Come take a journey with Lisa on an exhilarating ride of her life! Just when she was settled with life being as it was, in walks the handyman she prayed for. Now her life is being turned upside down! Or was it beginning to turn right-side up? Time and chance will bring about their maturation through life's travails.

A young girl is lost in a mystic world. She tries to search for her close ones and led into a journey of secrets and discoveries...

“A darkly funny novel about betrayal, loneliness and the surprising pleasure of being single again” from the author of The Best Exotic Marigold Hotel (Good Housekeeping). At sixty-nine years old, Pru has found herself alone for the first time in her life. Her grown children are out of the house, and her husband, Greg, has filed for divorce. She attributes Greg’s betrayal to a cancer scare and a more-than-midlife crisis, but that doesn’t make her feel any better—or less lonely. It seems that nothing—not even her eccentric, free-spirited best friend, Azra—can pull her out of her depression. Until Pru sees a black dress in a thrift store window . . . Its sleek silhouette calls to mind long-gone days of cocktail parties and sophisticated conversation. And it gives Pru a brilliant idea: where better to wear a black dress—and find age-appropriate single men—than at a funeral? As Pru combs through the obituaries and attends masses and wakes, she finds comfort among the bereaved. After all, they’re all grieving someone they have lost. But Pru’s about to discover that though her new dating plan may get her out of the house and back on the market, the life she’s so desperately trying to leave behind isn’t done with her yet . . . “With dry wit and observation, Moggach tackles the perils of ageing with brutal honesty.” —Daily Express “This page-turner is like the best wakes, it will make you feel hungry and alive.” —The Times (London) “As ever with Moggach, the joy is in her witty observations of middle-class life and bracingly tart portrayal of family relationships.” —Daily Mail

“The book I most often give as a gift to cheer people up.” —Hilary Mantel “A deceptively smart comic gem.” –The New York Times Book Review “Witty and delicious.” –People The women in black, so named for the black frocks they wear while working at Goode’s department store, are busy selling ladies’ dresses during the holiday rush. But they somehow find time to pursue other goals… Patty, in her mid-thirties, has been working at Goode’s for years. Her husband, Frank, eats a steak for dinner every night, watches a few minutes of TV, and then turns in. Patty yearns for a baby, but Frank is always too tired for that kind of thing. Sweet, unlucky Fay wants to settle down with a nice man, but somehow nice men don’t see her as marriage material. Glamorous Magda runs the high-end gowns department. A Slovenian émigré, Magda is cultured and continental and hopes to open her own boutique one day. Lisa, a clever and shy teenager, takes a job at Goode’s during her school break. Lisa wants to go to university and dreams of becoming a poet, but her father objects to both notions. By the time the last marked-down dress is sold, all of their lives will be forever changed. A pitch-perfect comedy of manners set during a pivotal era, and perfect for fans of The Marvelous Mrs. Maisel, The Women in Black conjures the energy of a city on the cusp of change and is a testament to the timeless importance of female friendship.

This acclaimed biography shines a light on a trailblazing woman who created a classic movie monster—and the author’s quest to rescue her from obscurity. As a teenager, Mallory O’Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But while Patrick should have been hailed as a pioneer in the genre, there was little information available about her. As O’Meara discovered, Patrick’s contribution had been claimed by a jealous male colleague and her career had been cut short. No one even knew if she was still alive. As a young woman working in the horror film industry, O’Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick’s contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney’s first female animators. And at last, O’Meara discovered what really had happened to Patrick after The Creature’s success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O’Meara’s The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since. A Hugo and Locus Award Finalist A Thrillist Best Book of the Year One of Booklist’s 10 Best Art Books of the Year

Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a pale young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black - and her terrible purpose.

Through a rich and beautiful series of images, British fashion journalist Eloise Moran decodes Princess Diana’s outfits in this smart visual psychobiography of an icon. From the pink gingham pants and pastel-yellow overalls of a sacrificial lamb, to the sexy Versace revenge dresses, power suits, and bicycle shorts of a free woman, British fashion journalist Eloise Moran has studied thousands of pictures of Princess Diana. She soon discovered that behind each outfit lay a carefully crafted strategy: What Lady Di couldn’t express verbally, she expressed through her clothes. Diana’s most show-stopping—and poignant—outfits are all here in The Lady Di Look Book, incisively decoded. Moran sees things no one has before: Why, for example, did Diana have a rotating collection of message sweatshirts? Was she mad for plaid, or did the tartan have a deeper meaning? What about her love of costume jewelry on top of the tiaras and oval sapphire engagement ring? With new interviews from some of the people who dressed Diana, Moran’s book is both a record of what Diana wore and why she wore it—and why we are still obsessed with Lady Di. From 1980s Sloane Ranger cottagecore Diana, to athleisure and Dynasty Di Diana, The Lady Di Look Book is both compulsively delightful and a full biography of the world’s most beloved royal.

Proud and solitary, Eel Marsh House surveys the windswept reaches of the salt marshes beyond Nine Lives Causeway. Arthur Kipps, a junior solicitor, is summoned to attend the funeral of Mrs Alice Drablow, the house's sole inhabitant, unaware of the tragic secrets which lie hidden behind the shuttered windows. It is not until he glimpses a wasted young woman, dressed all in black, at the funeral, that a creeping sense of unease begins to take hold, a feeling deepened by the reluctance of the locals to talk of the woman in black.

The subject of John Singer Sargent's most famous painting was twenty-three-year-old New Orleans Creole Virginie Gautreau, who moved to Paris and quickly became the "it girl" of her day. A relative unknown at the time, Sargent won the commission to paint her; the two must have recognized in each other a like-minded hunger for fame. Unveiled at the 1884 Paris Salon, Gautreau's portrait generated the attention she craved-but it led to infamy rather than stardom. Sargent had painted one strap of Gautreau's dress dangling from her shoulder, suggesting either the prelude to or the aftermath of sex. Her reputation irreparably damaged, Gautreau retired from public life, destroying all the mirrors in her home. Drawing on documents from private collections and other previously unexamined materials, and featuring a cast of characters including Oscar Wilde and Richard Wagner, Strapless is a tale of art and celebrity, obsession and betrayal.

Queen Alexandra used clothes to fashion images of herself as a wife, a mother and a royal: a woman who both led Britain alongside her husband Edward VII and lived her life through fashion. Inside the Royal Wardrobe overturns the popular portrait of a vapid and neglected queen, examining the surviving garments of Alexandra, Princess of Wales – who later became Queen Consort – to unlock a rich tapestry of royal dress and society in the second half of the 19th century. More than 130 extraordinary garments from Alexandra's wardrobe survive, from sumptuous court dress and politicised fancy dress to mourning attire and elegant coronation gowns, and can be found in various collections around the world, from London, Oslo and Denmark to New York, Toronto and Tokyo. Curator and fashion scholar Kate Strasdin places these garments at the heart of this in-depth study, examining their relationships to issues such as body politics, power, celebrity, social identity and performance, and interpreting Alexandra's world from the objects out. Adopting an object-based methodology, the book features a range of original sources from letters, travel journals and newspaper editorials, to wardrobe accounts, memoirs, tailors' ledgers and business records. Revealing a shrewd and socially aware woman attuned to the popular power of royal dress, the work will appeal to students and scholars of costume, fashion and dress history, as well as of material culture and 19th century history.