In 1204 A.D., the Fools' Guild is under attack from the forces of Pope Innocent III. Theophilos and Claudia, jesters with the Guild, are sent to enlist the help of a former guild member - the troubador Folquet, now a Cistercian abbot. But while they are at the abbey pleading their case, a gruesome murder takes place - a monk is killed in the librarium and a cryptic message written on the wall in his blood. With everything on the line, Theophilos, his wife, and their apprentice go off in search of the meaning of the message, uncovering a long-ago series of events that will prove to be as deadly now as they were then.

Britain is home to fifteen species of breeding birds of prey, from the hedgerow-hopping Sparrowhawk to the breathtaking White-tailed Eagle. In this handsomely illustrated book, acclaimed British filmmaker and naturalist David Cobham offers unique and deeply personal insights into Britain's birds of prey and how they are faring today. He delves into the history of these magnificent birds and talks in depth with the scientists and conservationists who are striving to safeguard them. In doing so, he profiles the writers, poets and filmmakers who have done so much to change the public's perception of birds of prey. There are success stories—five birds of prey that were extinct have become reestablished with viable populations—but persecution is still rife. Featuring drawings by famed wildlife artist Bruce Pearson, this book reveals why we must cherish and celebrate our birds of prey, and why we neglect them at our peril.

Come for a journey along the Jersey shore with naturalist and ecologist Joanna Burger In these deeply felt, closely observed personal essays, Burger invokes the intertwined lives of naturalist and wild creatures at the ever-changing edge of ocean and land. Discover with her the delicate mating dances of fiddler crabs, the dangers to piping plovers, the swarming of fish communities into the bays and estuaries, the trilling notes of Fowler's toads, and the subtle green-grays of salt marshes. Joanna Burger knows the shore through all its seasons--the first moment of spring when the herring gulls arrive on ice-gouged salt marshes, the end of spring when the great flocks of shorebirds come to feed on horseshoe crab eggs at Cape May, the summer when the peregrine hunts its prey, the fall when the migrations of hawks and monarch butterflies attract watchers from around the world, and the depths of winter when a lone snowy owl sweeps across snow-covered dunes and frozen bay. This is a book that anyone who loves the Jersey shore will cherish And because so many of these wonderful creatures live all along the Atlantic coast, it will be of equal interest to beach-lovers, naturalists, bird-watchers, fishermen, and coastal and marine scientists from North Carolina to Maine.

Two teen boys, each from a different culture; both abandoned by their own people in the middle of the Canadian wilderness in 1834. Andy is searching for his father, a white missionary, who is somewhere in the vast and untamed Canadian west. Badger, a Blackfoot Indian, has lost his father to the constant warring that goes on between the Blackfoot and the other Indian tribes that surround their territory. Follow along, as they find one another under precarious circumstances and become friends, surviving against both hostile Indians and hostile whites. Danger and lightheartedness, treachery and romance accompany their adventures as they come of age in the pristine land of wild buffalo and wild men, while Andy never gives up hope in finding his father.

Rupert Brooke, Wilfred Owen, Isaac Rosenberg, and Charles Sorley all died in the First Word War. They came from diverse social, educational, and cultural backgrounds, but for all of the writers, engagement with Greek and Roman antiquity was decisive in shaping their war poetry. The world views and cultural hinterlands of Brooke and Sorley were framed by the Greek and Latin texts they had studied at school, whereas for Owen, who struggled with Latin, classical texts were a part of his aspirational literary imagination. Rosenberg's education was limited but he encountered some Greek and Roman literature through translations, and through mediations in English literature. The various ways in which the poets engaged with classical literature are analysed in the commentaries, which are designed to be accessible to classicists and to users from other subject areas. The extensive range of connections made by the poets and by subsequent readers is explained in the Introduction to the volume. The commentaries illuminate relationships between the poems and attitudes to the war at the time, in the immediate post-war years, and subsequently. They also probe how individual poems reveal various facets of the poetry of unease, the poetry of survival, and the poetics of war and ecology. References to the accompanying online Oxford Classical Receptions Commentaries will enable readers to follow up their special interests. This volume differs from the shorter volume Greek and Roman Antiquity in First World War Poetry: Making Connections in that it covers the whole output of the four poets, and not just their war poems.

In a controversial examination of the conceptual bases of Blake's myth, Leopold Damrosch argues that his poems contain fundamental contradictions, but that this fact docs not imply philosophical or artistic failure. Originally published in 1981. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.