A novel of time, trauma, and terror by “a writer of spectacularly unflinching gifts [who] leaves most contemporary horror writing in the dust” (Peter Straub). “You wouldn’t think events happening years apart, at points in the solar system hundreds of millions of miles distant, would have anything to do with each other.” When she was six, Daphne was taken into a neighbor’s toolshed, and came within seconds of never coming out alive. Most of the scars healed. Except for the one that went all the way through. “You wouldn’t think that the serial murders of children, and the one who got away, would have any connection with the strange fate of one of Jupiter’s moons.” Two decades later, when Daphne goes missing again, it’s nothing new. As her exes might agree, running is what she does best. So her brother Tanner sets out one more time to find her. Whether in the mountains, or in his own family, search-and-rescue is what he does best. “But it does. It’s all connected. Everything’s connected.” Down two different paths, along two different timelines, Daphne and Tanner both find themselves trapped in a savage hunt for the rarest people on earth, by those who would slaughter them on behalf of ravenous entities that lurk outside of time. “So when things start to unravel, it all starts to unravel.” But in ominous signs that have traveled light-years to be seen by human eyes, and that plummet from the sky, the ultimate truth is revealed: There are some things in the cosmos that terrify even the gods.

I'll Bring You the Birds From Out of the Sky is a tale of art and obsession, of a dying heritage and cosmic horror, brought to rustic life with full-color paintings by artist Kim Parkhurst.

We each inhabit many worlds, often at the same time. From worlds on the inside, to the world on a cosmic scale. Worlds imposed on us, and worlds of our own making. In time, though, all worlds will end. Bear witness: After the death of their grandmother, two cousins return to their family's rural homestead to find a community rotting from the soul outward, and a secret nobody dreamed their matriarch had been keeping. The survivors of the 1929 raid on H.P. Lovecraft's town of Innsmouth hold the key to an anomalous new event in the ocean, if only someone could communicate with them. The ultimate snow day turns into the ultimate nightmare when it just doesn't stop. An extreme metal musician compels his harshest critic to live up to the hyperbole of his trolling. With the last of a generation of grotesquely selfish city fathers on his deathbed, the residents of the town they doomed exercise their right to self-determination one last time. As history repeats itself and the world shivers through a volcanic winter, a group gathers around the shore of a mountain lake to once again invoke the magic that created the world's most famous monster. With Skidding Into Oblivion, his fifth collection, award-winning author Brian Hodge brings together his most concentrated assortment yet of year's best picks and awards finalists, with one thing in common: It's the end of the world as we know it . . . and we don't feel fine at all.

BOOKER PRIZE WINNER • NATIONAL BESTSELLER • A novel that follows a middle-aged man as he contends with a past he never much thought about—until his closest childhood friends return with a vengeance: one of them from the grave, another maddeningly present. A novel so compelling that it begs to be read in a single setting, The Sense of an Ending has the psychological and emotional depth and sophistication of Henry James at his best, and is a stunning achievement in Julian Barnes's oeuvre. Tony Webster thought he left his past behind as he built a life for himself, and his career has provided him with a secure retirement and an amicable relationship with his ex-wife and daughter, who now has a family of her own. But when he is presented with a mysterious legacy, he is forced to revise his estimation of his own nature and place in the world.

A young pilot risks everything to save his best friend—the man he trusts most and might even love—only to learn that his friend is secretly the heir to a brutal galactic empire. “An exciting space opera full of action and adventure that explores the bonds of loyalty and love, and what happens when they are stretched to their limits.”—Rebecca Roanhorse, Nebula and Hugo award–winning author of Trail of Lightning Ettian’s life was shattered when the merciless Umber Empire invaded his world. He’s spent seven years putting himself back together under its rule, joining an Umber military academy and becoming the best pilot in his class. Even better, he’s met Gal—his exasperating and infuriatingly enticing roommate who’s made the academy feel like a new home. But when dozens of classmates spring an assassination plot on Gal, a devastating secret comes to light: Gal is the heir to the Umber Empire. Ettian barely manages to save his best friend and flee the compromised academy unscathed, rattled that Gal stands to inherit the empire that broke him, and that there are still people willing to fight back against Umber rule. As they piece together a way to deliver Gal safely to his throne, Ettian finds himself torn in half by an impossible choice. Does he save the man who’s won his heart and trust that Gal’s goodness could transform the empire? Or does he throw his lot in with the brewing rebellion and fight to take back what’s rightfully theirs? Praise for Bonds of Brass “Skrutskie’s Bonds of Brass is a high-octane galactic adventure replete with heart, drama, and a keen edge of pain.”—Caitlin Starling, author of The Luminous Dead “Full of breathless action and dazzling characters, Bonds of Brass is space opera at its most exciting.”—Adam Christopher, author of Stranger Things: Darkness on the Edge of Town

