'These days my life is a cross between a preternatural soap opera and an action-adventure movie.' The first hit man came after me at home, which should be against the rules. Then there was a second, and a third. Word on the street is that Anita Blake, preternatural expert and vampire killer extraordinaire, is worth half a million dollars. Dead, not alive. So what's a girl to do but turn to the men in her life for help? Which in my case means an alpha werewolf and a master vampire. With professional killers on your trail, it's not a bad idea to have as much protection as possible, human or otherwise. But I'm beginning to wonder if two monsters are better than one...

For the first time in trade paperback: the fifth novel in the #1 New York Times bestselling series from Laurell K. Hamilton. When Branson, Missouri, is hit with a death wave 'four unsolved murders' it doesn't take an expert to realize that all is not well. But luckily for the locals, Anita Blake is an expert in the kinds of preternatural goings-on that have everyone spooked. And she's got an 'in' with the creature that can make sense of the slayings-the sexy master vampire known as Jean-Claude.

In the sixth adventure in the #1 New York Times bestselling series, Anita Blake’s unique skills make her a wanted woman—by vampire, by werewolf, and by a hit man... Though she’s dating a vampire and a werewolf, Anita is keeping them at arm’s length. Which isn’t easy considering that Jean-Claude is the master vampire of St. Louis and Richard Zeeman is the sexiest junior high school teacher she’s ever seen. Just to complicate Anita’s already messy life, someone has put a price on her head. Love cannot save her this time, so she turns to Edward, hit man extraordinaire for help. But finding the person behind it won’t be easy, because she’s made a lot of enemies—human and otherwise.

Anita Blake is a vampire hunter. But when someone else sets his sights on her prey, she must save them both from the inferno.

THE STORY: As the curtain rises, a poor, dusty shop with its dirty window obscuring the dark hos-tile night, with its mean little counter, and with its juke box glaring vulgarly from the side, the storekeeper is taking inventory. The door is flung

When a powerful centuries-old vampire hits Anita Blake's town, a battle of the undead ensues.

Watch a video The music came back up and the next group of little girls, slightly older, came out. There was a lot of that in the next hour and change. I liked dance, and it was no reflection on the kids, but my will to live began to seep away on about the fifth group of sequined children... Anita Blake is back in St. Louis and trying to live a normal life-as normal as possible for someone who is a legal vampire executioner and a U. S. Marshal. There are lovers, friends and their children, school programs to attend. In the midst of all the ordinary happiness a vampire from Anita's past reaches out. She was supposed to be dead, killed in an explosion, but the Mother of All Darkness is the first vampire, their dark creator. It's hard to kill a god. This dark goddess has reached out to her here-in St. Louis, home of everyone Anita loves most. The Mother of All Darkness has decided she has to act now or never, to control Anita, and all the vampires in America. The Mother of All Darkness believes that the triumvirate created by master vampire Jean-Claude with Anita and the werewolf Richard Zeeman has enough power for her to regain a body and to immigrate to the New World. But the body she wants to possess is already taken. Anita is about to learn a whole new meaning to sharing her body, one that has nothing to do with the bedroom. And if the Mother of All Darkness can't succeed in taking over Anita's body for herself, she means to see that no one else has the use of it, ever again. Even Belle Morte, not always a friend to Anita, has sent word: "Run if you can..."

In the thralls of supernatural passion, Anita Blake faces a most human dilemma.