"A novel that is as moving as it is cerebral, as poignant as it is daring." - Michiko Kakutani, The New York Times "Mason & Dixon - like Huckleberry Finn, like Ulysses - is one of the great novels about male friendship in anybody's literature." - John Leonard, The Nation Charles Mason (1728–1786) and Jeremiah Dixon (1733–1779) were the British surveyors best remembered for running the boundary between Pennsylvania and Maryland that we know today as the Mason-Dixon Line. Here is their story as reimagined by Thomas Pynchon, featuring Native Americans and frontier folk, ripped bodices, naval warfare, conspiracies erotic and political, major caffeine abuse. Unreflectively entangled in crimes of demarcation, Mason & Dixon take us along on a grand tour of the Enlightenment’s dark hemisphere, from their first journey together to the Cape of Good Hope, to pre-Revolutionary America and back to England, into the shadowy yet redemptive turns of their later lives, through incongruities in conscience, parallaxes of personality, tales of questionable altitude told and intimated by voices clamoring not to be lost. Along the way they encounter a plentiful cast of characters, including Benjamin Franklin, George Washington, and Samuel Johnson, as well as a Chinese feng shui master, a Swedish irredentist, a talking dog, and a robot duck. The quarrelsome, daring, mismatched pair—Mason as melancholy and Gothic as Dixon is cheerful and pre-Romantic—pursues a linear narrative of irregular lives, observing, and managing to participate in the many occasions of madness presented them by the Age of Reason.

The award-winning author of Secrets of a Civil War Submarine traces the history of the Mason-Dixon Line as reflected by family feuds, exploration, scientific advancement and the cultural conflicts between America's northern and southern states.

THE FIRST POPULAR HISTORY OF THE MAKING OF THE MASON-DIXON LINE The Mason-Dixon line-surely the most famous surveyors' line ever drawn-represents one of the greatest and most difficult scientific achievements of its time. But behind this significant triumph is a thrilling story, one that has thus far eluded both historians and surveyors. In this engrossing narrative, professional surveyor Edwin Danson takes us on a fascinating journey with Charles Mason and Jeremiah Dixon, two gifted and exuberant English surveyors, through the fields and forests of eighteenth-century America. Vividly describing life in the backwoods and the hardships and dangers of frontier surveying, Drawing the Line discloses for the first time in 250 years many hitherto unknown surveying methods, revealing how Mason and Dixon succeeded where the best American surveyors of the period failed. In accessible, ordinary language, Danson masterfully throws the first clear light on the surveying of the Mason-Dixon line. Set in the social and historical context of pre-Revolutionary America, this book is a spellbinding account of one of the great and historic achievements of its time. Advance Praise for Drawing the Line "Drawing the Line combines a fast-moving story, a human drama, and a clear account of surveying in the era of George Washington. An intriguing interaction of politics and science."-CHARLES ROYSTER, Boyd Professor of History, Louisiana State University, and Winner of the Bancroft Prize in History

If the Mason-Dixon Line could talk, here are the stories. It would tell. Pulitzerprize winning reporter and travel writer Bill Ecenbarger has walked the Mason-Dixon line - from its beginning on Fenwick Island, Delaware, to its end at Brown's Hill, Pennsylvania - diverting left and right to Interview the people who live along its border. The line was surveyed between 1763 and 1768 by Charles Mason and Jeremiah Dixon to settle a dispute between Robert Penn and Lord Calvert, whose family owned what is now the state of Maryland. In 1780, Pennsylvania passed a law to abolish slavery, making the Mason-Dixon Line the divider between free and slave states. From that moment, it also became a lightning rod for racial conflict that continues to this day. This unique history/travelogue examines the influence of this great divider, which remains the most powerful symbol separating Yankee from Rebel, oatmeal from grits, North from South.

