This book, the first of two volumes anticipating the bicentenary of the birth of William Makepeace Thackeray in 1811, details not only the author's life, but also the cosmopolitan and literary worlds inhabited by his two daughters, Minny and Annie. When Thackeray died in 1863, the two sisters were forced to find their own way forward. Minny would marry Leslie Stephen, later father of Virginia Woolf, and die at only thirty-five; Annie, encouraged in early years by her father, would herself emerge as a successful novelist, though one always living, albeit willingly, within her father's shadow. Drawing continuously on the letters, diaries, journals and notebooks of the Thackerays and their circle, Aplin sheds light on this remarkable man's family, and the effect that his life, death and legacy had on those closest to him. The book will appeal not just to those interested in Thackeray and the Victorians, but also to readers of biography, womenis studies and memoirs, and to followers of Viriginia Woolf and Bloomsbury.

An insightful, witty look at Virginia Woolf through the lens of the extraordinary women closest to her. How did Adeline Virginia Stephen become the great writer Virginia Woolf? Acclaimed biographer Gillian Gill tells the stories of the women whose legacies--of strength, style, and creativity--shaped Woolf's path to the radical writing that inspires so many today. Gill casts back to Woolf's French-Anglo-Indian maternal great-grandmother Th r se de L'Etang, an outsider to English culture whose beauty passed powerfully down the female line; and to Woolf's aunt Anne Thackeray Ritchie, who gave Woolf her first vision of a successful female writer. Yet it was the women in her own family circle who had the most complex and lasting effect on Woolf. Her mother, Julia, and sisters Stella, Laura, and Vanessa were all, like Woolf herself, but in markedly different ways, warped by the male-dominated household they lived in. Finally, Gill shifts the lens onto the famous Bloomsbury group. This, Gill convinces, is where Woolf called upon the legacy of the women who shaped her to transform a group of men--united in their love for one another and their disregard for women--into a society in which Woolf ultimately found her freedom and her voice.

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work. This volume includes her 1895 novel Old Mr Tredgold with editorial notes by Elisabeth Jay including a new introduction and headnote, proving key information about the book and its publication history.

Margaret Oliphant Wilson Oliphant (1828-97) is one of the most important writers of the nineteenth century. She was both prolific and wide ranging in her career which spanned half a century. Primarily known as a novelist Mrs Oliphant is of interest to scholars today both for her wide popularity in her prime and her influential position as reviewer and journalist which saw her become an important critical voice for her generation. Her high profile in the literary world led to savage satirical portrayals in works by Anthony Trollope, Thomas Hardy and Henry James. This is the most ambitious and substantial scholarly edition of Margaret Oliphant's writings ever undertaken. In six parts and twenty-five volumes all her important fiction plus substantial selections of her criticism and journalism are collected and edited by a prestigious editorial team. The novels contained in Parts V and VI represent some of Margaret Oliphant's most significant work. Darker and more politically motivated than the more comic Chronicles of Carlingford, they show Oliphant at the height of her writing powers. Money, financial crises and social and sexual inequality all feature strongly in these works which find Oliphant sharply critical of materialistic, late-Victorian culture. They mirror her own experiences as a female professional writer having to support her family single-handedly. They also form some of her most popular and enduring works which gained a wide readership through serialization. The significance of Oliphant as a writer can only be fully appreciated by close study of these novels, which bring to completion this major twenty-five-volume scholarly edition.

In literary investigation all evidence is textual, dependent on preservation in material copies. Copies, however, are vulnerable to inadvertent and purposeful change. In this volume, Peter Shillingsburg explores the implications of this central concept of textual scholarship. Through thirteen essays, Shillingsburg argues that literary study depends on documents, the preservation of works, and textual replication, and he traces how this proposition affects understanding. He explains the consequences of textual knowledge (and ignorance) in teaching, reading, and research—and in the generous impulses behind the digitization of cultural documents. He also examines the ways in which facile assumptions about a text can lead one astray, discusses how differing international and cultural understandings of the importance of documents and their preservation shape both knowledge about and replication of works, and assesses the dissemination of information in the context of ethics and social justice. In bringing these wide-ranging pieces together, Shillingsburg reveals how and why meaning changes with each successive rendering of a work, the value in viewing each subsequent copy of a text as an original entity, and the relationship between textuality and knowledge. Featuring case studies throughout, this erudite collection distills decades of Shillingsburg’s thought on literary history and criticism and appraises the place of textual studies and scholarly editing today.

Focusing on the early Modern and Victorian periods, the author finds covert revolutionaries in four familiar practitioners of a strategy she calls creative negativity: poet-photographer Julia Margaret Cameron (1815-1879), novelist-essayist Anne Thackeray Ritchie (1837-1919), activist-spiritual leader Annie Besant (1847-1933), and actress-writer Elizabeth Robins (1862-1952).

