In September 1867, when Dostoevsky began work on what was to become The Idiot, he was living in Switzerland with his new wife Anna Grigoryevna, having left Russia in order to escape his creditors. They were living in extreme poverty, and constantly had to borrow money or pawn their possessions. They were evicted from their lodgings five times for non-payment of rent, and by the time the novel was finished in January 1869 they had moved between four different cities in Switzerland and Italy. During this time Dostoevsky periodically fell into the grip of his gambling addiction and lost what little money they had on the roulette tables. He was subject to regular and severe epileptic seizures, including one while Anna was going into labor with their daughter Sofia, delaying their ability to go for a midwife. The baby died aged only three months, and Dostoevsky blamed himself for the loss. Dostoevsky's notebooks of 1867 reveal deep uncertainty as to the direction he was taking with the novel. Detailed plot outlines and character sketches were made, but were quickly abandoned and replaced with new ones. In one early draft, the character who was to become Prince Myshkin is an evil man who commits a series of terrible crimes, including the rape of his adopted sister (Nastasya Filippovna), and who only arrives at goodness by way of his conversion through Christ. By the end of the year, however, a new premise had been firmly adopted. In a letter to Apollon Maykov, Dostoevsky explained that his own desperate circumstances had "forced" him to seize on an idea that he had considered for some time but had been afraid of, feeling himself to be artistically unready for it. This was the idea to "depict a completely beautiful human being". Rather than bring a man to goodness, he wanted to start with a man who was already a truly Christian soul, someone who is essentially innocent and deeply compassionate, and test him against the psychological, social and political complexities of the modern Russian world. It was not only a matter of how the good man responded to that world, but of how it responded to him. Devising a series of scandalous scenes, he would "examine each character's emotions and record what each would do in response to Myshkin and to the other characters." The difficulty with this approach was that he himself did not know in advance how the characters were going to respond, and thus he was unable to pre-plan the plot or structure of the novel. Nonetheless, in January 1868 the first chapters of The Idiot were sent off to The Russian Messenger.

Rodion Raskolnikov kills an unscrupulous pawnbroker for her cash, defending his actions by arguing that with the pawnbroker's money he can perform good deeds to counterbalance the crime, while ridding the world of a vermin.

Fyodor three son's, the youthful Alyosha, the impetuous Dmitri, and the logical Ivan, are involved in several triangular love affairs. Throughout their encounters, the family is confronted with love, murder, and an exhilarating trial.

The story follows the adventures of Don Quixote, who decides to set out to revive chivalry, undo wrongs, and bring justice to the world. He recruits a farmer, Sancho Panza, as his squire and imagines that he is living out a knightly story.

The History of the Peloponnesian War is an account of the 431-404 BC war between Sparta and Athens. It was written by Thucydides, an Athenian historian who also happened to serve as an Athenian general during the war.

Authored by the writer of the film Seven, this book follows the making of Tim Burton's film The Legend of Sleepy Hollow. It contains numerous stills, production sketches and set paintings, illustrating Burton's artistic vision from his early ideas to the finished film.

Prince Lev Nikolayevich Myshkin, a young man whose goodness, open-hearted simplicity and guilelessness lead many of the more worldly characters he encounters to mistakenly assume that he lacks intelligence and insight. As time passes, they begin to see the consequences of placing such a unique individual at the centre of the conflicts, desires, passions and egoism of worldly society, both for the man himself and for those with whom he becomes involved. The Idiot includes descriptions of some of Fyodor Dostoevsky's most intense personal ordeals, such as epilepsy and mock execution, and explores moral, spiritual and philosophical themes consequent upon them. The artistic method of conscientiously testing his central idea meant that Dostoevsky could not always predict where the plot was going as he was writing. His primary motivation in writing the novel was to subject his own highest ideal, that of true Christian love, to the crucible of contemporary Russian society. This case laminate collector's edition includes a Victorian inspired dust-jacket.

“An enthralling conclusion to this superb trilogy, displaying an exceptional combination of originality, magic, adventure, character, and drama.”—Kirkus Reviews (starred review) King Shrewd is dead at the hands of his son Regal. As is Fitz—or so his enemies and friends believe. But with the help of his allies and his beast magic, he emerges from the grave, deeply scarred in body and soul. The kingdom also teeters toward ruin: Regal has plundered and abandoned the capital, while the rightful heir, Prince Verity, is lost to his mad quest—perhaps to death. Only Verity’s return—or the heir his princess carries—can save the Six Duchies. But Fitz will not wait. Driven by loss and bitter memories, he undertakes a quest: to kill Regal. The journey casts him into deep waters, as he discovers wild currents of magic within him—currents that will either drown him or make him something more than he was. Praise for Robin Hobb and Assassin’s Quest “Fantasy as it ought to be written . . . Robin Hobb’s books are diamonds in a sea of zircons.”—George R. R. Martin “Superbly written, wholly satisfying, unforgettable: better than any fantasy trilogy in print—including mine!”—Melanie Rawn

The inspiration for the 2016 Sundance Film Festival documentary, NUTS!. “An extraordinary saga of the most dangerous quack of all time...entrancing” –USA Today In 1917, John R. Brinkley–America’s most brazen con man–introduced an outlandish surgical method for restoring fading male virility. It was all nonsense, but thousands of eager customers quickly made “Dr.” Brinkley one of America’s richest men–and a national celebrity. The great quack buster Morris Fishbein vowed to put the country’ s “most daring and dangerous” charlatan out of business, yet each effort seemed only to spur Brinkley to new heights of ingenuity, and the worlds of advertising, broadcasting, and politics soon proved to be equally fertile grounds for his potent brand of flimflam. Culminating in a decisive courtroom confrontation, Charlatan is a marvelous portrait of a boundlessly audacious rogue on the loose in an America ripe for the bamboozling.