The tenth exhibition in the series will showcase classical paintings from all across India. The exhibition will cover 300 years and a vast geographic region from Jammu to Thanjavur, allowing viewers to compare how different patrons wished to be remembered and observe how historical events shaped India’s painting traditions.

Returning to 1960s' India after decades beyond its borders, Ved Mehta explores his native country with two sets of eyes: those of the man educated in the West, and those of the child raised under the Raj. Travelling from the Himalayas in the east to Kerala in the west, Ved Mehta's observations and insights into India and some of its most interesting figures - including Indira Gandhi, Jaya Prakash Narayan and Satyajit Ray - create one of the twentieth century's most thought-provoking travel memoirs.

A Compelling Work On The Cultural Character Of The Indian People&Both Provocative And Revealing -Shyam Benegal In Outlook A Remarkably Perceptive Analysis Of Indian Character -Khushwant Singh In This Bold, Illuminating And Superbly Readable Study, India S Foremost Psychoanalyst And Cultural Commentator Sudhir Kakar And Anthropologist Katharina Kakar Investigate The Nature Of Indian-Ness . What Makes An Indian Recognizably So To The Rest Of The World, And, More Importantly, To His Or Her Fellow Indians? For, As The Authors Point Out, Despite Ethnic Differences That Are Characteristic More Of Past Empires Than Modern Nation States, There Is An Underlying Unity In The Great Diversity Of India That Needs To Be Recognized. Looking At What Constitutes A Common Indian Identity, The Authors Examine In Detail The Predominance Of Family, Community And Caste In Our Everyday Lives, Our Attitudes To Sex And Marriage, Our Prejudices, Our Ideas Of The Other (Explored In A Brilliant Chapter On Hindu-Muslim Conflict), And Our Understanding Of Health, Right And Wrong, And Death. In The Final Chapter, They Provide Fascinating Insights Into The Indian Mind, Shaped Largely By The Culture S Dominant, Hindu World View. Drawing Upon Three Decades Of Original Research And Sources As Varied As The Mahabharata, The Kamasutra, The Writings Of Mahatma Gandhi, Bollywood Movies And Popular Folklore, Sudhir And Katharina Kakar Have Produced A Rich And Revealing Portrait Of The Indian People. An Important Book&A Readable And Carefully Considered Statement On The Issue Of Identity Pavan Varma In India Today

The role of the portrait in India between 1560 and 1860 served as an official chronicle or eye-witness account, as a means of revealing the intimate moments of everyday life, and as a tool for propaganda. Yet the proliferation and mastery of Indian portraiture in the Mughal and Rajput courts brought a new level of artistry and style to the genre.

The third catalog in the series of Indian Portraits focusing on printed portraits. There are over 150 portraits, from earliest being printed in 1580 all the way up to 1948. The printed portraits in different graphic media include woodcut, copper engraving, steel engraving, wood engraving, lithograph & chromolithograph. They were exhibited at Surat in March 2014 and at Ahmedabad in August 2014.

The Mughal documentation is known as the best recorded history of the world. The catalogue is an attempt to showcase the lineage of the Mughal emperors who ruled in India and their heritage, in terms of their lives, pursuits, art, conquests, administration alongwith a peep into their shrewd politics. All works are part of a Mughal Muraqqa compiled by Hakim Ahsanallah Khan, who was the chief adviser of the last Mughal Emperor, Bahadur Shah Zafar, in the year 1270 A. H. (1854 A. D.). They were exhibited in October 2014.

The sixth exhibition and catalogue in the Indian Portrait series, from the collection of Anil Relia, focuses on the introduction of photography in India and its evolution up to Independence. The daguerreotype, ambrotype, carte de viste, cabinet cards, stereoviews, etc. are the different mediums that helped to preserve history. Photographs by famous names like Bourne & Shepherd, Lala Deen Dayal, Darogah Abbas Ali, Shamsuddin Lukmanji, S. Hormusjee, Shapur N. Bhedwar, Hurrychand Chintamon, etc. are shown in the exhibition.

The ninth exhibition in the Indian Portrait series focuses on the introduction of Parsi portraiture in India and an insight on their art, culture and education etc. Paintings, photographs, CDVs, cabinet card albums, engravings, lithographs, prints & collectibles etc. are the different mediums that helped to preserve history. It contains over 170 portraits and was exhibited in December 2018.