Christian and African Churches battle for supremacy in the Nigerian countryside, affecting morals and families adversely.

There is an African proverb that goes, There is a king in every man. The Ride From Kingston To Montego Bay is about a young man named Aghagbolu who is the great-great-great-grandson of Obi Okonya I, the first king of the village of Mbubu. He was an African prince when he lived in Iboland, the land of the living, a society that is filled with the magic of ancestral spirits, ceremonies, chiefs, clansmen, compounds, earth gods and goddesses, families, farming, feasts, festivals, kings, kinship, marketplaces, oral traditions, priests, priestesses, queens, towns, tribes, and villages. As the son of a king, growing up in a Royal Palace was a time when rumors of war with surrounding villages was a way of life. His father, Obi Mberekpe, inherited the African Company and a debt that was never paid to the Royal Jamaican Company when his father, Obi Ezeukwu, was the king of the village of Mbubu. To setttle the debt, the Royal Jamaican Company fought with the African Company in Iboland. Aghagbolu has lived in Jamaica ever since trade ships left the village of Mbubu with him on board at the end of the war. Today, he is a chaffeur in Jamaica and well-known throughout the Carribean for the oral tradition of his African village, telling folktales. Aghagbolu and his passenger, Lyndon Johnson, a very wealthy realtor, create an unforgettable friendship together on their way to the Holiday Inn Sunspree Resort in Montego Bay from the airport in Kingston.

VITALIS CHIDOMERE NWANERI, brings to these five Books, his experience in Religion, Economics, Politics, Science, Philosophy and exposure in various advanced and developing countries across the globe. He acquired his experience from the Graduate School of The London School of Economics and Political Science, University of London (1962-1968). He joined the United Kingdom Government after his graduation and quickly rose to the position of an Economic Adviser. He left the Government in 1971 to join the World Bank in Washington D.C. U.S.A. He worked there till 1980 and rose to the position of a Senior Economist (1980). At the World Bank, he traveled extensively across the globe and gained exposure and firsthand experience on some of the major Political, Economic and Social Development problems across the globe. In some of his economic and political analyses in the World Bank , he confronted some of these Economic , Political , Religious and Philosophical issues in some countries in Asia, Middle East , Africa including such countries as Afghanistan, Iraq, Syria, Iran , Tunisia and Libya where he worked. Therefore he was not surprised with the on-going crises and wars in these countries because of his concerns over their lack of Christian pillars of modern civilization, democracy, and governance. His experience and exposure had inspired his analyses in these four books. Back in Nigeria in 1980, he became one of the countrys pioneers in Indigenous Banking and the Establishment of the First African Commodity Exchange. During his twenty years in Nigeria (1980-2000), he embarked on the audacious mission of bringing his global exposure and experience to contribute to the development of Nigerias Finance and Private sectors to lead its National Development. His Book on MISSION 2000 highlights his audacious dream for Nigerias Private sector to lead the Countrys emergence in the global world of the new century. The Book also reflected the views he promoted while working as a Consultant for the Nigeria Government, The World Bank , African Development Bank and The U.S.A.I.D. His pioneering projects in Nigerias Banking and Trade sectors exposed him to the weakness of Nigerias Politics and Governance. So he decided to take a shot at Nigerian Politics.

The multitudinous nature of African literature has always been an issue but really not a problem, although its oral base has been used by expatriate critics to accuse African literature of thin plots, superficial characterisation, and narrative structures. African literature also, it is observed, is a mixed grill: it is oral; it is written in vernacular or tribal tongues; written in foreign tongues English, French, Portuguese and within the foreign language in which it is written, pidgin and creole further bend the already bent language giving African literature a further taint of linguistic impurity. African literature further suffers from the nature of its "newness" and this created problems for the critic. Because it is new, and because its critics are in simultaneous existence with its writers, we confront the problem of "instant analysis". Issues in African Literature continues the debate and tries to clarify contemporary burning issues in African literature, by focussing on particular areas where the debate has been most concerned or around which it has hovered and been persistent.

This astonishing novel takes us on a journey along the river of one family's history, carving a course across two centuries and three continents, from ancient Africa into today's America. Here, through the lives of Mother Africa's many daughters, we come to understand the real meaning of roots: the captive Proud Mary, who has been savagely punished for refusing to relinquish her child to slavery; Earlene, who witnesses her father's murder at the hands of the Ku Klux Klan; Big Momma, a modern-day matriarch who can make a woman of a girl; proud and sassy Cinnamon Brown, whose wild abandon hides a bitter loss; and smart, ambitious Alma, who is torn between the love of a man and the song of her soul. In The River Where Blood Is Born, the seen and unseen worlds are seamlessly joined--the spirit realms where the great river goddess and ancestor mothers watch over the lives of their descendants, both the living and those not yet born. Stringing beads of destiny, they work to lead one daughter back to her source. But what must Alma sacrifice to honor the River Mother's call?

Ghana, which means "Warrior King" in the Soninke language, has a long history of powerful empires. Beginning in the fifteenth century, powerful and ancient Ghanaian empires were taken over by colonial powers, with Great Britain taking control of the country until 1957. Since then, the country has existed as a diverse and independent nation, grouping together a large population of people with different ethnic, linguistic, and religious backgrounds. This book introduces readers to the multicultural nation of Ghana and its geography, history, environment, and culture. Engaging sidebars and vivid photographs accompany readers on their journey.