This summer, during these strange strange times, immerse yourself in words that have touched all of us and will always get to the core of all of us, of every single person. Books that have made us think, change, relate, cry and laugh: Leaves of Grass (Walt Whitman) Siddhartha (Herman Hesse) Middlemarch (George Eliot) The Madman (Kahlil Gibran) Ward No. 6 (Anton Chekhov) Moby-Dick (Herman Melville) The Picture of Dorian Gray (Oscar Wilde) Crime and Punishment (Dostoevsky) The Overcoat (Gogol) Ulysses (James Joyce) Walden (Henry David Thoreau) Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) The Waste Land (T. S. Eliot) Odes (John Keats) The Flowers of Evil (Charles Baudelaire) Pride and Prejudice (Jane Austen) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Anna Karenina (Leo Tolstoy) Vanity Fair (Thackeray) Swann's Way (Marcel Proust) Sons and Lovers (D. H. Lawrence) Great Expectations (Charles Dickens) Little Women (Louisa May Alcott) Jude the Obscure (Thomas Hardy) Two Years in the Forbidden City (Princess Der Ling) Les Misérables (Victor Hugo) The Count of Monte Cristo (Alexandre Dumas) Pepita Jimenez (Juan Valera) The Red Badge of Courage (Stephen Crane) A Room with a View (E. M. Forster) Sister Carrie (Theodore Dreiser) The Jungle (Upton Sinclair) The Republic (Plato) Meditations (Marcus Aurelius) Art of War (Sun Tzu) Candide (Voltaire) Don Quixote (Cervantes) Decameron (Boccaccio) Narrative of the Life of Frederick Douglass Dream Psychology (Sigmund Freud) The Einstein Theory of Relativity The Mysterious Affair at Styles (Agatha Christie) A Study in Scarlet (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Call of Cthulhu (H. P. Lovecraft) Frankenstein (Mary Shelley) The War of the Worlds (H. G. Wells) The Raven (Edgar Allan Poe) The Sun Also Rises (Ernest Hemingway) The Wonderful Wizard of Oz The Adventures of Huckleberry Finn The Call of the Wild Alice in Wonderland The Fairytales of Brothers Grimm The Fairytales of Hans Christian Andersen

Invest your time in reading the true masterpieces of world literature, the greatest works by the masters of their craft, the revolutionary works, the timeless classics and the eternally moving storylines every person should experience in their lifetime: Leaves of Grass (Walt Whitman) Siddhartha (Herman Hesse) Middlemarch (George Eliot) The Madman: His Parables and Poems (Kahlil Gibran) Ward No. 6 (Anton Chekhov) Moby-Dick (Herman Melville) The Picture of Dorian Gray (Oscar Wilde) Crime and Punishment (Fyodor Dostoevsky) The Overcoat (Gogol) Ulysses (James Joyce) Walden (Henry David Thoreau) Hamlet (Shakespeare) Romeo and Juliet (Shakespeare) Macbeth (Shakespeare) The Waste Land (T. S. Eliot) Odes (John Keats) The Flowers of Evil (Charles Baudelaire) Ivanhoe (Sir Walter Scott) Robinson Crusoe (Daniel Defoe) Little Women (Louisa May Alcott) Pride and Prejudice (Jane Austen) Emma (Jane Austen) Jane Eyre (Charlotte Brontë) Wuthering Heights (Emily Brontë) Lorna Doone (R.D. Blackmore) The Lady of the Camellias (Alexandre Dumas) Anna Karenina (Leo Tolstoy) Vanity Fair (Thackeray) Dangerous Liaisons (De Laclos) The Mill on the Floss (George Eliot) Dona Perfecta (Benito Pérez Galdós) Swann's Way (Marcel Proust) Sons and Lovers (D. H. Lawrence) David Copperfield (Charles Dickens) Great Expectations (Charles Dickens) Jude the Obscure (Thomas Hardy) The Wings of the Dove (Henry James) The History of a Scoundrel or Bel-Ami (Guy de Maupassant) Two Years in the Forbidden City (Princess Der Ling) Les Misérables (Victor Hugo) The Count of Monte Cristo (Alexandre Dumas) Pepita Jimenez (Juan Valera) The Way We Live Now (Anthony Trollope) The Red Badge of Courage (Stephen Crane) A Room with a View (E. M. Forster) Sister Carrie (Theodore Dreiser) The Blazing World (Margaret Cavendish) The Jungle (Upton Sinclair) The Republic (Plato) The Golden Ass (Apuleius) Meditations (Marcus Aurelius) Art of War (Sun Tzu) Candide (Voltaire) Don Quixote (Miguel de Cervantes) Decameron (Giovanni Boccaccio) Narrative of the Life of Frederick Douglass (Frederick Douglass) Dream Psychology (Sigmund Freud) The Einstein Theory of Relativity by H. A. Lorentz The Science of Being Well (Wallace D. Wattles) As a Man Thinketh (James Allen) The Mysterious Affair at Styles (Agatha Christie) A Study in Scarlet (Arthur Conan Doyle) The Sign of Four (Arthur Conan Doyle) Heart of Darkness (Joseph Conrad) The Call of Cthulhu (H. P. Lovecraft) The Legend of Sleepy Hollow (Washington Irving) Frankenstein (Mary Shelley) The War of the Worlds (H. G. Wells) The Raven (Edgar Allan Poe) The Black Cat (Edgar Allan Poe) The Sun Also Rises (Ernest Hemingway) The Wonderful Wizard of Oz (L. Frank Baum) Treasure Island (Robert Louis Stevenson) The Wonderful Adventures of Nils Holgersson (Selma Lagerlöf) The Adventures of Tom Sawyer & Huckleberry Finn (Mark Twain) The Call of the Wild (Jack London) White Fang (Jack London) Journey to the Centre of the Earth (Jules Verne) Alice in Wonderland (Lewis Carroll) The Secret Garden (Frances Hodgson Burnett) A Little Princess (Frances Hodgson Burnett) The Jungle Book (Rudyard Kipling) Tarzan of the Apes (Edgar Rice Burroughs) The Complete Fairytales of Brothers Grimm The Complete Fairytales of Hans Christian Andersen Pygmalion (George Bernard Shaw) Botchan (Soseki Natsume) The Sorrows of Young Werther (Johann Wolfgang von Goethe)

Margaret Oliphant (1828-97) had a prolific literary career that spanned almost fifty years. She wrote some 98 novels, fifty or more short stories, twenty-five works of non-fiction, including biographies and historic guides to European cities, and more than three hundred periodical articles. This is the most ambitious critical edition of her work.