In his classic works of true crime, Harry MacLean examined the dark side of America and its fascination with violence. In The Joy of Killing, he builds upon this expert knowledge to create a page–turning literary thriller — an exciting combination of love story, mystery, psychological suspense, and meditation on human nature and the origins of violence. This fever dream begins on a stormy fall night at a lake house in the north woods of Minnesota, where we are introduced to a college professor who a few years earlier had written a novel in which he justified a gruesome campus murder under the nihilistic theory that there is no right or wrong, no moral center to man's activity. The writer returns to the lake house where he had spent his childhood summers and locks himself in the attic, intent on writing the final story of his life. Playing on a continuous loop in his mind are key moments in his past: his childhood in small–town Iowa, where he and his best friend befriended a local drifter; his childhood on the lake where one summer a local boy drowned in a storm; and the central fixation of his erotic meeting with a girl on a train bound for Chicago when he was just fifteen. All of these threads weave together as the writer tries to piece together the multitude of secrets and acts of violence that make up one human life. Reminiscent of the work of noir master Derek Raymond and John Banville's The Sea with a touch of David Lynch, The Joy of Killing, with its haunting language and vivid images, is both a fascinating look into the fugue state of one man's mind as well as a searing, philosophical look at violence and its impact on our human condition. With its elegant structure, multiple storylines, and edge–of–your–seat suspense, the novel is the tour–de–force fiction debut by one of America's premier writers of true crime.

In his classic works of true crime, Harry MacLean examined the dark side of America and its fascination with violence. In The Joy of Killing, he builds upon this expert knowledge to create a page–turning literary thriller — an exciting combination of love story, mystery, psychological suspense, and meditation on human nature and the origins of violence. This fever dream begins on a stormy fall night at a lake house in the north woods of Minnesota, where we are introduced to a college professor who a few years earlier had written a novel in which he justified a gruesome campus murder under the nihilistic theory that there is no right or wrong, no moral center to man's activity. The writer returns to the lake house where he had spent his childhood summers and locks himself in the attic, intent on writing the final story of his life. Playing on a continuous loop in his mind are key moments in his past: his childhood in small–town Iowa, where he and his best friend befriended a local drifter; his childhood on the lake where one summer a local boy drowned in a storm; and the central fixation of his erotic meeting with a girl on a train bound for Chicago when he was just fifteen. All of these threads weave together as the writer tries to piece together the multitude of secrets and acts of violence that make up one human life. Reminiscent of the work of noir master Derek Raymond and John Banville's The Sea with a touch of David Lynch, The Joy of Killing, with its haunting language and vivid images, is both a fascinating look into the fugue state of one man's mind as well as a searing, philosophical look at violence and its impact on our human condition. With its elegant structure, multiple storylines, and edge–of–your–seat suspense, the novel is the tour–de–force fiction debut by one of America's premier writers of true crime.

You're invited to the murder mystery party of the year! Fans of the hit series A Good Girl’s Guide to Murder will love Pip’s final detective case in this mystery novella from #1 New York Times bestselling author Holly Jackson. Six suspects. Three hours. One murder… Pip is not in the mood for her friend’s murder mystery party. Especially one that involves 1920’s fancy dress and pretending that their town is an island called Joy. But when the game begins, Pip finds herself drawn into the make-believe world of intrigue, deception and murder. But as Pip plays detective, teasing out the identity of the killer clue-by-clue, the murder of the fictional Reginald Remy isn’t the only case on her mind …

A case study of the vigilante style death of Ken McElroy in 1981 in Skidmore, Missouri.

THE MUST-READ MULTIMILLION BESTSELLING MYSTERY SERIES—COMING SOON TO NETFLIX! • This is the story about an investigation turned obsession, full of twists and turns and with an ending you'll never expect. Everyone in Fairview knows the story. Pretty and popular high school senior Andie Bell was murdered by her boyfriend, Sal Singh, who then killed himself. It was all anyone could talk about. And five years later, Pip sees how the tragedy still haunts her town. But she can't shake the feeling that there was more to what happened that day. She knew Sal when she was a child, and he was always so kind to her. How could he possibly have been a killer? Now a senior herself, Pip decides to reexamine the closed case for her final project, at first just to cast doubt on the original investigation. But soon she discovers a trail of dark secrets that might actually prove Sal innocent . . . and the line between past and present begins to blur. Someone in Fairview doesn't want Pip digging around for answers, and now her own life might be in danger. And don't miss the sequel, Good Girl, Bad Blood! "The perfect nail-biting mystery." —Natasha Preston, #1 New York Times bestselling author

