Call it Kmart magical realism.-Washington Post Book World

Reproduction of the original: The Jew and Other Stories by Ivan Turgenev

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - In studying the Russian novel it is amusing to note the childish attitude of certain English men of letters to the novel in general, their depreciation of its influence and of the public's 'inordinate' love of fiction. Many men of letters to-day look on the novel as a mere story-book, as a series of light-coloured, amusing pictures for their 'idle hours, ' and on memoirs, biographies, histories, criticism, and poetry as the age's serious contribution to literature. Whereas the reverse is the case. The most serious and significant of all literary forms the modern world has evolved is the novel; and brought to its highest development, the novel shares with poetry to-day the honour of being the supreme instrument of the great artist's literary skill. To survey the field of the novel as a mere pleasure-garden marked out for the crowd's diversion - a field of recreation adorned here and there by the masterpieces of a few great men - argues in the modern critic either an academical attitude to literature and life, or a one-eyed obtuseness, or merely the usual insensitive taste. The drama in all but two countries has been willy-nilly abandoned by artists as a coarse playground for the great public's romps and frolics, but the novel can be preserved exactly so long as the critics understand that to exercise a delicate art is the one serious duty of the artistic life. It is no more an argument against the vital significance of the novel that tens of thousands of people - that everybody, in fact - should to-day essay that form of art, than it is an argument against poetry that for all the centuries droves and flocks of versifiers and scribblers and rhymesters have succeeded in making the name of poet a little foolish in worldly eyes.

Set in 1920s Chicago, the short novel Yudl follows its eponymous protagonist, a middle-aged editor at a left-leaning newspaper called The Yiddish Courier. Yudl and his wife have decided to become landlords, purchasing a vacant lot and hiring an acquaintance—aptly named Mason—to oversee the construction of their future apartment building. However, delays in the construction leave Yudl and his family without a home, forcing them to stay with Mason and his family until the construction is finally complete. Told with wry wit and a masterful sensibility for metaphor, the story explores gender, Zionism, and the immigrant experience in the US. The selection of short stories that follow the novel in this volume were selected by the author from her deathbed during her last weeks and then hours on earth. Silbert's graceful short stories focus on the family, allowing the reader glimpses of a child's happiness, the cripplingly contradictory demands of femininity, the complexity of grief, and a sustained meditation on life and death.

Translation of Chana Blankshteyn’s stories depicting the tumultuous interwar years in Europe. Fear and Other Storiesis a translation from Yiddish to English of the collected stories of Chana Blankshteyn (~1860–1939), a woman who may be almost entirely forgotten now but was widely admired during her long and productive life. The mere existence of these stories is itself a remarkable feat as the collection was published in July 1939, just before the Nazis invaded Poland and two weeks before Blankshteyn’s death. Anita Norich’s introduction argues that this is not a work of Holocaust literature (there are no death camps, partisans or survivors of WWII), but anti-Semitism is palpable, as is the threat of war and its aftermath. What could it have felt like to live under these conditions? How might a woman who was a feminist, a Jew, and an activist understand the recent past of war and revolution through which she had lived and also confront the horror that was beginning to unfold? The nine stories in this volume take place primarily in Vilna, as well as various parts of Europe. As if presaging what was to come, World War I and Russian civil wars are the backdrops to these stories, as Jews and non-Jews find themselves under German occupation or caught up in the revolutionary fervor that promised them much and took away almost everything. The young women in Blankshteyn’s stories insist on their independence, on equality with their lovers, and on meaningful work. Like the men in the stories, they study, work, and yearn for love. The situations in which these characters find themselves may be unfamiliar to a contemporary reader, but their reactions to the turmoil, the frighteningly changing times, and the desire for love and self-expression are deeply resonant with today’s audience. The history may be specific, but the emotions are universal. Blankshteyn’s stories are both a view of the final gasp of Eastern European Jewish culture and a compelling modern perspective on the broader world. Students and scholars of history and culture, women’s literature, and translation studies will wonder how they’ve gone this long without reading Blankshteyn’s work.

The stories in this collection all relate to the vicissitudes of displaced individuals who are frequently trapped by society's rigid norms. Some, like the Jew with the white beard and the long black overcoat in the title story who steps off the gangplank, are entering a world that is no longer theirs.

A Most Anticipated in 2021 Pick for The Independent | Buzzfeed | The Nerd Daily When we came to America, we brought anger and socialism and hunger. We also brought our demons. In Burning Girls and Other Stories, Veronica Schanoes crosses borders and genres with stories of fierce women at the margins of society burning their way toward the center. This debut collection introduces readers to a fantasist in the vein of Karen Russell and Kelly Link, with a voice all her own. Emma Goldman—yes, that Emma Goldman—takes tea with the Baba Yaga and truths unfold inside of exquisitely crafted lies. In "Among the Thorns," a young woman in seventeenth century Germany is intent on avenging the brutal murder of her peddler father, but discovers that vengeance may consume all that it touches. In the showstopping, awards finalist title story, "Burning Girls," Schanoes invests the immigrant narrative with a fearsome fairytale quality that tells a story about America we may not want—but need—to hear. Dreamy, dangerous, and precise, with the weight of the very oldest tales we tell, Burning Girls and Other Stories introduces a writer pushing the boundaries of both fantasy and contemporary fiction. With a foreword by Jane Yolen At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

National Bestseller Globe and Mail Best Book of the Year New York Times Notable Book of the Year Winner of the Commonwealth Writers’ Prize for Best First Book (Canada and Caribbean Region) Winner of the Canadian Jewish Book Award, Fiction Category Winner of the Toronto Book Award Winner of the Jewish Quarterly Wingate Literary Prize for Fiction Winner of the Danuta Gleed Literary Award Finalist for the Governor General’s Award for Fiction Finalist for CBC’s Canada Reads Finalist for the Guardian First Book Award Finalist for the Borders Books and Music 2004 Original Voices Award Finalist for the LA Times Book Prize The Bermans—Bella, Roman and their son, Mark—are Russian Jews who fled the Riga of Brezhnev for Toronto, the city of their dreams. Natasha and Other Stories is the chronicle of their search for a better life as they struggle to fit into a foreign urban landscape. Told through Mark’s eyes, these are stories filled with heart, verve and consequence. In “Tapka,” six-year-old Mark’s cocky game with a neighbour’s beloved dog turns into a tragi-comedy of life lessons learned. In the title story, a teenage Mark faces a stark, comical and ultimately searing introduction to first love at the experienced hands of his cousin, Natasha, an immigrant from the new Russia. And in “Minyan,” Mark and his grandfather watch as the death of an Odessan cab driver sets off a religious controversy among the residents of a Jewish old-people’s home. Often funny and always wise, this much-celebrated collection captures the immigrant experience with striking wit and deep sympathy.

Personal narratives of Christians, Gypsies, deaf people, homosexuals, and Blacks who suffered at the hands of the Nazis before and during World War II.