John Cage is the outstanding composer of avant-garde music today. The Saturday Review said of him: "Cage possesses one of the rarest qualities of the true creator- that of an original mind- and whether that originality pleases, irritates, amuses or outrages is irrelevant." "He refuses to sermonize or pontificate. What John Cage offers is more refreshing, more spirited, much more fun-a kind of carefree skinny-dipping in the infinite. It's what's happening now." –The American Record Guide "There is no such thing as an empty space or an empty time. There is always something to see, something to hear. In fact, try as we may to make a silence, we cannot. Sounds occur whether intended or not; the psychological turning in direction of those not intended seems at first to be a giving up of everything that belongs to humanity. But one must see that humanity and nature, not separate, are in this world together, that nothing was lost when everything was given away."

David Foster Wallace’s Infinite Jest raised expectations of what a novel might do. As he understood fiction to aim at what it means to be human, so he hoped his work might relieve the loneliness of human suffering. In that light, The Fact of the Cage shows how Wallace’s masterpiece dramatizes the condition of encagement and how it comes to be met by "Abiding" and through inter-relational acts of speaking and hearing, touching, and facing. Revealing Wallace’s theology of a "boneless Christ," The Fact of the Cage wagers that reading such a novel as Infinite Jest makes available to readers the redemption glimpsed in its pages, that reading fiction has ethical and religious significance—in short, that reading Infinite Jest makes one better. As such, Plank’s work takes steps to defend the ethics of fiction, the vital relation between religion and literature, and why one just might read at all.

When he awakens in a skid row alley, Adam knows nothing. Not who he is, nor where he's from. Money is a mystery. So are women. All he begins his new life with is a will to survive. But he learns fast: first, how to get away; then how not to have to. In the beginning Adam wants to be friends with us. Before he's through he just might run the human race off its feet...

Get ready for the incredible 9th book in Alex Scarrow's #1 bestselling time-travel adventure series. Liam O'Connor should have died at sea in 1912. Maddy Carter should have died on a plane in 2010. Sal Vikram should have died in a fire in 2026. But all three have been given a second chance - to work for an agency that no one knows exists. Its purpose: to prevent time travel destroying history . . . The end is approaching for the TimeRiders. In a final effort to prevent time travel destroying history, Liam and Maddy jump forward to 2070 to confront the enigmatic Waldstein and prove once and for all if he is friend or foe. What they discover is more shocking than anyone could have imagined and soon the TimeRiders are on one final mission - back to Biblical times to save the whole of humanity... ** Book nine in the bestselling TimeRiders series by Alex Scarrow. ** Perfect for fans of Doctor Who and Indiana Jones ** TimeRiders (Book 1) won the Red House Book Award older readers category, and was Penguin UK's first ever number one on the iBookstore. ** www.time-riders.co.uk ** Alex Scarrow is a World Book Day 2013 author with TimeRiders: The Nearly Girl on the WBD Movellas app. Alex Scarrow used to be a rock guitarist, then he became a graphic artist, then he decided to be a computer games designer. Finally, he grew up and became an author. He has written a number of successful thrillers and several screenplays, but it's YA fiction that has allowed him to really have fun with the ideas and concepts he was playing around with designing games.

In the last few decades, new technologies have brought composers and listeners to the brink of an era of limitless musical possibility. They stand before a vast ocean of creative potential, in which any sounds imaginable can be synthesised and pieced together into radical new styles and forms of music-making. But are musicians taking advantage of this potential? How could we go about creating and listening to new music, and why should we? Bringing the ideas of twentieth-century avant-garde composers Arnold Schoenberg and John Cage to their ultimate conclusion, Infinite Music proposes a system for imagining music based on its capacity for variation, redefining musical modernism and music itself in the process. It reveals the restrictive categories traditionally imposed on music-making, replaces them with a new vocabulary and offers new approaches to organising musical creativity. By detailing not just how music is composed but crucially how it's perceived, Infinite Music maps the future of music and the many paths towards it.

***A Waterstones Best Paperback of 2022 pick*** Perfect for fans of Radio 4's The Infinite Monkey Cage and Professor Brian Cox. 'A delightful and scintillating hymn to science.' Professor Carlo Rovelli Comedian Robin Ince quickly abandoned science at school, bored by a fog of dull lessons and intimidated by the barrage of equations. But, twenty years later, he fell in love and he now presents one of the world's most popular science podcasts. Every year he meets hundreds of the world's greatest thinkers. In this erudite and witty book, Robin reveals why scientific wonder isn't just for the professionals. Filled with interviews featuring astronauts, comedians, teachers, quantum physicists, neuroscientists and more - as well as charting Robin's own journey with science - The Importance of Being Interested explores why many wrongly think of the discipline as distant and difficult. From the glorious appeal of the stars above to why scientific curiosity can encourage much needed intellectual humility, this optimistic and profound book will leave you filled with a thirst for intellectual adventure.

When he awakens in a skid row alley, Adam knows nothing. Not who he is, nor where he's from. Money is a mystery. So are women. All he begins his new life with is a will to survive. But he learns fast: first, how to get away; then how not to have to. In the beginning Adam wants to be friends with us. Before he's through he just might run the human race off its feet...

In Rutherford and Fry's comprehensive guidebook, they tell the complete story of the universe and absolutely everything in it - skipping over some of the boring parts. This is a celebration of the weirdness of the cosmos, the strangeness of humans and the fact that amid all the mess, we can somehow make sense of life. Our brains have evolved to tell us all sorts of things that feel intuitively right but just aren't true- the world looks flat, the stars seem fixed in the heavenly firmament, a day is 24 hours... This book is crammed full of tales of how stuff really works. With the power of science, Rutherford and Fry show us how to bypass our monkey-brains, taking us on a journey from the origin of time and space, via planets, galaxies, evolution, the dinosaurs, all the way into our minds, and wrestling with some truly head-scratching questions that only science can answer- What is time, and where does it come from? Why are animals the size and shape they are? What is a thought? How horoscopes work (Spoiler- they don't, but you think they do) Does my dog love me? Why nothing is truly round Do you need your eyes to see?