Self-portrayal has become an integral part of modern culture and India equally shares this universal mood. A large number of Indians have committed themselves to the writing of their autobiographies in English as well as in the regional languages. It is exciting to know that those in English have been produced by some of the finest minds of the country, such as Raja Rammohun Roy, Lal Behari Day, Surendra Nath Banerjea, Bipin Chandra Pal, Lala Lajpat Rai, Mahatma Gandhi, Rabindranath Tagore, Jawaharlal Nehru, Subhash Chandra Bose, P.C. Roy, S. Radhakrishnan, Sachchidanand Sinha and Nirad C. Chaudhury. It is highly fascinating to read their testimony in the shaping of modern Indian history. Even more exciting are the glimpses into their private lives and the interrelation between the portrait and the man. This study is the first comprehensive attempt to critically evaluate these works and shows how in modern times Indians begin to get over the proverbial Indian inhibition in talking of private affairs hesitatingly first and then with a devastating even embarrassing frankness. This study, in passing also tries to dispel the impression that no autobiographical tradition existed in ancient and medieval India.

American Indian Autobiography is a kind of cultural kaleidoscope whose narratives come to us from a wide range of American Indians: warriors, farmers, Christian converts, rebels and assimilationists, peyotists, shamans, hunters, Sun Dancers, artists and Hollywood Indians, spiritualists, visionaries, mothers, fathers, and English professors. Many of these narratives are as-told-to autobiographies, and those who labored to set them down in writing are nearly as diverse as their subjects. Black Elk had a poet for his amanuensis; Maxidiwiac, a Hidatsa farmer who worked her fields with a bone-blade hoe, had an anthropologist. Two Leggings, the man who led the last Crow war party, speaks to us through a merchant from Bismarck, North Dakota. White Horse Eagle, an aged Osage, told his story to a Nazi historian. ø By discussing these remarkable narratives from a historical perspective, H. David Brumble III reveals how the various editors? assumptions and methods influenced the autobiographies as well as the autobiographers. Brumble also?and perhaps most importantly?describes the various oral autobiographical traditions of the Indians themselves, including those of N. Scott Momaday and Leslie Marmon Silko. American Indian Autobiography includes an extensive bibliography; this Bison Books edition features a new introduction by the author.

In recent years American readers have been thrilling to the work of such Indian writers as Salman Rushdie and Vikram Seth. Now this extravagant and wonderfully discerning anthology unfurls the full diversity of Indian literature from the 1850s to the present, presenting today’s brightest talents in the company of their distinguished forbearers and likely heirs. The thirty-eight authors collected by novelist Amit Chaudhuri write not only in English but also in Hindi, Bengali, and Urdu. They include Rabindranath Tagore, arguably the first international literary celebrity, chronicling the wistful relationship between a village postal inspector and a servant girl, and Bibhuti Bhushan Banerjee, represented by an excerpt from his classic novel about an impoverished Bengali childhood, Pather Panchali. Here, too, are selections from Nirad C. Chaudhuri’s Autobiography of an Unknown Indian, R. K. Narayan’s The English Teacher, and Salman Rushdie’s Midnight’s Children alongside a high-spirited nonsense tale, a drily funny account of a pre-Partition Muslim girlhood, and a Bombay policier as gripping as anything by Ed McBain. Never before has so much of the subcontinent’s writing been made available in a single volume.

'In this English translation, Moon's story is usefully framed by apparatus necessary to bring its message to even those taking their first look at South Asian culture...The result is an easy to digest short-course on what it means to be a Dalit, in the words of one notable Dalit.'-Journal of Asian Studies

Translations from Hindi, Bengali, Urdu, Tamil and the South sit alongside writing in English, bringing to light the greatest and most engaging writers from India's recent history. With introductions to the writers and their work, this is an electic and enlightening anthology of Indian writing.

