The striking image of the winged Yahweh occurs in six psalms (e. g., Ps 17:8 Hide me in the shadow of your wings). Scholars have disagreed on the background, meaning, and significance of the image, arguing that it: (1) likens the Israelite deity to a bird; (2) alludes to the winged sun disk; (3) draws from general Egyptian symbolism for protection; (4) evokes images of winged goddesses; or (5) refers to winged cherubim in the temple and/or on the ark of the covenant. These divergent proposals signal a need for clearer methods of interpreting biblical imagery in light of visual-artistic material from the ancient Near East. This volume refines iconographic methodologies by treating the image of the winged Yahweh as one among a constellation of literary images in each psalm. Since the portrayals of Yahweh in each psalm have distinct contours, one finds several congruencies in Syro-Palestinian iconographic material. The congruent iconographic motifs for Yahweh's winged form include (1) the winged sun disk (in multiple forms and variations), (2) the Horus falcon, (3) winged suckling goddesses, and (4) winged deities in combat. No single image stands behind the portrayals of Yahweh. In fact, even within a single psalm, more than one iconographic trope can provide congruency with the literary imagery and inform the interpretation of the text. Thus, the winged Yahweh in the Psalms provides an example of a 'multistable' literary image, one which simultaneously evokes multiple iconographical motifs.

Iconographic exegesis combines the study of biblical texts (exegesis) with the study of ancient expressions of visual art (iconography). Studying ancient visual art that is contemporary with the documents of the Old Testament gives remarkable insight, not only on the meaning and historical context of the biblical text, but also because it facilitates greater understanding of how the ancient authors and audiences saw, thought, and made sense of the world. Iconography thus merits close attention as another avenue that can lead to a more nuanced and more complete understanding of the biblical text. Each chapter of this book provides an exegesis of a particular biblical text or theme. The book is organized around the tripartite structure of the Hebrew Bible, and demonstrates that iconographical exegesis is pertinent to "every nook and cranny" of the Bible. Within the three parts, there is special emphasis on Genesis, Isaiah, and the Psalms in order to make the book attractive for classes that deal with one or more of these books and might therefore include an iconographic perspective. In addition to connecting with a major issue in biblical interpretation, theology, or visual studies each chapter will end with one or two exercises directing the reader/student to comparable texts and images, enabling them to apply what was described in the chapter for themselves. This approach enables beginners as well as advanced readers to integrate iconography into their toolbox of exegetical skills.

An indispensable resource for students and scholars, The Oxford Handbook of the Psalms features a diverse array of essays that treat the Psalms from a variety of perspectives. Classical scholarship and approaches as well as contextual interpretations and practices are well represented. The coverage is uniquely wide ranging.

Arthur Walker-Jones presents an Earth-focused reading of the second book of Psalms, focusing upon the many nonhuman animals that appear repeatedly within the text. In the first commentary to explore the implications of the natural and cultural history of animals for the interpretation of Psalms, Walker-Jones moves beyond the standard treatment of animals as mere metaphors for human concerns, or background to human stories. Instead, Walker-Jones draws upon the interdisciplinary field of animal studies, incorporating this into ecocritical analysis and arguing for the similarity between the two approaches, including recognizing that the oppression and liberation of humans is interrelated with the oppression and liberation of Earth and all its creatures. Walker-Jones looks at foxes, sheep, goats, cattle, doves, snakes, lions, snails, dogs, and deer, which all appear in Psalms 42–72, taking into account that many of these animals co-evolved with humans and created the particular ecological niche of the highlands east of the Mediterranean. Perceiving Earth in various ways-as refuge, as enemy, as Rock, and as fertile and joyous-this volume brings an entirely new ecological perspective to the Psalms.

Tremper Longman III and Peter E. Enns edit this collection of 148 articles by over 90 contributors on Job, Psalms, Proverbs, Ecclesiastes, Song of Songs, Lamentations, Ruth and Esther.

Ritual has a primal connection to the idea that a transcendent order - numinous and mysterious, supranatural and elusive, divine and wholly other - gives meaning and purpose to life. The construction of rites and rituals enables humans to conceive and apprehend this transcendent order, to symbolize it and interact with it, to postulate its truths in the face of contradicting realities and to repair them when they have been breached or diminished. This Handbook provides a compendium of the information essential for constructing a comprehensive and integrated account of ritual and worship in the ancient world. Its focus on ritual and worship from the perspective of biblical studies, as opposed to religious studies, highlights that the world of ritual and worship was a topic of central concern for the people of the Ancient Near East, including the world of the Bible. Given the scarcity of the material in the Bible itself, the authors in this collection use materials from the ancient Near East to provide a larger context for the practices of the biblical world, giving due attention to historical, anthropological, and social scientific methods that inform the context of biblical worship. The specifics of ritual and worship life-the sacred spaces, times, and actors in worship-are examined in detail, with essays covering both the divine and human aspects of the sacred dimension. The Oxford Handbook of Ritual and Worship in the Hebrew Bible considers several underlying concepts of ritual practice and closes with a theological outlook on worship and ritual from a variety of perspectives, demonstrating a fruitful exchange between biblical studies, ritual theory, and social science research.

The many introductions to the psalms available to readers tend to focus on various types and forms of psalms but overlook different theological approaches to the Psalter. This volume brings together leading psalms scholars from Catholic and Protestant traditions and takes into account recent scholarship on the shape and shaping of the Psalter and on the rhetorical interpretation of the Psalms.

This pioneering study of Christian sun symbolism describes how biblical light motifs were taken up with energy in the early Church. Kevin Duffy argues that, living in a world of 24/7 illumination, we need to reconnect with the sun and its light to appreciate the meaning of light in the Bible and Christian tradition. With such a retrieval we can appreciate Pope Francis's insistence that, like the moon, the Church does not shine with its own light, and assess the claim that the Eucharist is to be celebrated 'Ad Orientem', that is towards the rising sun in the East. Liturgy, architecture, poetry and the writings of saints and theologians such as Augustine, Hildegard of Bingen, Francis of Assisi, and Thomas Traherne offer abundant resources for a much needed ressourcement. While Christ was preached as the True Sun among sun-worshipping Aztecs, and the consecrated host was placed in a solar monstrance on Baroque altars, in the modern era solar themes have been neglected. In this accessible work, the author suggests that we rebalance a spiritual symbolism that has over-emphasised darkness and cloud at the expense of light and sun. He proposes a creative retrieval of the traditional title of Christ as the Sun of Justice. This title blends the personal, the social and the cosmic/ecological, and speaks powerfully to a secularising era that contemporaries Friedrich Nietzsche and Thérèse of Lisieux both described as one where the sun does not shine.

Life is a primary theme in Scripture, expressed in the rich diversity of the various books, corpora and genres of Scripture. Much has been published on what Scripture teaches about life and death. To date, however, no comprehensive biblical theology in which the concept of life is traced throughout the different books and corpora of the Old and New Testament has been published. It is this lacuna that this book aims to fill, assuming that such an approach can provide a valuable contribution to the theological discourse on life and related concepts. The primary aim of this book is to give an indication of the different nuances of the concept of life in the various books and corpora of the Old and New Testament by providing the reader with a book-by-book overview of the concept of life in Scripture. The secondary aim is to give an indication of the overall use and function of the concept of life in the Old Testament, the New Testament, and Scripture as a whole. The latter is provided by using the findings of the book-by-book overview of the concept of life in Scripture to draw the lines together.