This book explores Wilde's works from the hypothesis that they call upon the active participation of the reader in the production of meaning. It has a twofold objective: first, it shows that Wilde's emphasis on the creative role of the audience in his critical writings makes him conceive the reader as a co-creator in the construction of meaning. Second, it analyses the strategies which Wilde employs to impel the reader to collaborate in the creation of meaning of his literary works and casts light upon the social criticism derived from these. The examination of Wilde’s writings reveals how he gradually combined more sophisticated techniques that encouraged the reader's dynamic role with the progressive exploitation of self-advertising strategies for professional purposes. These allowed the ‘commercial’ Oscar to make his works successful among the Victorian public without betraying the ‘literary’ Wilde’s aesthetic principles. The present study re-evaluates Wilde as a critic and as a writer. It demonstrates that, while Wilde the ‘myth’ was ahead of his time in many ways, Wilde the ‘ARTIST’ anticipated in his aesthetic theory various themes which occupy contemporary literary theoreticians. Thus, it may contribute to give him the status he rightly deserves in the history of literature.

This is the first collection of critical essays that explores Oscar Wilde’s interest in children’s culture, whether in relation to his famous fairy stories, his life as a caring father to two small boys, his place as a defender of children’s rights within the prison system, his fascination with youthful beauty, and his theological contemplation of what it means to be a child in the eyes of God. The collection also examines the ways in which Wilde’s works—not just his fairy stories—have been adapted for young audiences.

Collected her in one omnibus edition are Oscar Wilde's most important works including The Importance of Being Earnest, The Picture of Dorian Gray, Salome, Selected Poems of Oscar Wilde, The Soul of Man Under Socialism, The Happy Prince and Other Tales, and The Canterville Ghost. These works of poetry, fiction, drama, and prose encompass Wilde's entire career and they display his range of style and wit. Wilde is one of the most important writers in the history of the English language. Wilder Publications is a green publisher. All of our books are printed to order. This reduces waste and helps us keep prices low while greatly reducing our impact on the environment.

Enriched Classics offer readers accessible editions of great works of literature enhanced by helpful notes and commentary. Each book includes educational tools alongside the text, enabling students and readers alike to gain a deeper and more developed understanding of the writer and their work. Wilde’s classic comedy of manners, The Importance of Being Earnest, a satire of Victorian social hypocrisy and considered Wilde’s greatest dramatic achievement, and his other popular plays—Lady Windermere’s Fan, An Ideal Husband, and Salome—challenged contemporary notions of sex and sensibility, class and cultural identity. Enriched Classics enhance your engagement by introducing and explaining the historical and cultural significance of the work, the author’s personal history, and what impact this book had on subsequent scholarship. Each book includes discussion questions that help clarify and reinforce major themes and reading recommendations for further research. Read with confidence.

The fullest, most textural, most accurate—most human—account of Oscar Wilde's unique and dazzling life—based on extensive new research and newly discovered materials, from Wilde's personal letters and transcripts of his first trial to newly uncovered papers of his early romantic (and dangerous) escapades and the two-year prison term that shattered his soul and his life. "Simply the best modern biography of Wilde." —Evening Standard Drawing on material that has come to light in the past thirty years, including newly discovered letters, documents, first draft notebooks, and the full transcript of the libel trial, Matthew Sturgis meticulously portrays the key events and influences that shaped Oscar Wilde's life, returning the man "to his times, and to the facts," giving us Wilde's own experience as he experienced it. Here, fully and richly portrayed, is Wilde's Irish childhood; a dreamy, aloof boy; a stellar classicist at boarding school; a born entertainer with a talent for comedy and a need for an audience; his years at Oxford, a brilliant undergraduate punctuated by his reckless disregard for authority . . . his arrival in London, in 1878, "already noticeable everywhere" . . . his ten-year marriage to Constance Lloyd, the father of two boys; Constance unwittingly welcoming young men into the household who became Oscar's lovers, and dying in exile at the age of thirty-nine . . . Wilde's development as a playwright. . . becoming the high priest of the aesthetic movement; his successes . . . his celebrity. . . and in later years, his irresistible pull toward another—double—life, in flagrant defiance and disregard of England's strict sodomy laws ("the blackmailer's charter"); the tragic story of his fall that sent him to prison for two years at hard labor, destroying his life and shattering his soul.

Readers of Adam Silvera (They Both Die at the End) and Elizabeth Acevedo (The Poet X) will pull out the tissues for this tender, quirky story of one seventeen-year-old boy's journey through first love and first heartbreak, guided by his personal hero, Oscar Wilde. Words have always been more than enough for Ken Z, but when he meets Ran at the mall food court, everything changes. Beautiful, mysterious Ran opens the door to a number of firsts for Ken: first kiss, first love. But as quickly as he enters Ken's life, Ran disappears, and Ken Z is left wondering: Why love at all, if this is where it leads? Letting it end there would be tragic. So, with the help of his best friends, the comfort of his haikus and lists, and even strange, surreal appearances by his hero, Oscar Wilde, Ken will find that love is worth more than the price of heartbreak. "An unabashed love letter to Oscar Wilde, Cole Porter, and the arts' ability to give voice to human emotion." --Kirkus "Linmark's novel is definitely offbeat and wild(e)ly imaginative...and a rich reading experience that would make the ineffable Oscar proud." --Booklist "A big-hearted book that...always keeps love in its heart." --Abdi Nazemian author of Like a Love Story and The Authentics "As surreal as it is real, as beautiful as it is painful, as playful as it is wise. --Randy Ribay, author of Patron Saints of Nothing

Oscar Wilde took London by storm with his first comedy, Lady Windermere's Fan. His other plays include: A Woman of No Importance and The Importance of Being Earnest. This work features Wilde's plays ranging from his early tragedy era to the controversial Salome and little known fragments, La Sainte Courtisane and A Florentine Tragedy.

The Importance of Being Earnest marks a central moment in late-Victorian literature, not only for its wit but also for its role in the shift from a Victorian to a Modern consciousness. The play began its career as a biting satire directed at the very audience who received it so delightedly, but ended its initial run as a harbinger of Wilde’s personal downfall when his lover’s father, who would later bring about Wilde’s arrest and imprisonment, attempted to disrupt the production. In addition to its focus on the textual history of the play, this Broadview Edition of Earnest provides a wide array of appendices. The edition locates Wilde’s work among the artistic and cultural contexts of the late nineteenth century and will provide scholars, students, and general readers with an important sourcebook for the play and the social, creative, and critical contexts of mid-1890s English life.

Research Paper (postgraduate) from the year 1999 in the subject Didactics for the subject English - Literature, Works, , course: Third-Cycle Education / Tercer Ciclo, language: English, abstract: This study analyses the act of reading The Picture of Dorian Gray from the perspective of Reception Theory. In his critical writings, Oscar Wilde asserts that the receiver of a work of art must play a dynamic role in the construction of its meaning, and the analysis of his only novel shows that Wilde encourages the reader to participate actively in its production in order to be able to find out the lesson which is inherent in it. As a result, the research shows that The Picture of Dorian Gray is representative of Wilde’s aesthetic principles not only because it promotes the individuality of the reader but also because the moral in it is subordinated to its artistic effects.