'I don't think anyone, apart from Don Bradman, is in the same class as Sachin Tendulkar.' -Shane Warne Readers are in love with Sachin Tendulkar's autobiography: 'A must read for anyone who knows cricket' ⭐⭐⭐⭐⭐ 'An idol . . . An inspiration' ⭐⭐⭐⭐⭐ 'A great book by one of the all time greats' ⭐⭐⭐⭐⭐ 'Brings back so many wonderful memories'⭐⭐⭐⭐⭐ 'This book has made me feel proud to be a lover of the game and has inspired me to succeed in everything I do.' ⭐⭐⭐⭐⭐ The story of the greatest cricket player of all time, told in his own words. __________ The greatest run-scorer in the history of cricket, Sachin Tendulkar retired in 2013 after an astonishing 24 years at the top. The most celebrated Indian cricketer of all time, he received the Bharat Ratna Award - India's highest civilian honour - on the day of his retirement. Now Sachin Tendulkar tells his own remarkable story - from his first Test cap at the age of 16 to his 100th international century and the emotional final farewell that brought his country to a standstill. When a boisterous Mumbai youngster's excess energies were channelled into cricket, the result was record-breaking schoolboy batting exploits that launched the career of a cricketing phenomenon. Before long Sachin Tendulkar was the cornerstone of India's batting line-up, his every move watched by a cricket-mad nation's devoted followers. Never has a cricketer been burdened with so many expectations; never has a cricketer performed at such a high level for so long and with such style - scoring more runs and making more centuries than any other player, in both Tests and one-day games. And perhaps only one cricketer could have brought together a shocked nation by defiantly scoring a Test century shortly after terrorist attacks rocked Mumbai. His many achievements with India include winning the World Cup and topping the world Test rankings. Yet he has also known his fair share of frustration and failure - from injuries and early World Cup exits to stinging criticism from the press, especially during his unhappy tenure as captain. Despite his celebrity status, Sachin Tendulkar has always remained a very private man, devoted to his family and his country. Now, for the first time, he provides a fascinating insight into his personal life and gives a frank and revealing account of a sporting life like no other. __________

M. Zahir was born in Ludhiana in the Indian Province of Punjab in 1936. His father was a doctor in the Punjab Medical Service and at the time of Indian Independence was in charge of the Government Hospital in the small town of Mukerian. Zahir describes the ancient, multicultural society he lived in, and its sudden and complete destruction in 1947 when India achieved its independence. India's independence from the British Raj was accompanied by the division of the country into India and Pakistan, a divide which resulted in unspeakable violence with the death of close to two million people. Caught on the wrong side of the dividing line between India and Pakistan, Zahir's family tried to leave by train to Pakistan. The train was ambushed and almost all the Muslims men were killed on the spot and women abducted. Miraculously, a young Hindu put his own life in danger to save most of Zahir's family. As a boy, Zahir witnessed firsthand what is described as ‘the greatest loss of civilian life in human history in the absence of war or famine’. In this meticulously- remembered memoir, Zahir describes the events leading to Indian Independence, the catastrophic train journey, and his life in the new country of Pakistan. The legacy of those events still haunts the world. Zahir, a Rhodes Scholar and a retired physician, now lives in British Columbia, Canada.

Illustrations: 9 b/w illustrations Description: Shri Purohit Swami was of the line of Swami Vivekananda, Swami Ramatirtha and Shri Au-robindo, and was a true son of the Indian Renascence. This account of his own life, written in 1932 and published in India now for the first time, represents the first autobiography (in the modern sense of the word) of a yogi. Purohit Swami's account of his own life moves rapidly, covers a great variety of material, is unsentimental, and is at once eminently readable and inspiring. It adds up to a powerful testament of the truth of yoga, and whoever follows it is not likely to think of the life of a sannyasin as one of escape. An Indian Monk cuts across divisions of taste and may be read and enjoyed at many levels. It provides a vivid record of a form of society fast disappearing from our midst. It may be read as a book of the supernatural and is full of stories of miracles. It is also a narrative of adventure which grips us as we move from episode to episode. But it is written, above all, for the spiritual seeker for whom it will prove a veritable treasure-house of knowledge and wisdom.

First published in Malayalam in 1973, My Story, Kamala Das' sensational autobiography, shocked readers with its total disregard for mindless conventions and its fearless articulation of a subject still considered taboo. Depicting the author's intensely personal experiences in her passage to womanhood and shedding light on the hypocrisies that informed traditional society, this memoir was far ahead of its time and is now acknowledged as a bona fide masterpiece.