"In association with Columbia University's Center for Buddhist Studies and Tibet House US."

An essential tantric text on the practice of advanced yoga in tantric Buddhism. The Lamp for Integrating the Practices (Caryamelapakapradipa) is a systematic and comprehensive exposition of the most advanced yogas of the Esoteric Community Tantra (Guhyasamaja-tantra) as espoused by the Noble (Nagarjuna) tradition, an influential school of interpretation within the Mahayoga traditions of Indian Buddhist mysticism. Equal in authority to Nagarjuna's famous Five Stages (Pañcakrama), Aryadeva’s work is perhaps the earliest prose example of the “stages of the mantra path” genre in Sanskrit. Its systematic path exerted immense influence on later Indian and Tibetan traditions, and it is widely cited by masters from all four major lineages of Tibetan Buddhism. This volume presents the Lamp in a thoroughly annotated English translation. It includes an introductory study discussing the history of the Guhyasamaja and its exegetical traditions, surveying the scriptural and commentarial sources of the Nagarjuna tradition, and analyzing in detail the contents of the Lamp. The book also features a detailed, trilingual glossary. Simultaneously presented online for scholars are a version of its Sanskrit original, critically edited from recently identified manuscripts, and a critical edition of the eleventh-century Tibetan translation by Rinchen Zangpo, including notes on readings found in “lost,” alternative translations.

The most important commentary on Vajrayana from the founder of the Dalai Lama's school of Buddhism. The Brilliantly Illuminating Lamp of the Five Stages (rim lnga rab tu gsal ba’i sgron me) is Tsong Khapa’s most important commentary on the perfection stage practices of the Esoteric Community (Guhyasamaja), the tantra he considered fundamental for the practice of the “father tantra” class of unexcelled yoga tantras. It draws heavily on Nagarjuna’s Five Stages (Pañcakrama) and Aryadeva’s Lamp that Integrates the Practices (Carya­melapaka­pradipa), as well as a vast range of perfection stage works included in the Tibetan canonical (Kangyur and Tengyur) collections. It is an important work for both scholars and practitioners. A reader of this work will find in it convincing evidence for Tsong Khapa’s own yogic experience and attainment, in coordination with his better-known philosophical and scholarly achievements. The present revised edition of the work is a cornerstone of the Complete Works of Jey Tsong Khapa and Sons collection, a subset of the Treasury of the Buddhist Sciences series. Comprised of the collected works of Tsong Khapa (1357–1419) and his spiritual sons, Gyaltsap Darma Rinchen (1364–1432) and Khedrup Gelek Pelsang (1385–1438), the numerous works in this set of Tibetan treatises and supercommentaries are based on the thousands of works in the Tibetan Buddhist canon.

The Lamp that Integrates the Practices is a systematic and comprehensive exposition of the most advanced yogas of the Esoteric Communion (Guhyasamaja) Tantra as espoused by the Noble Tradition. Aryadeva's work is perhaps the earliest prose example of a "stages of the mantra path" work in Sanskrit, and it exerted immense influence on later Tibetan tradition. This volume presents the Lamp in a tri-lingual format: its Sanskrit original, a critical edition of the eleventh-century Tibetan, and a thoroughly-annotated English translation. Features a comprehensive, tri-lingual glossary.

Winner of the 2014 Khyenste Foundation Translation Prize. Nagarjuna's renowned twenty-seven-chapter Fundamental Verses on the Middle Way (Mulamadhyamakakarika) is the foundational text of the Madhyamaka school of Mahayana Buddhist philosophy. It is the definitive, touchstone presentation of the doctrine of emptiness. Professors Siderits and Katsura prepared this translation using the four surviving Indian commentaries in an attempt to reconstruct an interpretation of its enigmatic verses that adheres as closely as possible to that of its earliest proponents. Each verse is accompanied by concise, lively exposition by the authors conveying the explanations of the Indian commentators. The result is a translation that balances the demands for fidelity and accessibility.

The Oxford Handbook of Contemporary Buddhism offers a comprehensive collection of work by leading scholars in the field. They examine the historical development of Buddhist traditions throughout the world, from traditional settings like India, Japan, and Tibet, to the less well known regions of Latin America, Africa, and Oceania.

