Icebergs brighten as the sky peels itself of darkness and stretches awake. . . . Welcome, Summer. We've been waiting for you. Experience summer like you've never experienced it before by traveling to Antarctica with evocative poetry. The sun rises, ice melts, grass grows, seals squabble, whales sing, and young penguins slide, glide, and belly flop. Whimsical illustrations and additional facts accompany each poem to provide further details about the animals and the environment at the bottom of the world.

Shiva Rahel Swaminathan Strickland's debut collection of poetry captures her early impressions of life and emerging awareness of her natural and social surroundings. Pineapple Poetry & Prose is run by and for young authors. It publishes original works written, selected, and edited by children.

These beautifully illustrated books, now reissued with all new 4-color covers, present the best of what's new in poetry, carefully chosen for children between the ages of 8 and 13. Many of the poems were written especially for these volumes, and among the poets included are Roald Dahl, Grace Nichols, Judith Viorst, Jack Prelutsky, David McCord. Foster provides a variety of themes with strong associations for children: from the fun and light-hearted (Vampires, Pets, and Holidays) to the provocative (One-Parent Families, Technology, and War). Drawings, cartoons and photographs--most in color--draw attention to every page.

You meant more than life to me. I lived through you not knowing, not knowing I was living. I learned that you called for me. I came to where you were living, up a stair. There was no one there. No one to appreciate me. The legality of it upset a chair. Many times to celebrate we were called together and where we had been there was nothing there, nothing that is anywhere. We passed obliquely, leaving no stare. When the sun was done muttering, in an optimistic way, it was time to leave that there. -- from "The New Higher"

Presents illustrated versions of the title poem and seven others, including "Fiddle-Dee-Dee" and "Wynken, Blynken, and Nod."

A thrillingly original exploration of a life lived under poetry's uniquely seductive spell "Oh! there are spirits of the air," wrote Percy Bysshe Shelley. In this stunningly original book Maureen N. McLane channels the spirits and voices that make up the music in one poet's mind. Weaving criticism and memoir, My Poets explores a life reading and a life read. McLane invokes in My Poets not necessarily the best poets, nor the most important poets (whoever these might be), but those writers who, in possessing her, made her. "I am marking here what most marked me," she writes. Ranging from Chaucer to H.D. to William Carlos Williams to Louise Glück to Shelley (among others), McLane tracks the "growth of a poet's mind," as Wordsworth put it in The Prelude. In a poetical prose both probing and incantatory, McLane has written a radical book of experimental criticism. Susan Sontag called for an "erotics of interpretation": this is it. Part Bildung, part dithyramb, part exegesis, My Poets extends an implicit invitation to you, dear reader, to consider who your "my poets," or "my novelists," or "my filmmakers," or "my pop stars," might be.

Rich, luminous fabrics. Eleven miles of thread. An uncountable number of stitches. Clear, sparkling words. With these ingredients Anna Grossnickle Hines celebrates the lights that brighten the darkest season of our year. In poems and quilts she captures each heartening glow and flicker, from the moon and aurora borealis to the holiday lights of Santa Lucia, Hanukkah, Christmas, Kwanzaa, and Chinese New Year to one lone candle and a hidden flashlight in the deep, dark night.

Seamus Heaney, Denis Donoghue, William Pritchard, Marilyn Butler, Harold Bloom, and many others have praised Helen Vendler as one of the most attentive readers of poetry. Here, Vendler turns her illuminating skills as a critic to 150 selected poems of Emily Dickinson. As she did in The Art of Shakespeare’s Sonnets, she serves as an incomparable guide, considering both stylistic and imaginative features of the poems. In selecting these poems for commentary Vendler chooses to exhibit many aspects of Dickinson’s work as a poet, “from her first-person poems to the poems of grand abstraction, from her ecstatic verses to her unparalleled depictions of emotional numbness, from her comic anecdotes to her painful poems of aftermath.” Included here are many expected favorites as well as more complex and less often anthologized poems. Taken together, Vendler’s selection reveals Emily Dickinson’s development as a poet, her astonishing range, and her revelation of what Wordsworth called “the history and science of feeling.” In accompanying commentaries Vendler offers a deeper acquaintance with Dickinson the writer, “the inventive conceiver and linguistic shaper of her perennial themes.” All of Dickinson’s preoccupations—death, religion, love, the natural world, the nature of thought—are explored here in detail, but Vendler always takes care to emphasize the poet’s startling imagination and the ingenuity of her linguistic invention. Whether exploring less familiar poems or favorites we thought we knew, Vendler reveals Dickinson as “a master” of a revolutionary verse-language of immediacy and power. Dickinson: Selected Poems and Commentaries will be an indispensable reference work for students of Dickinson and readers of lyric poetry.