A history and analysis of the development of domestic design in early modern Britain and America. How did our modern ideas of physical well-being originate? As John Crowley demonstrates in The Invention of Comfort, changes in sensible technology owed a great deal to fashion-conscious elites discovering discomfort in surroundings they earlier had felt to be satisfactory. Written in an engaging style that will appeal to historians and material culture specialists as well as to general readers, this pathbreaking work brings together such disparate topics of analysis as climate, fire, food, clothing, the senses, and anxiety—especially about the night. “Riveting. . . . A solid contribution to the literature on the cultural impact of gentility, refinement, and the “baubles of Britain” in England and its colonial possessions.” —Journal of American History “Crowley provides a masterly search and survey that no historian of material culture should miss, and every curious reader should consider.” —Eugen Weber, Phi Beta Kappa Key Reporter “A comprehensive and tight study . . . a valuable contribution to the field, [and] one that is enjoyable to read.” —Emma Hart, English Historical Review “The sheer range of evidence, the interweaving of themes, and the overall strength of the argument mean [this] is an ideal book for specialists and students alike.” —Helen Clifford, Journal of Design History “The Invention of Comfort is an important and thought-provoking book that challenges our understanding of why people live that way they do.” —Marie Morgan, New England Quarterly

Today, it is difficult to imagine a living room without a sofa. When the first sofas on record were delivered in seventeenth-century France, the result was a radical reinvention of interior space. Symptomatic of a new age of casualness and comfort, the sofa ushered in an era known as the golden age of conversation; as the first piece of furniture designed for two, it was also considered an invitation to seduction. With the sofa came many other changes in interior space we now take for granted: private bedrooms, bathrooms, and the original living rooms. None of this could have happened without a colorful cast of visionaries-legendary architects, the first interior designers, and the women who shaped the tastes of two successive kings of France: Louis XIV's mistress Madame de Maintenon and Louis XV's mistress Madame de Pompadour. Their revolutionary ideas would have a direct influence on realms outside the home, from clothing to literature and gender relations, changing the way people lived and related to one another for the foreseeable future.

'One day there is life . . . and then, suddenly, it happens there is death.' So begins Paul Auster's moving and personal meditation on fatherhood. The first section, 'Portrait of an Invisible Man', reveals Auster's memories and feelings after the death of his father. In 'The Book of Memory' the perspective shifts to Auster's role as a father. The narrator, 'A', contemplates his separation from his son, his dying grandfather and the solitary nature of writing and story-telling.

The year 2002 marked the 100th anniversary of the first installation of air-conditioning. During the past century, it has become a staple of American life; 83% of US homes are now air-conditioned. In this engaging social history, Marsha Ackermann explores how the idea of “cooling” became firmly embedded in the social perceptions and expectations of Americans, transforming our definition of comfort and the way we live, work, and play.

Bestselling author Johnson recounts the story of Joseph Priestley--scientist and theologian, protege of Benjamin Franklin--an 18th-century radical thinker who played pivotal roles in the invention of ecosystem science, the founding of the Unitarian Church, and the intellectual development of the U.S.

After World War II, France embarked on a project of modernization, which included the development of the modern mass home. At Home in Postwar France examines key groups of actors — state officials, architects, sociologists and tastemakers — arguing that modernizers looked to the home as a site for social engineering and nation-building; designers and advocates of the modern home contributed to the democratization of French society; and the French home of the Trente Glorieuses, as it was built and inhabited, was a hybrid product of architects’, planners’, and residents’ understandings of modernity. This volume identifies the “right to comfort” as an invention of the postwar period and suggests that the modern mass home played a vital role in shaping new expectations for well-being and happiness.

An orphan and thief, Hugo lives in the walls of a busy train station. He desperately believes a broken automaton will make his dreams come true. But when his world collides with an eccentric girl and a bitter old man, Hugo's undercover life are put in jeopardy. Turn the pages, follow the illustrations and enter an unforgettable new world!

A revelatory revisionist biography of Alexander Graham Bell — renowned inventor of the telephone and powerful enemy of the deaf community. When Alexander Graham Bell first unveiled his telephone to the world, it was considered miraculous. But few people know that it was inspired by another supposed miracle: his work teaching the deaf to speak. The son of one deaf woman and husband to another, he was motivated by a desire to empower deaf people by integrating them into the hearing world, but he ended up becoming their most powerful enemy, waging a war against sign language and deaf culture that still rages today. The Invention of Miracles tells the dual stories of Bell’s remarkable, world-changing invention and his dangerous ethnocide of deaf culture and language. It also charts the rise of deaf activism and tells the triumphant tale of a community reclaiming a once-forbidden language. Katie Booth has researched this story for over a decade, poring over Bell’s papers, Library of Congress archives, and the records of deaf schools around America. Witnessing the damaging impact of Bell’s legacy on her deaf family set her on a path that upturned everything she thought she knew about language, power, deafness, and technology.

Her triumph against all odds is embodied by her decision to go public - at the urging of the Task Force on Filipino Comfort Women - with the secret she had held close for fifty years."--BOOK JACKET.

Award-winning biographer Elizabeth Rusch and two-time Caldecott Honor–recipient Marjorie Priceman team up to tell the inspiring story of the invention of the world’s most popular instrument: the piano. Bartolomeo Cristofori coaxes just the right sounds from the musical instruments he makes. Some of his keyboards can play piano, light and soft; others make forte notes ring out, strong and loud, but Cristofori longs to create an instrument that can be played both soft and loud. His talent has caught the attention of Prince Ferdinando de Medici, who wants his court to become the musical center of Italy. The prince brings Cristofori to the noisy city of Florence, where the goldsmiths’ tiny hammers whisper tink, tink and the blacksmiths’ big sledgehammers shout BANG, BANG! Could hammers be the key to the new instrument? At last Cristofori gets his creation just right. It is called the pianoforte, for what it can do. All around the world, people young and old can play the most intricate music of their lives, thanks to Bartolomeo Cristofori’s marvelous creation: the piano.