"Since the earliest encounters between tantric traditions and Western scholars, tantra has posed a challenge. Representation of tantra has tended to emphasize the antinomian, decadent aspects, which, as attention-grabbing as they were for Western audiences, hampered the study of the field. The Oxford Handbook of Tantric Studies is intended to overcome these obstacles, facilitating collaboration between scholars working on different forms of tantra, and in different disciplines. With more than forty chapters and a global pool of contributors, the Handbook aims to be the definitive reference work in the field, exploring core topics such as action, transformation, embodiment, art, language, and social movements. The first chapter provides an overview of major issues confronting the field today, including debates regarding the definition and category of "tantra," historical origins and dating, and recent developments in gender studies and tantra, ethnography and "lived tantra," and cognitive approaches to the study of tantra. Using a topical framework, the opening section explores the concept of action, one of the most prominent features of tantra, which includes performing rituals, practicing meditation, chanting, embarking on a pilgrimage, or reenacting moments from a sacred text. From there, the sections cover broad topics such as transformation (e.g., soteriology and healing), gender and embodiment, "extraordinary" beings (such as deities and saints), art and visual expressions, language and literature, social organizations, and the history and historiography of tantra. Keywords tantric studies, tantra, Buddhism, Hinduism, Jainism, ritual, soteriology, meditation, embodiment, yoga"--

This is the first complete, critical English translation of the Cakrasamvara Tantra, also known as the Sriherukabhidhana and Laghusamvara. This is the first complete, critical English translation of the Cakrasamvara Tantra. Composed in India during the eighth century, it is a foundational scripture of one of the most important Indian Buddhist tantric traditions. The translator’s introductory essay provides an analysis of the historical and intellectual contexts in which the Cakrasamvara Tantra was composed. The heavily annotated translation was made on the basis of the surviving Sanskrit manuscripts of the tantra and its commentaries, parallel passages in related explanatory tantras (vyakhyatantra), two different Tibetan translations of the root text, and several Tibetan commentaries. Includes a trilingual glossary and index. The author has also translated the commentary on this tantra by the great Tibetan scholar Tsong Khapa (1357–1419), Illumination of the Hidden Meaning, now published in two companion volumes. Taken together, these three volumes provide the reader with the first full study in English of this pivotal tantra. Composed in India during the late eighth or early ninth century, the Cakrasamvara Tantra is a foundational scripture of one of the most important Indian Buddhist tantric traditions, as evidenced by the vast number of commentaries and ritual literature associated with it. Along with the Hevajra Tantra, it is one of the earliest and most influential of the yogini tantras, a genre of tantric Buddhist scripture that emphasizes female deities, particularly the often fiercely depicted yoginis and ?akinis.

A groundbreaking English translation of a key tantric text in the history of Indo-Tibetan Buddhism. This volume contains an English translation of the “root text” of the Tara-mula-kalpa, a scripture-ritual compendium that captures an important Buddhist tantric tradition in mid-formation. In this regard it is utterly unique and unlike any other text in the Buddhist canon. Its contents document the emergence of the quintessential female Buddha Tara in seventh-century India. As her popularity grew, her cult spread throughout Southeast Asia, as well as Tibet, where she became revered as the “Mother” of the Tibetan people. Tara is worshiped for a variety of reasons, from health and long life, to wealth, protection from enemies, and ultimately, the mind of enlightenment. Her presence pervades the evolution of Buddhism in Tibet, including within royal circles, as well as mentor and guide to many important Buddhist scholars, practitioners, and lineage holders.

A rare glimpse of the sophisticated philosophical exchange between Buddhist and non-Buddhist schools at an early stage. The Vaidalyaprakarana provides a rare glimpse of the sophisticated philosophical exchange between Buddhist and non-Buddhist schools at an early stage and will be of interest to scholars of Buddhist thought, classical Indian Philosophy, and the history of Asian thought. Belonging to a set of Nagarjuna’s philosophical works known as the yukti-corpus, the Vaidalyaprakarana is noteworthy for its close engagement with the Hindu philosophers. It refutes the sixteen categories of the Nyaya school, which formed the logical and epistemological framework for many of the debates between Buddhist and Hindu philosophers. The Sanskrit original of the Vaidalyaprakarana long lost, the author translates the text from Tibetan, giving it an extensive analytical commentary. The aim is twofold: to investigate the interaction of the founder of the Madhyamika school with this influential school of Hindu thought; and to make sense of how Nagarjuna’s arguments that refute the Naiyayika categories are essential to the Madhyamika path in general.