We, the Elders, have done our best to represent our Red Nation as Ojibway, Cree, and Dakota. We present this story knowing it is an attempt to capture the richness and beauty of the Red Nation—a people of the heart and the land. We are an oral people. We cannot transfer our way of life through written words alone. Sacred law must be spoken and heard. Our way of life is meant to be lived and experienced. Our words are meant to inspire and guide our fellow human beings to follow the path of the heart. We believe that there is one Creator for all, that there is one Mother Earth that sustains all of us. We do not own the Earth. How can anyone own their mother? We owe our existence to Mother Earth. We believe that the spirit of the original Red Man was lowered to Mother Earth and our spirit chose to be born on Turtle Island. This story tells of our human life and journey until our return back to the spirit world. We believe the Creator has always been within our reach and that we have to return to the Earth to be guided to our true purpose.

A powerful story of one man's redemption through the Lakota Sun Dance ceremony. • Written by the only white man to be confirmed as a Sundance Chief by traditional Lakota elders. • Includes forewords by prominent Lakota spiritual leaders Leonard Crow Dog, Charles Chipps, Mary Thunder, and Jamie Sams. The Sun Dance is the largest and most important ceremony in the Lakota spiritual tradition, the one that ensures the life of the people for another year. In 1988 Michael Hull was extended an invitation to join in a Sun Dance by Lakota elder Leonard Crow Dog-- a controversial action because Hull is white. This was the beginning of a spiritual journey that increasingly interwove the life of the author with the people, process, and elements of Lakota spirituality. On this journey on the Red Road, Michael Hull confronted firsthand the transformational power of Lakota spiritual practice and the deep ambivalence many Indians had about opening their ceremonies to a white man. Sun Dancing presents a profound look at the elements of traditional Lakota ceremonial practice and the ways in which ceremony is regarded as life-giving by the Lakota. Through his commitment to following the Red Road, Michael Hull gradually won acceptance in a community that has rejected other attempts by white America to absorb its spiritual practices, leading to the extraordinary step of his confirmation as a Sun Dance Chief by Leonard Crow Dog and other Lakota spiritual leaders.

Among the topics considered in this classic study are world origins and supernatural powers, attitudes toward the dead, the medicine man and shaman, hunting and gathering rituals, war and planting ceremonies, and newer religions, such as the Ghost Dance and the Peyote Religion. "The distinctive contribution of [Red Man's Religion] is the treatment of topics, the insight and the perspective of the author, and her ability to transmit these to the reader. . . . Trais and aspects of religion are not treated as abstract entitites, to be enumerated and summated, assigned a geographic distribution, and then abandoned. No page is a dry recital; each is an illumination. Insight and wisdom are framed in poetic prose. An offering of information in such a medium merits gratitude."—American Anthropologist

Joseph Nicolar's "The Life and Traditions of the Red Man" tells the story of his people from the first moments of creation to the earliest arrivals and eventual settlement of Europeans. Self-published by Nicolar, this is one of the few sustained narratives in English composed by a member of an Eastern Algonquian-speaking people during the nineteenth century. At a time when Native Americans' ability to exist as Natives was imperiled, Nicolar wrote his book in an urgent effort to pass on Penobscot cultural heritage to subsequent generations of the tribe and to reclaim Native Americans' right to self-representation. This extraordinary work weaves together stories of Penobscot history, precontact material culture, feats of shamanism, and ancient prophecies about the coming of the white man. An elder of the Penobscot Nation in Maine and the grandson of the Penobscots' most famous shaman-leader, Old John Neptune, Nicolar brought to his task a wealth of traditional knowledge. providing historical context and explaining unfamiliar words and phrases. "The Life and Traditions of the Red Man" is a remarkable narrative of Native American culture, spirituality, and literature

(Partial summary, p. 334-339) A protestant missionary view of the economic and moral situation on Flathead in the early 1920's.

This carefully crafted ebook: "THE LOST WORLD - 40 Books Collection: King Solomon's Mines, A Journey to the Centre of the Earth, New Atlantis, The Man Who Would be King, The Land That Time Forgot, Lost Horizon and many more" is formatted for your eReader with a functional and detailed table of contents: The Lost World (Arthur Conan Doyle) A Journey to the Centre of the Earth (Jules Verne) The Mysterious Island The Man Who Would Be King (Rudyard Kipling) At the Mountains of Madness (H. P. Lovecraft) King Solomon's Mines (Henry Rider Haggard) She: A History of Adventure The People of the Mist When the World Shook The Yellow God The Narrative of Arthur Gordon Pym of Nantucket (Edgar Allan Poe) Lost Horizon (James Hilton) The Moon Pool (Abraham Merritt) The Lost Lemuria (W. Scott-Elliot) The Lost Continent of Mu - Motherland of Man (James Churchward) Gulliver's Travels (Jonathan Swift) The Caspak Trilogy (E. Rice Burroughs) The Moon Trilogy The Pellucidar Series The Man-Eater The Cave Girl The Eternal Lover Jungle Girl The Return of Tarzan Tarzan and the Jewels of Opar The Atlantis Books: The Original Myth of Atlantis (Plato) New Atlantis (F. Bacon) Atlantis: The Antedeluvian World (I. Donnelly) The Lost Continent (C. J. Cutcliffe Hyne) The Story of Atlantis (W. Scott-Elliot) The lost world is a subgenre of the fantasy or science fiction genre that involves the discovery of a new world out of time or place. King Solomon's Mines by H. Rider Haggard is sometimes considered the first lost-world narrative. Haggard's novel shaped the form and influenced later lost-world books, including Kipling's The Man Who Would Be King, Arthur Conan Doyle's The Lost World, Burroughs' The Land That Time Forgot, A. Merritt's The Moon Pool, and H. P. Lovecraft's At the Mountains of Madness. James Hilton's Lost Horizon used the genre as a takeoff for popular philosophy and social comment and it introduced the name Shangri-La, a meme for the idealization of the lost world as a paradise.