Silverman’s 32nd birthday, he visited the Charles Schwab branch in the basement of the World Trade Center to wire his father’s life savings towards the purchase of the Clarinda Typesetting company in Clarinda, Iowa. Typo tells the true story of the Clarinda company’s last rise and fall — and with it one entrepreneur’s story of what it means to take on, run, and ultimately lose an entire life’s work. This book is an American dream run aground, told with humor despite moments of tragedy. The story reveals the impact of losing part of an entire industry and answers questions about how that impacts American business. The reader sees in Clarinda’s fate the potential peril faced by every company, and the lessons learned are applicable to anyone who wants to run his or her own business, succeed in a large corporation, and not be stranded by the reality of shifting markets, outsourcing, and, ultimately, capitalism itself.

Can John D. Negroponte be described as 'The Last American Diplomat'? In a career spanning 50 years of unprecedented American global power, he was the last of a dying breed of patrician diplomats - devoted to public service, a self-effacing and ultimate insider, whose prime duty was to advise, guide and warn - a bulwark of traditional diplomatic realism against ideologue excess. Negroponte served as US ambassador to Honduras, Mexico, the Philippines and Iraq; he was US Permanent Representative to the UN, Director of National Intelligence and Deputy Secretary of State to George W. Bush. His was a high-flying and seemingly conventional career but one full of surprises. Negroponte opposed Kissinger in Vietnam, supported a 'proxy war' but opposed direct American military action against Marxists in Central America - facing bitter Congress opposition in the process. He swam against the floodtide of George W. Bush's neocon-dominated administration, warning against the Iraq war as a possible new 'Vietnam' and criticising aspects of Bush's 'War on Terror'. He disconcerted the administration by arguing that the re-establishment of Iraq would take as long as five years. And he was influential in international social and economic policy - working for the successful re-settlement of millions of refugees in Southeast Asia following the Vietnam War, issuing early warnings about the scourge of AIDS in Africa and successfully launching the North American Free Trade Agreement (NAFTA). George W. Liebmann's incisive account is based on personal and shared experience but it is no hagiography; beyond the author's discussions with Negroponte, this book is deeply researched in US state papers and includes interviews with leading actors. It will provide fascinating reading for anyone interested in the inside-story of American diplomacy, showing personal and policy struggles, and the underlying fissures present even in the world's last remaining superpower.