It's 2020, and a magical cataclysm has shattered reality as we know it. Now a wizard's cabal is running the East Coast of the US, keeping a semblance of peace. Their most powerful agents, Edmund and Istvan -- the former a nearly immortal 1940s-era mystery man, the latter, well, a ghost -- have been assigned to hunt down an arms smuggling ring that could blow up Massachusetts. Turns out the mission's more complicated than it seemed. They discover a shadow war that's been waged since the world ended, and, even worse, they find out that their own friendship has always been more complicated than they thought. To get out of this alive, they'll need to get over their feelings, their memories, and the threat of a monstrous foe who's getting ready to commit mass murder...

Experts discuss the issues psychotherapists face in the treatment of long-term patients, including separation and autonomy.

First published in 1982, The Truth of Poetry attempts to answer a seemingly simple question: What kind of truth does poetry offer in modern times? Michael Hamburger’s answer to this question ranges over the last century of European and American poetry, and the result is a phenomenology of modern poetry rather than a history of appreciations of individual poets. Stressing the tensions and conflicts in and behind the work of every major poet of the period, he considers the many different possibilities open to poets since Baudelaire. This expansive work of analysis will be of interest to students of English literature, poetry enthusiasts and literary historians.

The essays have been grouped under the following headings: I. Language and the boundaries of genre.- II. Text and intertext.- III. Authorial status and modernity. Steene).

Pablo Neruda was without doubt one of the greatest poets of the twentieth century but his work is extremely uneven. There is a view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship, and by looking closely at how Neruda created his poetic persona within his poems, this Companion tries to establish what should survive of his massive output. By seeing his early work as self exploration through metaphor and sound, as well as through varieties of love and direct experience, the Companion outlines a unity behind all the work, based on voice and a public self. Neruda's debt to reading and books is studied in depth and the change in poetics re-examined by concentrating on the early work up to Residencia en la tierra I and II and why he wanted to become a poet. Debate about quality and representativity is grounded in his Romantic thinking, sensibility and sincerity. Unlike a Borges or a Paz who accompanied their creative work with analytical essays, Neruda distilled all his experiences into his poems, which remainhis true biography. Jason Wilson is Professor Emeritus in the Department of Spanish and Latin American Studies, University College London.