Throughout her childhood and adolescence, the anonymous author of The Incest Diary was raped by her father. Beneath a veneer of normal family life, she grew up in and around this all-encompassing secret. Her sexual relationship with her father lasted, off and on, into her twenties. It formed her world, and it formed her deepest fears and desires. Even after she broke away, even as she grew into an independent and adventurous young woman, she continued to seek out new versions of the violence, submission and secrecy she had struggled to leave behind. In this graphic and harrowing memoir, the author revisits her early traumas and their aftermath - not from a clinical distance, but from deep within - to explore the ways in which her father's abuse shaped her, and still does. As a matter of psychic survival, she became both a sexual object and a detached observer, a dutiful daughter and the protector of a dirty secret. And then, years later, she made herself write it down. With lyric concision, in vignettes of almost unbearable intensity, this writer tells a story that is shocking but that will ring true to many other survivors of abuse. It has never been faced so directly on the page.

The trailblazing memoirist and author of Henry & June recounts her relationships with Henry Miller and others—including her own father. Anaïs Nin wrote in her uncensored diaries like they were a broad-minded confidante with whom she shared the liberating psychosexual dramas of her life. In this continuation of her notorious Henry & June, she recounts a particularly turbulent period between 1932 and 1934, and the men who dominated it: her protective husband, her therapist, and the poet Antonin Artaud. However, most consuming of all is novelist Henry Miller—a man whose genius, said Anaïs, was so demonic it could drive people insane. Here too, recounted in extraordinary detail, is the sexual affair she had with her father. At once loving, exciting, and vengeful, it was the ultimate social transgression for which Anaïs would eventually seek absolution from her analysts. “Before Lena Dunham there was Anaïs Nin. Like Dunham, she’s been accused of narcissism, sociopathy, and sexual perversion time and again. Yet even that comparison undercuts the strangeness and bravery of her work, for Nin was the first of her kind. And, like all truly unique talents, she was worshipped by some, hated by many, and misunderstood by most . . . A woman who’d spent decades on the bleeding edge of American intellectual life, a woman who had been a respected colleague of male writers who pushed the boundaries of acceptable sex writing. Like many great . . . experimentalists, she wrote for a world that did not yet exist, and so helped to bring it into being.” —The Guardian Includes an introduction by Rupert Pole

The House of Incest, Anais Nin's famous prose poem, was first published in Paris in 1936 and immediately drew attention from the era's prominent writers, including Henry Miller and Lawrence Durrell. While written in English, it is considered a landmark work in the French surrealist tradition and one of the most unique books in 20th century literature.

Both novellas in one paperback book. Follow the odyssey of an 8-year-old girl named Becky, who, in book 1, writes in her diary about incest and the foster care system that let her down. Catch up with Becky as an adult in book 2.

A daring novel that made Christine Angot one of the most controversial figures in contemporary France recounts the narrator's incestuous relationship with her father. Tess Lewis's forceful translation brings into English this audacious novel of taboo. The narrator is falling out from a torrential relationship with another woman. Delirious with love and yearning, her thoughts grow increasingly cyclical and wild, until exposing the trauma lying behind her pain. With the intimacy offered by a confession, the narrator embarks on a psychoanalysis of herself, giving the reader entry into her tangled experiences with homosexuality, paranoia, and, at the core of it all, incest. In a masterful translation from the French by Tess Lewis, Christine Angot's Incest audaciously confronts its readers with one of our greatest taboos.

In this acclaimed and groundbreaking memoir, Kathryn Harrison transforms into a work of art the darkest passage imaginable in a young woman’s life: an obsessive love affair between father and daughter that begins when she, at age twenty, is reunited with the father whose absence had haunted her youth. Exquisitely and hypnotically written, like a bold and terrifying dream, The Kiss is breathtaking in its honesty and in the power and beauty of its creation. A story both of transgression and of family complicity in breaking taboo, The Kiss is also about love—about the most primal of love triangles, the one that ensnares a child between mother and father.

This groundbreaking tour de force presents the gripping, true account of one of America's most notorious serial rapists and the tough female journalist assigned to cover his case. Following an exhaustive manhunt and his capture in 2005, Brent Brents sent letters and his journal to Denver Post reporter Amy Herdy-with the condition that she alone tell his story. Here, then, in his raw and uncensored words, Brents reveals shocking details about his childhood abuse and the monstrous acts he later committed. Going way beyond just the facts, he gives us an unprecedented look inside the twisted mind of a sociopath. At the same time, Amy has a personal story to tell. Rocked to the core by Brents' disturbing case, she sets out to understand this ruthless criminal only to be confronted with her own troubled past. Ultimately, she must make a choice that will change her life forever.

For ten years, Katherine Brady led a double life. Growing up in a small Midwestern town, she was the ideal teenager--beauty queen, honor student, and with a boyfriend from one of the town's most elite families. But at home lived another Katherine, her father's own 'little girl', unwillingly involved in a secret sexual relationship that left her shamed, isolated, fearful, and emotionally burdened for years. This book recounts her struggle through humiliation, helplessness, and anger to become a whole, mature human being.

Through an intensive clinical study of forty incest victims and numerous interviews with professionals in mental health, child protection, and law enforcement, Judith Herman develops a composite picture of the incestuous family. In a new afterword, Herman offers a lucid and thorough overview of the knowledge that has developed about incest and other forms of sexual abuse since this book was first published. Reviewing the extensive research literature that demonstrates the validity of incest survivors' sometimes repressed and recovered memories, she convincingly challenges the rhetoric and methods of the backlash movement against incest survivors, and the concerted attempt to deny the events they find the courage to describe.

Mirages opens at the dawn of World War II, when Anaïs Nin fled Paris, where she lived for fifteen years with her husband, banker Hugh Guiler, and ends in 1947 when she meets the man who would be “the One,” the lover who would satisfy her insatiable hunger for connection. In the middle looms a period Nin describes as “hell,” during which she experiences a kind of erotic madness, a delirium that fuels her search for love. As a child suffering abandonment by her father, Anaïs wrote, “Close your eyes to the ugly things,” and, against a horrifying backdrop of war and death, Nin combats the world’s darkness with her own search for light. Mirages collects, for the first time, the story that was cut from all of Nin’s other published diaries, particularly volumes 3 and 4 of The Diary of Anaïs Nin, which cover the same time period. It is the long-awaited successor to the previous unexpurgated diaries Henry and June, Incest, Fire, and Nearer the Moon. Mirages answers the questions Nin readers have been asking for decades: What led to the demise of Nin’s love affair with Henry Miller? Just how troubled was her marriage to Hugh Guiler? What is the story behind Nin’s “children,” the effeminate young men she seemed to collect at will? Mirages is a deeply personal story of heartbreak, despair, desperation, carnage, and deep mourning, but it is also one of courage, persistence, evolution, and redemption that reaches beyond the personal to the universal.