The Jazz Stylings of Howard Roberts consists of transcriptions of melody, solo, comping examples and ensemble passages from Howard's extensive solo albums spanning from the '50's to the '70's in accurate detail. There is a bio of HR (as he was affectionately known to all of his acquaintances and fans) with personal comments from Pete Jolly, well known LA jazz and studio pianist who was best friends with Howard going back to their early days in Phoenix. an extensive section covers the history and development of the Epiphone© and Gibson© signature guitars that Howard created along with the Benson® amp story, which is told by Howard's original partner, Ron Benson, the first of the 'boutique' amplifier companies, so common today. Along the way, Howard's involvement with guitar education and publishing is described culminating in the opening of the Guitar Institute of Technology (now the Musicians Institute) in 1977. A discography of Howard's solo albums as well as the key hit records he played on and a list of the major motion picture soundtracks he participated in as a studio musician in Los Angeles are also included.

Barry Galbraith was one of the best jazz guitarists of the 1950's. He was also a fine music reader who would write out his own arrangements of standards for his students. Both his playing and his writing are very straightforward. This book takes thirteen of Barry's rough, hand-written arrangements and adds chord symbols, left-hand fingering, and tablature. the companion CD was recorded by John Purse. Also included in the book are quotes about Barry from many other famous musicians, a 7-page article on Barry by his son Don, an obituary by George Russell, and numerous pictures of Barry at different times in his life.

The most highly-acclaimed jazz theory book ever published! Over 500 pages of comprehensive, but easy to understand text covering every aspect of how jazz is constructed---chord construction, II-V-I progressions, scale theory, chord/scale relationships, the blues, reharmonization, and much more. A required text in universities world-wide, translated into five languages, endorsed by Jamey Aebersold, James Moody, Dave Liebman, etc.

(Musicians Institute Press). Navigate the guitar neck better than ever before with this easy-to-use book! Designed from Musicians Institute core curriculum programs, it covers essential concepts for players of every level, acoustic or electric. A hands-on guide to theory, it will help you learn to build any scale or chord on your own and unleash creativity. No music reading is required.

This is the first instructional book of its kind, taking a strikingly new and refreshing approach to learning guitar, carefully designed to guarantee efficient practice with rewarding results. Whether your playing falls under one of the more traditional styles, or whether you're a composer and arranger or exploring new musical regions and establishing your own musical direction or personal fusion of musical ideas and influences, The Praxis System has what you need. The name of the system ("Praxis" comes from the Greek word meaning "practice" and "to do") accurately reflects its general orientation. Play it first, getting sound and satisfaction out of the guitar immediately, and musical understanding will naturally follow. Praxis lets you choose the precise subject you want and immediately provides relevant musical examples. And these examples are presented in such a way that the principle behind the example is always clear, thus allowing you to apply it directly to your music. Traditional guitar books try to teach you to play someone else's music, while Praxis takes you directly to being able to play anything that you want---someone else's music, your own music, and everything in between. Guitar instruction books are traditionally written in a progressive fashion; Book 1 first, then Book 2, etc. However, the selection and sequencing of material is usually determined by the book rather than the reader, and the familiar result is that---while the book progresses, the student doesn't. Again, Praxis reverses this. You don't have to start with Book 1, there is no Book 1! You go where your interests lie. Just begin work on any one subject in any volume that attracts you. Because Praxis is a modular system, it can be reassembled into many different combinations. These different combinations of units can answer both varying curricular needs as well as individual interests. Titles: Style & Craft: Inventory of the Basic Moves * Inventory of the Basic Mo

Joe Diorio constructs 16 modern and ultra-modern jazz guitar solos over eight classic jazz chord progressions. Each solo is jammed full of inventive licks and patterns to use as building blocks and jumping-off points for creating dynamic jazz guitar solos. Comping patterns and chord voicings are included.

"Develop Extreme Chops for guitar. Applicable for all types of music from Shred to Classical to Jazz to Bluegrass to Chickin' Pickin'. This method is endorsed and utilized by some of the best guitarists in the world. There is NO better method for developing chops and efficiency on the instrument. -Tab and standard notation -Amazing Chops (works for Fusion, Metal, Jazz, etc) -Amazing blues scale applications -Sweep Picking to die for -Pick & Finger rolls -Incredible Arpeggios -Pentatonic Madness -4th and 5th chords and arpeggios -Odd Meter Phrasing -The most comprehensive Chord Sub methodology -Diminished lines like you've never seen before -Endorsed and used some of the best guitarists in the world"

These beginning to advanced jazz guitar ensembles are written for four and five guitars by some of the best guitar ensemble arrangers in the business. Arrangers include, Barry Greene, Dave Frackenpohl, Steve Schenkel, Andrian Ingram, and Chris Buzzelli. Not only are these fine performance pieces for ensembles, they are good material for sight-reading. These graded volumes follow Mel Bay's guitar grading system. Each chart in all three levels offers students the opportunity to improvise with rhythm guitar and, in some cases, background figures.Level II increases in difficulty in each category and explores upper regions of the fretboard; perfect material for high school level or beginning college ensembles. Each volume contains five pieces for the price of what one ensemble piece usually costs.