"Published on the occasion of the exhibition International Pop, organized by Darsie Alexander with Bartholomew Ryan for the Walker Art Center, Minneapolis."

From the exhibition It's Me, Eloise: The Voice of Kay Thompson and the Art of Hilary Knight, The Eric Carle Museum of Picture Book Art, February 12, 2017 - June 4, 2076.40 pages, full color. Includes essay "Getting Bored is Not Allowed" by Guest Curator, Jane Bayard Curley.From acknowledgements by Alexandra Kennedy: "The Carle is proud to present the first major retrospective of Knight's work. It's Me, Eloise: The Voice of Kay Thompson and the Art of Hilary Knight includes more than 90 artworks from all the surviving Eloise collaborations - as well as from the rest of Knight's prodigious career as a children's book artist, poster artist, magazine illustrator, and painter."

The archaeological assemblage from the Hyde Park Barracks is one of the largest, most comprehensive and best preserved collections of artefacts from any 19th-century institution in the world.

The Walter and Leonore Annenberg Collection of Impressionist and Post-Impressionist paintings, watercolors, and drawings constitutes one of the most remarkable groupings of avant-garde works of art from the mid-19th to the early 20th century ever given to The Metropolitan Museum of Art. A revised and expanded edition of the 1989 publication Masterpieces of Impressionism and Post-Impressionism: The Annenberg Collection, this volume presents more than fifty masterworks by such luminaries as Manet, Degas, Morisot, Renoir, Monet, Cezanne, Gauguin, Van Gogh, Picasso, and Matisse, accompanied by elucidating texts and a wealth of comparative illustrations. -- From publisher.

The subject of drink received a great deal of attention from early modern Europeans. Preachers, physicians, authorities, artists and travellers all addressed it from a range of different perspectives. At the same time, inns, taverns and alehouses served as multifunctional centres in towns and villages throughout Europe. This combination resulted in a wealth of sources, both institutional and cultural, which are only now beginning to be explored. This anthology features new research on public houses in England, Russia and the German lands. In a series of general, thematic and regional studies, contributors engage with broader debates in early modern history, shedding light on such key issues as consumption, travel and communication, state building, confessional identity, fiscal practice, gender and household relations, and the use of public spaces. The result is a volume that should appeal to anybody with an interest in early modern cultural history.