Chilling Adventures of Sabrina meets Joe Hill in S. A. Hunt’s I Come with Knives, a horror-tinged action-adventure about a punk YouTuber on a mission to hunt witches, one vid at a time Robin – now armed with new knowledge about mysterious demon terrorizing her around town, the support of her friends, and the assistance of her old witch-hunter mentor – plots to confront the Lazenbury coven and destroy them once and for all. Meanwhile, a dangerous serial killer only known as The Serpent is abducting and killing Blackfield residents. An elusive order of magicians known as the Dogs of Odysseus also show up with Robin in their sights. Robin must handle these new threats on top of the menace from the Lazenbury coven, but a secret about Robin's past may throw all of her plans into jeopardy. The Malus Domestica series #1: Burn the Dark #2: I Come with Knives #3: The Hellion At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In a near future ravaged by killer hurricanes, rampant overdevelopment and increasingly underdressed waitresses, ex-newsman Jon Templeton has had the worst Thursday of his life. He's forced to fight off an amorous co-worker at the PR job he hates, only to have his wife discover his admirer's panties in his pocket. Now he's dead, interrupted on his way to his heavenly reward by Eli, an elderly Rastafarian surfer who claims to be the Supreme Being. Still reeling from having lost any chance of redemption in his human life, Jon is offered a mission: Discover for the surprisingly clueless deity the true identity of Lucas Scheafer, deputy to the Rev. Lawrence Whitaker and his sultry wife, Veronica, leaders of the sexually free-wheeling Church of the New Revelation, headquartered in America's new Sin City, Myrtle Beach, S.C. Jon's quest is paralleled by that of Mako Nikura, reluctant heir to a weapons and aerospace fortune, who hopes to find the secret to his father's death and its connection to the domestic terrorist organization SHAG. Little do Jon and Mako know, but their paths lead to the same exceptionally odd - and potentially cataclysmic - destination.

“As clever and witty a novel as anyone has written in a long time . . . Robbins takes readers on a wild, delightful ride. . . . A delight from beginning to end.”—Buffalo News Switters is a contradiction for all seasons: an anarchist who works for the government; a pacifist who carries a gun; a vegetarian who sops up ham gravy; a cyberwhiz who hates computers; a man who, though obsessed with the preservation of innocence, is aching to deflower his high-school-age stepsister (only to become equally enamored of a nun ten years his senior). Yet there is nothing remotely wishy-washy about Switters. He doesn’t merely pack a pistol. He is a pistol. And as we dog Switters’s strangely elevated heels across four continents, in and out of love and danger, discovering in the process the “true” Third Secret of Fatima, we experience Tom Robbins—that fearless storyteller, spiritual renegade, and verbal break dancer—at the top of his game. On one level this is a fast-paced CIA adventure story with comic overtones; on another it’s a serious novel of ideas that brings the Big Picture into unexpected focus; but perhaps more than anything else, Fierce Invalids is a sexy celebration of language and life. Praise for Fierce Invalids Home From Hot Climates “Superb.”—New York Post “Dangerous? Wicked? Forbidden? You bet. . . . Pour yourself a bowl of chips and dig in.”—Daily News, New York “Robbins is a great writer . . . and definitely a provocative rascal.”—The Tennessean “Whoever said truth is stranger than fiction never read a Tom Robbins novel. . . Clever, creative, and witty, Robbins tosses off impassioned observations like handfuls of flower petals.”—San Diego Union-Tribune

The story is told by Albert N. Wilmarth, an instructor of literature at Miskatonic University in Arkham. When local newspapers report strange things seen floating in rivers during a historic Vermont flood, Wilmarth becomes embroiled in a controversy about the reality and significance of the sightings, though he sides with the skeptics. Wilmarth uncovers old legends about monsters living in the uninhabited hills who abduct people who venture or settle too close to their territory.

I am an escort. I am sought out, demanded and good at my job. I don't care that these men have families or that they are important people. I do it for the money and to survive. I am a blank canvas of emotions, an empty hole in an endless sea of circumstances, moods and relationships. Until one client changes everything.