This eleventh edition was developed during the encyclopaedia's transition from a British to an American publication. Some of its articles were written by the best-known scholars of the time and it is considered to be a landmark encyclopaedia for scholarship and literary style.

The Spanish Pacific designates the space Spain colonized or aspired to rule in Asia between 1521 -- with the arrival of Ferdinand Magellan -- and 1815 -- the end of the Manila-Acapulco galleon trade route. It encompasses what we identify today as the Philippines and the Marianas, but also Spanish America, China, Japan, and other parts of Asia that in the Spanish imagination were extensions of its Latin American colonies. This reader provides a selection of documents relevant to the encounters and entanglements that arose in the Spanish Pacific among Europeans, Spanish Americans, and Asians while highlighting the role of natives, mestizos, and women. A-first-of-its-kind, each of the documents in this collection was selected, translated into English, and edited by a different scholar in the field of early modern Spanish Pacific studies, who also provided commentary and bibliography.

The essays presented in this volume were delivered as papers by British, Filipino, and Spanish historians at a conference in Manila on December 1-2, 1999.

Luis Borromeo was the Philippines's "King of Jazz," who at the height of his popularity created a Filipino answer to the Ziegfeld Follies. Miss Riboet was a world-famous Javanese opera singer who ruled the theater world. While each represented a unique corner of the entertainment world, the rise and fall of these two superstar figures tell an important story of Southeast Asia's 1920s Jazz Age. This artistic era was marked by experimentation and adaption, and this was reflected in both Borromeo's and Riboet's styles. They were pioneering cultural brokers who dealt in hybrids. They were adept at combining high art and banal entertainment, tradition and modernity, and the foreign and the local. Leaning on cultural studies and the work on cosmopolitanism and modernity by Henry Jenkins and Joel Kahn, Peter Keppy examines pop culture at this time as a contradictory social phenomenon. He challenges notions of Southeast Asia's popular culture as lowbrow entertainment created by elites and commerce to manipulate the masses, arguing instead that audiences seized on this popular culture to channel emancipatory activities, to articulate social critique, and to propagate an inclusive nationalism without being radically anticolonial.

A NATIONAL BOOK AWARD FINALIST "Brilliant, honest, and equal parts heartbreaking and soul-healing." --Laurie Halse Anderson, author of SHOUT "A singular voice in the world of literature." --Jason Reynolds, author of Long Way Down A powerful coming-of-age story about grief, guilt, and the risks a Filipino-American teenager takes to uncover the truth about his cousin's murder. Jay Reguero plans to spend the last semester of his senior year playing video games before heading to the University of Michigan in the fall. But when he discovers that his Filipino cousin Jun was murdered as part of President Duterte's war on drugs, and no one in the family wants to talk about what happened, Jay travels to the Philippines to find out the real story. Hoping to uncover more about Jun and the events that led to his death, Jay is forced to reckon with the many sides of his cousin before he can face the whole horrible truth -- and the part he played in it. As gripping as it is lyrical, Patron Saints of Nothing is a page-turning portrayal of the struggle to reconcile faith, family, and immigrant identity.

It has been more than a century since the American conquest and subsequent annexation of the Philippines. Although the nation was given its independence in 1946, American cultural authority remains. In order to locate and lend significance to the relics of American empire, Joseph McCallus retraces the route Gen. Douglas MacArthur took during his liberation of the country from the Japanese in 1944 and 1945. While following MacArthur's footsteps, he provides a historical and geographical account of this iconic soldier's military career, accompanied by a description of the contemporary Philippine landscape. McCallus uses the past and the present to explore how America influenced the country's political and educational systems and language, as well as the ramifications of the continued U.S. military presence and the effects of globalization on traditional Filipino society. He examines the American influence on its architecture and introduces to the reader the American expatriate business community--people who have lived in the Philippines for decades and continue to help shape the nation. The MacArthur Highway and Other Relics of American Empire in the Philippines is an absorbing look at how American military intervention and colonial rule have indelibly shaped a nation decades after the fact.

This book examines how the colonial Philippine constitution weakened the safeguards that shielded liberty from power and unleashed a constitutional despotism.

Building upon Dr Crossley's 2011 book ('Hernando de los Ríos Coronel and the Spanish Philippines in the Golden Age') this new work further expands our understanding of the Spanish Philippines by looking at Gómez Pérez Dasmariñas and his son Luis, successive governors from 1589. Drawing upon a rich selection of documents from the official Spanish archives (principally the Archivo General de Indias, Seville) and earlier histories, the book also utilizes an unpublished 628 page manuscript in the Lilly Library at Indiana University to provide many details not available elsewhere. In so doing the book reveals the complex situation that existed in the Philippines and how the two governors (and the people around them) threw out, and responded to, challenges from a variety of different cultures. Born into a rich family in north-western Spain about 1539, Gómez Pérez Dasmariñas had a distinguished career in Spain before being selected in 1588, to become the new governor of the Philippines. A devout Christian intent on converting the new country in which he found himself, Dasmariñas epitomised the Spanish state's increasing emphasis on its missionary role. He departed Spain with clear instructions from the king, which had been drawn up in response to requests from the Philippines, asking for a better governor and one of higher moral standards than they had previously enjoyed. From the evidence found in his sources, John Newsome Crossley argues that Dasmariñas largely measured up to these requirements. Killed in an attempt to capture the fort at Ternate in the Moluccas in 1593, Gómez Pérez Dasmariñas was succeeded by his son Luis. After being replaced himself as governor in 1596, Luis remained in the Philippines until his death in the Chinese rebellion of 1603 in Manila. In revealing the story of the two Dasmariñas governors, this book further illuminates the history of the Spanish Philippines and its relationship both with the wider Spanish empire, and the regional powers including China, Japan, Siam and Cambodia.