King Charles I of England granted the Calvert Family a charter for the Colony of Maryland in 1632. Forty-nine years later, in 1681, Charles II awarded the Penn Family a similar charter for Pennsylvania. However, the ambiguity of the language and lack of precision in both grants sowed the seeds of dispute over a sixty-nine mile parcel of land between the 39th and 40th degrees of North Latitude. Had the Calverts prevailed, part of the City of Philadelphia would now be in Maryland, and had the Penns succeeded Baltimore would today be in the state of Pennsylvania! Arguments between the opposing parties dragged on for more than half a century before the English Courts finally issued a decree: Neither the Calverts nor the Penns would prevail; the border between Maryland and Pennsylvania would be a line of latitude located fifteen miles due south of the most southern point in the city of Philadelphia. As a result, in 1763 two British mathematicians and surveyors-Charles Mason and Jeremiah Dixon-were commissioned to accurately survey and mark the 244- mile boundary between the two colonies.We all have referred to the resulting Mason Dixon Line in casual conversation as the line that divides Pennsylvania and Maryland, or perhaps as the line between the free and slave states during the Civil War. But what do we actually know about Charles Mason and Jeremiah Dixon, and why is an imaginary line named after them? Author Jack Layton decided to find out. Over the course of several years he literally walked the line, recording his observations and taking revealing photographs along the entire route. The results-informative, entertaining, ironic and amusing-form the heart of this book. Luckily for us, Charles Mason was a meticulous man who kept a detailed journal of his remarkable experiences in the New World. Mr. Layton used his daily record, kept during the three years that he and his partner spent traipsing through the mountains and valleys of America, as the backbone for this book, with liberal use of direct quotations. Amazingly, some of what the men saw and described has not changed much in the intervening two-and-a-half centuries, while other sights would not be recognizable at all today. Enjoy a trip back to colonial America. Join Jack Layton as he takes a walk in the footsteps of history, following the path blazed by two men whose names and the boundary they surveyed are today a household word-the Mason Dixon Line!

New essays examining the interface between 18th- and 20th-century culture both in Pynchon's novel and in the historical past. Thomas Pynchon's 1997 novel Mason & Dixon marked a deep shift in Pynchon's career and in American letters in general. All of Pynchon's novels had been socially and politically aware, marked by social criticism and a profound questioning of American values. They have carried the labels of satire and black humor, and "Pynchonesque" has come to be associated with erudition, a playful style, anachronisms and puns -- and an interest in scientific theories, popular culture, paranoia, and the "military-industrial complex." In short, Pynchon's novels were the sine qua non of postmodernism; Mason & Dixon went further, using the same style, wit, and erudition to re-create an 18th century when "America" was being formed as both place and idea. Pynchon's focus on the creation of the Mason-Dixon Line and the governmental and scientific entities responsible for it makes a clearer statement than any of his previous novels about the slavery and imperialism at the heart of the Enlightenment, as he levels a dark and hilarious critique at this America. This volume of new essays studies the interface between 18th- and 20th-century cultureboth in Pynchon's novel and in the historical past. It offers fresh thinking about Pynchon's work, as the contributors take up the linkages between the 18th and 20th centuries in studies that are as concerned with culture as withthe literary text itself. Contributors: Mitchum Huehls, Brian Thill, Colin Clarke, Pedro Garcia-Caro, Dennis Lensing, Justin M. Scott Coe, Ian Copestake, Frank Palmeri. Elizabeth Jane Wall Hinds is Professor and Chair of the English Department at SUNY Brockport.

After the Nation proposes a series of groundbreaking new approaches to novels, essays, and short stories by Carlos Fuentes and Thomas Pynchon within the framework of a hemispheric American studies. García-Caro offers a pioneering comparativist approach to the contemporary American and Mexican literary canons and their underlying nationalist encodement through the study of a wide range of texts by Pynchon and Fuentes which question and historicize in different ways the processes of national definition and myth-making deployed in the drawing of literary borders. After the Nation looks at these literary narratives as postnational satires that aim to unravel and denounce the combined hegemonic processes of modernity and nationalism while they start to contemplate the ensuing postnational constellations. These are texts that playfully challenge the temporal and spatial designs of national themes while they point to and debase “holy” borders, international borders as well as the internal lines where narratives of nation are embodied and consecrated. !--StartFragment--