The Ju/’hoan San, or Ju/’hoansi, of Namibia and Botswana are perhaps the most fully described indigenous people in all of anthropology. This is the story of how this group of former hunter-gatherers, speaking an exotic click language, formed a grassroots movement that led them to become a dynamic part of the new nation that grew from the ashes of apartheid South West Africa. While coverage of this group in the writings of Richard Lee, Lorna Marshall, Elizabeth Marshall Thomas, and films by John Marshall includes extensive information on their traditional ways of life, this book continues the story as it has unfolded since 1990. Peopled with accounts of and from contemporary Ju>/’hoan people, the book gives newly-literate Ju/’hoansi the chance to address the world with their own voices. In doing so, the images and myths of the Ju/’hoan and other San (previously called “Bushmen”) as either noble savages or helpless victims are discredited. This important book demonstrates the responsiveness of current anthropological advocacy to the aspirations of one of the best-known indigenous societies.

Publisher description

A comprehensive and fascinating account of all the major groups of southern African hunter-gatherers.

Machine generated contents note: 1. Introduction; 2. Unsettling the Central Kalahari; 3. The "Bushman Problem"; 4. Getting Organized: The Social Lives of San NGOs; 5. The San in the United Nations; 6. The Court; 7. After Judgment; 8. Litigating for a way of life; 9. Conclusions

Fifty years after her first fieldwork with Ju/'hoan San hunter-gatherers, anthropologist Megan Biesele has written this exceptional memoir based on personal journals she wrote at the time. The treasure trove of vivid learning experiences and nightly ponderings she found has led to a memoir of rare value to anthropology students and academics as well as to general readers. Her experiences focus on the long-lived healing dance, known to many as the trance dance, and the intricate beliefs, artistry, and social system that support it. She describes her immersion in a creative community enlivened and kept healthy by that dance, which she calls "one of the great intellectual achievements of humankind." From the Preface: A few years ago I finally got around to looking back into the box of personal field journals I had not opened for over forty years. I found a treasure trove. It was an overwhelming experience. So much that I had forgotten came vividly alive: I laughed, wept, and was terrified all over again at my temerity in taking on what I had taken on. To do justice to the richness of these notebooks, I realized, I would have to do a completely different sort of writing from anything I had ever done before.

Are conservation and protecting animals the same thing? In Game Changer, award-winning environmental reporter Glen Martin takes a fresh look at this question as it applies to Africa’s megafauna. Martin assesses the rising influence of the animal rights movement and finds that the policies championed by animal welfare groups could lead paradoxically to the elimination of the very species—including elephants and lions—that are the most cherished. In his anecdotal and highly engaging style, Martin takes readers to the heart of the conflict. He revisits the debate between conservationists, who believe that people whose lives are directly impacted by the creation of national parks and preserves should be compensated, versus those who believe that restrictive protection that forbids hunting is the most effective way to conserve wildlife and habitats. Focusing on the different approaches taken by Kenya, Tanzania, and Namibia, Martin vividly shows how the world’s last great populations of wildlife have become the hostages in a fight between those who love animals and those who would save them.

In two volumes, the SAGE Handbook of Social Anthropology provides the definitive overview of contemporary research in the discipline. It explains the what, where, and how of current and anticipated work in Social Anthropology. With 80 authors, contributing more than 60 chapters, this is the most comprehensive and up-to-date statement of research in Social Anthropology available and the essential point of departure for future projects. The Handbook is divided into four sections: -Part I: Interfaces examines Social Anthropology′s disciplinary connections, from Art and Literature to Politics and Economics, from Linguistics to Biomedicine, from History to Media Studies. -Part II: Places examines place, region, culture, and history, from regional, area studies to a globalized world -Part III: Methods examines issues of method; from archives to war zones, from development projects to art objects, and from ethics to comparison -Part IV: Futures anticipates anthropologies to come: in the Brain Sciences; in post-Development; in the Body and Health; and in new Technologies and Materialities Edited by the leading figures in social anthropology, the Handbook includes a substantive introduction by Richard Fardon, a think piece by Jean and John Comaroff, and a concluding last word on futures by Marilyn Strathern. The authors - each at the leading edge of the discipline - contribute in-depth chapters on both the foundational ideas and the latest research. Comprehensive and detailed, this magisterial Handbook overviews the last 25 years of the social anthropological imagination. It will speak to scholars in Social Anthropology and its many related disciplines.

“Brimming with ideas. . . . The Origins of Creativity approach[es] creativity scientifically but sensitively, feeling its roots without pulling them out.”—Economist In a stirring exploration of human nature recalling his foundational work Consilience, Edward O. Wilson offers a “luminous” (Kirkus Reviews) reflection on the humanities and their integral relationship to science. Both endeavors, Wilson argues, have their roots in human creativity—the defining trait of our species. By studying fields as diverse as paleontology, evolution, and neurobiology, Wilson demonstrates that creative expression began not 10,000 years ago, as we have long assumed, but more than 100,000 years ago in the Paleolithic Age. A provocative investigation into what it means to be human, The Origins of Creativity reveals how the humanities have played an unexamined role in defining our species. With the eloquence, optimism, and pioneering inquiry we have come to expect from our leading biologist, Wilson proposes a transformational “Third Enlightenment” in which the blending of science and humanities will enable a deeper understanding of our human condition, and how it ultimately originated.

"The origins of this project date back to a 2007 symposium, 'Local justice : global mechanisms and local meanings in the aftermath of mass atrocity, ' held at Rutgers University--Newark [N.J.] ... Several participants later presented papers in a session at the July 2007 meeting of the International Association of Genocide Scholars, which was held in Bosnia and Herzegovina."--Acknowledgments.