This book provides a study and critical edition of the corpus of hymns sung by monks and canons in their services in England before the Norman Conquest. When Christianity was introduced into Anglo-Saxon England at the end of the sixth century, the practice of singing hymns in the liturgy of the Office was already well established. The hymnal that the missionaries brought with them was replaced during the Benedictine Reform in the tenth century by another body of hymns, itself introduced from the Continent. This edition assembles textual evidence of these early hymns, some of it hitherto unpublished, based on all extant manuscripts. Of these, an eleventh-century Latin manuscript known as the 'Durham Hymnal' (and in particular its accompanying Old English interlinear gloss) provides the core of the edition and its base manuscript. An introduction and commentary include descriptions of the manuscripts concerned and discussions of the sources, liturgical use and music of the hymns, as well as the phonology and vocabulary of the Old English gloss. The text of the hymns is accompanied by a translation of the Latin into modern English prose.

The cult of saints was one of the most important aspects of life in the Middle Ages, and it often formed the nucleus of developing group identities in a town, a province or a country. The literature of Anglo-Saxon England is unique among contemporary European literatures in that it features a vast amount of saints' Lives in the vernacular. Of these Lives, Ælfric is the most important author, and his saints' Lives have never previously been explored in their contemporary setting. In this study, Gretsch analyses Ælfric's Lives of five important saints in the light of their cults in Anglo-Saxon England. This gives the reader fascinating glimpses of 'Ælfric at work': he adapts the cults and rewrites the received Latin hagiography of the five saints, with the result that each of their English Lives conveys a distinct message to the contemporary political elite and to a lay audience at large.

An collection of essays by specialists in the field examining Anglo-Saxon learning and text interpretation and transmission.

When did Anglo-Saxon monks begin to recite the daily hours of prayer, the Divine Office, according to the liturgical pattern prescribed in the Rule of St Benedict? Going beyond the simplistic assumptions of previous scholarship, this book reveals that the early Anglo-Saxon Church followed a non-Benedictine Office tradition inherited from the Roman missionaries; the Benedictine Office arrived only when tenth-century monastic reformers such as Dunstan and Æthelwold decided that "true" monks should not use the same Office liturgy as secular clerics, a decision influenced by eighth- and ninth-century Frankish reforms. The author explains, for the first time, how this reduced liturgical diversity in the Western Church to a basic choice between "secular" and "monastic" forms of the Divine Office; he also uses previously unedited manuscript fragments to illustrate the differing attitudes and Continental connections of the English Benedictine reformer, and to show that survivals of the early Anglo-Saxon liturgy may be identifiable in later medieval sources.

Widely acknowledged as the essential reference work for this period, this volume brings together more than 700 articles written by 150 top scholars that cover the people, places, activities, and creations of the Anglo-Saxons. The only reference work to cover the history, archaeology, arts, architecture, literatures, and languages of England from the Roman withdrawal to the Norman Conquest (c.450 – 1066 AD) Includes over 700 alphabetical entries written by 150 top scholars covering the people, places, activities, and creations of the Anglo-Saxons Updated and expanded with 40 brand-new entries and a new appendix detailing "English Archbishops and Bishops, c.450-1066" Accompanied by maps, line drawings, photos, a table of "English Rulers, c.450-1066," and a headword index to facilitate searching An essential reference tool, both for specialists in the field, and for students looking for a thorough grounding in key topics of the period

This voluminous work on Church History by Philip Schaff (1819-1893) was originally published between 1858 and 1893 in eight volumes in the USA and covers the period from the beginnings of Biblical Christianity in A.D. 1 to the History of the Reformation in Germany and Switzerland (1517-1648). Being still a popular text in North America, this work had been out of print for over a century and has now been carefully edited and reformatted for republication in three volumes, each of them containing the text of two volumes of the original edition. Schaff’s work, unlike other works in the field, covers a multitude of church history-related aspects – from church doctrine, policy, events and processes to aspects of social moral and family life, arts and more. It is a very comprehensive text, extremely well-written and readable, rich in material and sources used, and attests to the excellence of protestant German theological scholarship under the influence of emerging Historical-Critical Biblical Exegesis at his time. This second volume covers the period from the Nicene and Post-Nicene Fathers to Medieval Christianity (A. D. 311-1073).

Hymns and the music the church sings are tangible means of expressing worship. And while worship is one of, if not the, central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.