It's been ten years since Al-Qaeda demolished the World Trade Center in New York on 11 September 2001. One of the most pivotal events in the last fifty years, it was a dramatic moment in which, having previously vanquished the threat of Russian Communism, the USA discovered that it had a new enemy to confront - Islamic extremism. And so began the September 11 decade. Paul McGeough was in the streets of Manhattan on that fateful day in September 2001. No journalist has monitored more closely the fallout from those destructive minutes - for Afghanistan, for Iraq and for the never-ending conflict between Israel and the Palestinians in The Levant. Together, these three locations are the Infernal Triangle, from which America has been unable to extricate itself. McGeough has enjoyed access to all the main players in these unfolding events. But, more than that, he has been prepared to observe at close quarters both the fighters and the citizens involved, recording their hopes and fears, their triumphs and tragedies. He has been present at the death of colleagues; he joined the historic 'Peace Flotilla' that attempted to bring supplies to Gaza. Through his vivid and eloquent journalism, we gain new insights into some of the most critical events of the last decade.

An aeroplane goes down in the notorious Bermuda Triangle. The suspicious insurance company calls in Dan Felsen, former RAF pilot turned private investigator. Dan soon runs into trouble. His search for clues leads him to the Bahamas, the Caribbean and into a hurricane before he resolves the mystery.

Do the fractious groups of Arabs and Israelis actually need each other? Can the Pentagon find new enemies to replace the USSR? Are married couples held together by a shared sense of enmity toward outside parties and even each other? Who is more likely to cultivate enemies - men or women? Is the "devil" a created enemy? Is the need for enemies psychological, sociological, or biological? These and other fascinating questions are explored by David P. Barash as he skillfully combines findings from biology, psychology, sociology, politics, history, and even literature to shed new and unexpected light on the human condition. Barash also offers startling and controversial observations about who we are as human beings and why we seem to thrive on adversarial relationships. He argues that we create and perpetuate our "enemy system" by "passing the pain along" - from child abuse to ethnic antagonism. We may well harbor a vestigial "Neanderthal mentality," which induces us to behave in ways that were adaptive in our evolutionary past but which have broad and even global implications today. Beloved Enemies concludes with a hopeful message: We can overcome, not simply our enemies, but our need to have enemies, and our penchant for creating them. To those who seek a better understanding of the nature of conflict and to those who remain confident that we can find answers to seemingly endless and complex antagonisms, Beloved Enemies offers much food for thought.

Explanation of the whys and hows of statistical reasoning in medicine and health.

Distributed by the University of Nebraska Press for Caxton Press The lawlessness of the frontier towns of the plains states is well documented. However, as silver and gold deposits were found in the Pacific Northwest the rush of miners and speculators that brought to the region brought with it its own share of crime and criminals. Author Bill Gulick sticks to the facts in telling the stories of this region but does so in swift conversational prose that entertains and educates.

In 1988, Nadine Dormoy conducted a series of interviews with René Girard at a pivotal moment in his career, just after a number of books and conferences had situated his work in a new context of research on self-organizing systems. In these interviews, Girard discusses the flurry of intellectual activity that followed the landmark 1981 Stanford University conference, Disorder and Order. Attended by several Nobel prize winners and other important intellectual figures, this event expanded his reputation in Europe and laid the groundwork for later accolades, including the Modern Language Association’s Award for Lifetime Scholarly Achievement and being elected as a member of the Académie Française. Girard also discusses Theater of Envy, his then-forthcoming book on Shakespeare and his first book written in English, as well as corrects several misunderstandings of his mimetic hypothesis. Dormoy is a spirited interlocutor, like Girard a postwar émigré who came to make a new life for herself teaching French in American universities. Translated into English for the first time by leading mimetic studies scholar William A. Johnsen, The World of René Girard is a must-have for those new to and familiar with Girard’s work.

With individual chapters written by specialists, Short French Fiction offers the reader new insights into some of the best examples of this genre and an impression of where this type of writing is heading as the new millennium approaches.

Once labeled the “lot that laugher built,” the Hal Roach Studios launched the comedic careers of such screen icons as Harold Lloyd, Our Gang, and Laurel and Hardy. With this stable of stars, the Roach enterprise operated for forty-six years on the fringes of the Hollywood studio system during a golden age of cinema and gained notoriety as a producer of short comedies, independent features, and weekly television series. Many of its productions are better remembered today than those by its larger contemporaries. In A History of the Hal Roach Studios, Richard Lewis Ward meticulously follows the timeline of the company’s existence from its humble inception in 1914 to its close in 1960 and, through both its obscure and famous productions, traces its resilience to larger trends in the entertainment business. In the first few decades of the twentieth century, the motion picture industry was controlled by an elite handful of powerful firms that allowed very little room for new competition outside of their established cartel. The few independents that garnered some measure of success despite their outsider status usually did so by specializing in underserved or ignored niche markets. Here, Ward chronicles how the Roach Studios, at the mercy of exclusive distribution practices, managed to repeatedly redefine itself in order to survive for nearly a half-century in a cutthroat environment. Hal Roach’s tactic was to nurture talent rather than exhaust it, and his star players spent the prime of their careers shooting productions on his lot. Even during periods of decline or misdirection, the Roach Studios turned out genuinely original material, such as the screwball classic Topper (1937), the brutally frank Of Mice and Men (1940), and the silent experiment One Million B.C. (1940). Ward’s exploration yields insight into the production and marketing strategies of an organization on the periphery of the theatrical film industry and calls attention to the interconnected nature of the studio system during the classic era. The volume also looks to the early days of television when the prolific Roach Studios embraced the new medium to become, for a time, the premier telefilm producer. Aided by a comprehensive filmography and twenty-seven illustrations, A History of the Hal Roach Studios recounts an overlooked chapter in American cinema, not only detailing the business operations of Roach’s productions but also exposing the intricate workings of Hollywood’s rivalrous moviemaking establishment.