This thought-provoking volume from noted food writer Joy Manning dissects how the production and consumption of food have become harmful to our personal, societal, and environmental health—and assesses the possible remedies. In the developed world, small-scale family farms have largely been replaced by factory farms, shared meals have given way to eating on the go, and our favorite mass-produced foods can be purchased around the globe. These might seem like indicators of progress in a globalized world that supports a population of 7.7 billion; however, with chronic obesity on the rise, our food laced with additives and chemicals, and the environment devastated by industrial farming, pesticides, fertilizers, and monoculture, it is time to reevaluate what we eat and how we eat it. In Is Our Food Killing Us?, food writer Joy Manning explores the ways in which our food systems have failed us and how we can build a better, more sustainable future. Manning investigates how human bodies and brains respond to different flavors and food groups, and the ways in which corporations have exploited this to create hyperpalatable food products without nutritional value. She then critically addresses how companies market their products to maximize profit at the expense of public health, explaining how fast food came to rule. Zooming out and looking at the large-scale effects of diet, Manning examines the disastrous impact of modern agribusiness on climate change and biodiversity loss. Finally, Manning carefully considers solutions and how we can regain a healthier relationship with food, from eating organic produce to reintroducing family meals, and from changing how we buy food to adopting a plant-based diet.

"Getting the job done" for one single mom takes on a whole new meaning in Finlay Donovan is Killing It. A USA Today bestseller! One of Suspense Magazine's "Best Thrillers of 2021" One of New York Public Library's Best Books of 2021 Nominated for the Left Coast Crime 2022 Lefty Award for the Best Humorous Mystery “Finlay Donovan is irresistible!”—Janet Evanovich Finlay Donovan is killing it . . . except, she’s really not. She’s a stressed-out single-mom of two and struggling novelist, Finlay’s life is in chaos: the new book she promised her literary agent isn’t written, her ex-husband fired the nanny without telling her, and this morning she had to send her four-year-old to school with hair duct-taped to her head after an incident with scissors. When Finlay is overheard discussing the plot of her new suspense novel with her agent over lunch, she’s mistaken for a contract killer, and inadvertently accepts an offer to dispose of a problem husband in order to make ends meet . . . Soon, Finlay discovers that crime in real life is a lot more difficult than its fictional counterpart, as she becomes tangled in a real-life murder investigation. Fast-paced, deliciously witty, and wholeheartedly authentic in depicting the frustrations and triumphs of motherhood in all its messiness, hilarity, and heartfelt moments, Finlay Donovan Is Killing It is the first in a brilliant new series from YA Edgar Award nominee Elle Cosimano.

A New York Times bestseller | Soon to be a major motion picture “Witty, endearing and greatly entertaining.” —Wall Street Journal “Don’t trust anyone, including the four septuagenarian sleuths in Osman’s own laugh-out-loud whodunit.” —Parade Four septuagenarians with a few tricks up their sleeves A female cop with her first big case A brutal murder Welcome to... THE THURSDAY MURDER CLUB In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club. When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case. As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it's too late?

Now under one cover, here are all six volumes of the notorious How To Kill series, the complete history of murder, assassination and death by design. The Hatchet Job, Smothering, Drilled to Death and other chapters provide gruesome testimony to why these books have been banned in certain countries! For information purposes only!

PULITZER PRIZE FINALIST • From one of our most heralded writers comes the “poetic, disturbing, yet very funny” (The Washington Post Book World) life-and-death adventures of three misfit teenagers in the American desert. Alice, Corvus, and Annabel, each a motherless child, are an unlikely circle of friends. One filled with convictions, another with loss, the third with a worldly pragmatism, they traverse an air-conditioned landscape eccentric with signs and portents—from the preservation of the living dead in a nursing home to the presentation of the dead as living in a wildlife museum—accompanied by restless, confounded adults. A father lusts after his handsome gardener even as he's haunted (literally) by his dead wife; a heartbroken dog runs afoul of an angry neighbor; a young stroke victim drifts westward, his luck running from worse to awful; a sickly musician for whom Alice develops an attraction is drawn instead toward darker imaginings and solutions; and an aging big-game hunter finds spiritual renewal through his infatuation with an eight-year-old—the formidable Emily Bliss Pickless. With nature thoroughly routed and the ambiguities of existence on full display, life and death continue in directions both invisible and apparent. Gloriously funny and wonderfully serious, The Quick and the Dead limns the vagaries of love, the thirst for meaning, and the peculiar paths by which all creatures are led to their destiny. A panorama of contemporary life and an endlessly surprising tour de force: penetrating and magical, ominous and comic, this is the most astonishing book yet in Joy Williams's illustrious career. Joy Williams belongs, James Salter has written, "in the company of Céline, Flannery O'Connor, and Margaret Atwood."