*A Publishers Weekly Best Book of 2018* *A Bustle Best Nonfiction Book of 2018* *One of Chicago Tribune's Favorite Books by Women in 2018* *A Self Best Book of 2018 to Buy for the Bookworm in Your Life* By the acclaimed critic, memoirist, and advice columnist behind the popular "Ask Polly," an impassioned collection tackling our obsession with self-improvement and urging readers to embrace the imperfections of the everyday Heather Havrilesky's writing has been called "whip-smart and profanely funny" (Entertainment Weekly) and "required reading for all humans" (Celeste Ng). In her work for New York, The Baffler, The New York Times Magazine, and The Atlantic, as well as in "Ask Polly," her advice column for The Cut, she dispenses a singular, cutting wisdom--an ability to inspire, provoke, and put a name to our most insidious cultural delusions. What If This Were Enough? is a mantra and a clarion call. In its chapters--many of them original to the book, others expanded from their initial publication--Havrilesky takes on those cultural forces that shape us. We've convinced ourselves, she says, that salvation can be delivered only in the form of new products, new technologies, new lifestyles. From the allure of materialism to our misunderstandings of romance and success, Havrilesky deconstructs some of the most poisonous and misleading messages we ingest today, all the while suggesting new ways to navigate our increasingly bewildering world. Through her incisive and witty inquiries, Havrilesky urges us to reject the pursuit of a shiny, shallow future that will never come. These timely, provocative, and often hilarious essays suggest an embrace of the flawed, a connection with what already is, who we already are, what we already have. She asks us to consider: What if this were enough? Our salvation, Havrilesky says, can be found right here, right now, in this imperfect moment.

“The rediscovery of Thomas Detter’s Nellie Brown, or The Jealous Wife, with Other Sketches, published in 1871, could be to contemporary American Studies what the discovery of gold was to the development of the American West.”—from the introduction by Frances Smith Foster. This collection includes a novella, two short stories, and six essays. The title story, the first novel written by an African American in the West, takes place in Virginia and addresses adultery and divorce, subjects considered radical and risqué at that time. Equally provocative are the “Other Sketches.” These include two short stories: “The Octoroon Slave of Cuba,” an alternative to “tragic mulatto” fiction, and “Uncle Joe,” an African-American folktale. The six personal essays, including “My Trip to Baltimore” and “Give the Negro a Chance,” are as compelling now as they were then in depicting the West after Reconstruction.