Presents the author's journals that testify a disciplined intelligence in a constantly maturing thought. This book offers details of his personal life and spiritual conflicts, accounts of his travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation.

These are the diaries from 1889-1913 of the French author André Gide.

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"Beginning with a single entry For The year 1889, when he was twenty, and continuing intermittently but indefatigably through his life, theJournals of Andr Gideconstitute an enlightening, moving, and endlessly fascinating chronicle of creative energy and conviction. Astutely and thoroughly annotated by Justin O'Brien in consultation with Gide himself, this translation is the definitive edition of Gide's complete journals.The complete journals, representing sixty years of a varied life, testify to a disciplined intelligence in a constantly maturing thought. These pages contain aesthetic appreciations, philosophic reflections, sustained literary criticism, notes For The composition of his works, details of his personal life and spiritual conflicts, accounts of his extensive travels, and comments on the political and social events of the day, from the Dreyfus case To The German occupation. Gide records his progress as a writer and a reader as well as his contacts and conversations with the bright lights of contemporary Europe, from Paul Valry, Paul Claudel, Lon Blum, and Auguste Rodin to Marcel Proust, Stephen Mallarm, Oscar Wilde, and Nadia Boulanger. Devoid of affectation, alternately overtaken by depression and animated by a sense of urgency and hunger for literature and beauty, Gide read voraciously, corresponded voluminously, and thought profoundly, always questioning and doubting in search of the unadulterated truth. ""The only drama that really interests me and that I should always be willing to depict anew,"" he wrote, ""is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, To his integration. Most often the obstacle is within him. And all the rest is merely accidental.""Volume 4 reveals a creative mind that remains vigorous and unique as Gide enters his seventies. He records the fall of France And The German occupation during World War II, The landing of the Americans And The fall of Tunis, As well as a memorable meeting with General de Gaulle. His literary commentary touches on such writers as Virgil, Goethe, Racine, Dashiell Hammett, and John Steinbeck."

Provocative essays on language, literature, and the aesthetics of embodiment.

Available for the first time in paperback, the Journals of Andr Gide are remarkable literary works in their own right--they are unfailingly honest, endlessly fascinating, and a feast for the mind, enhanced by a new introduction by the Pulitzer Prize-winning poet, Richard Howard.

"Beginning with a single entry for the year 1889, when he was twenty, and continuing intermittently but indefatigably through his life, theJournals of Andr Gideconstitute an enlightening, moving, and endlessly fascinating chronicle of creative energy and conviction. Astutely and thoroughly annotated by Justin O'Brien in consultation with Gide himself, this translation is the definitive edition of Gide's complete journals.The complete journals, representing sixty years of a varied life, testify to a disciplined intelligence in a constantly maturing thought. These pages contain aesthetic appreciations, philosophic reflections, sustained literary criticism, notes for the composition of his works, details of his personal life and spiritual conflicts, accounts of his extensive travels, and comments on the political and social events of the day, from the Dreyfus case to the German occupation. Gide records his progress as a writer and a reader as well as his contacts and conversations with the bright lights of contemporary Europe, from Paul Valry, Paul Claudel, Lon Blum, and Auguste Rodin to Marcel Proust, Stephen Mallarm, Oscar Wilde, and Nadia Boulanger. Devoid of affectation, alternately overtaken by depression and animated by a sense of urgency and hunger for literature and beauty, Gide read voraciously, corresponded voluminously, and thought profoundly, always questioning and doubting in search of the unadulterated truth. ""The only drama that really interests me and that I should always be willing to depict anew,"" he wrote, ""is the debate of the individual with whatever keeps him from being authentic, with whatever is opposed to his integrity, to his integration. Most often the obstacle is within him. And all the rest is merely accidental."""

A restless inquiry into the cultural and psychic sources of insomnia by one of contemporary French literature’s most elegant voices. Plagued by insomnia for twenty years, Marie Darrieussecq turns her attention to the causes, implications, and consequences of sleeplessness: a nocturnal suffering that culminates at 4 a.m. and then defines the next day. “Insomniac mornings are dead mornings,” she observes. Prevented from falling asleep by her dread of exhaustion the next day, Darrieussecq turns to hypnosis, psychoanalysis, alcohol, pills, and meditation. Her entrapment within this spiraling anguish prompts her inspired, ingenious search across literature, geopolitical history, psychoanalysis, and her own experience to better understand where insomnia comes from and what it might mean. There are those, she writes, in Rwanda, whose vivid memories of genocide leave them awake and transfixed by complete horror; there is the insomnia of the unhoused, who have nowhere to put their heads down. The hyperconnection of urban professional life transforms her bedroom from a haven to a dormant electrified node. Ranging between autobiography, clinical observation, and criticism, Sleepless is a graceful, inventive meditation by one of the most daring, inventive novelists writing today.