"Splendid fun." The New York Times Book Review A Hamish Macbeth mystery. Wealthy Maggie Baird is neither nice nor kind nor generous. Once she was beautiful, but now, although middle-aged, she retains the appetites of a beautiful woman. When Maggie's car catches fire with her inside it, suspicion focuses on the five houseguests staying at Maggie's luxurious Highlands cottage: her timid niece and four former lovers, once of whom Maggie had intended to pick for a husband. All five are impecunious. All five had ample opportunity to monkey with Maggie's car. So finding who did it requires all Police Constable Hamish Macbeth's extraordinary common sense and insight into human nature. And lazy lout though he may be, Hamish lets no grass grow under his feet when it comes to solving a murder. Especially when he may be the next target.

Most dating books tell you what NOT to do. Here's a book dedicated to telling you what you CAN do. In his book, Get the Guy, Matthew Hussey—relationship expert, matchmaker, and star of the reality show Ready for Love—reveals the secrets of the male mind and the fundamentals of dating and mating for a proven, revolutionary approach to help women to find lasting love. Matthew Hussey has coached thousands of high-powered CEOs, showing them how to develop confidence and build relationships that translate into professional success. Many of Matthew’s male clients pressed him for advice on how to apply his winning strategies not to just get the job, but how to get the girl. As his reputation grew, Hussey was approached by more and more women, eager to hear what he had learned about the male perspective on love and romance. From landing a first date to establishing emotional intimacy, playful flirtation to red-hot bedroom tips, Matthew’s insightfulness, irreverence, and warmth makes Get the Guy: Learn Secrets of the Male Mind to Find the Man You Want and the Love You Deserve a one-of-a-kind relationship guide and the handbook for every woman who wants to get the guy she’s been waiting for.

“ Chau' s voice is strong, the stories tense. Readers should snatch this collection up.” — Mat Johnson, author of Loving DayUnflinching portrayals of desire and alienation fill Bonnie Chau's award-winning story collection. Chau's short fiction explores the lives of young women navigating love, failure, heritage, and memory, and presents a fresh perspective of second-generation Chinese-Americans. Moving back and forth between California and New York, and ranging as far away as Paris, Chau's exquisitely written stories are bold, highly imaginative, and haunting, featuring characters who defiantly exert their individuality.

Sex goddess Mae West is responsible for some of the most quoted lines in film history: * Is that a gun in your pocket or are you just happy to see me? * When I'm good, I'm very good, but when I'm bad, I'm better. * It's not the men in my life that counts - it's the life in my men. She was a performer from childhood and debuted on Broadway in a play she wrote entitled "Sex" which was a success until it was raided for immorality and Mae was jailed for ten days. This book is packed with stars from George Raft to Cary Grant and W.C. Fields, with whom she made "My Little Chickadee", the most successful film of Fields' career. Charlotte Chandler recorded Mae West over a period of roughly a month towards the end of the star's life. She was still as vital and lively as ever, and this book will convey all of Mae West's legendary attitude.

Stop a terrible wrong or blindly follow her elders? What happens near Salem when Maggie must choose? Maggie Bradstreet is a curious girl of thirteen with a mind of her own, which can get her into trouble in Puritan New England. She wants nothing more than to prove to her brother's friend Job that she is no longer a child, but when witches are discovered in the community of Andover, Massachusetts, her world turns upside down. Maggie’s diary tells of excitement turned to horror as more and more people are accused of witchcraft, and her best friend's mother is taken off to jail. She tries to save her friends and in the end must save herself. The Book of Maggie Bradstreet is the untold and remarkable story of what happened to those accused of witchcraft in Andover, just a few miles from Salem. From a talented new voice in YA historical fiction, Gretchen Gibbs’ The Book of Maggie Bradstreet is companion to Anne of the Fens in the gripping Bradstreet Chronicles. The series—historical fiction based on written records about the author's own ancestors—can be read in any order. Each includes an afterword with additional historical content.

Sex goddess, Hollywood star, transgressive playwright, author, blues singer, and vaudeville brat---Mae West remains the twentieth century's greatest comedienne. She made an everlasting mark in trailblazing Broadway plays such as Sex and The Constant Sinner and in films such as She Done Him Wrong, Klondike Annie, and I'm No Angel. Simon Louvish, biographer of W. C. Fields, the Marx Brothers, Laurel and Hardy, and Keystone's Mack Sennett, brings Mae to vibrant life in this unparalleled new biography. He charts her amazing seven decades in show business, from early years in teenage summer stock to her last reincarnation as 1960s gay icon and grande dame of Hollywood survivors. Mae West: It Ain't No Sin is the first biography to make use of Mae's recently uncovered personal papers, offering an unprecedented view into the endless creative drive and daring wit of this legendary star.

This groundbreaking study examines the vexed and unstable relations between the eighteenth-century novel and the material world. Rather than exploring dress's transformative potential, it charts the novel's vibrant engagement with ordinary clothes in its bid to establish new ways of articulating identity and market itself as a durable genre. In a world in which print culture and textile manufacturing traded technologies, and paper was made of rags, the novel, by contrast, resisted the rhetorical and aesthetic links between dress and expression, style and sentiment. Chloe Wigston Smith shows how fiction exploited women's work with clothing - through stealing, sex work, service, stitching, and the stage - in order to revise and reshape material culture within its pages. Her book explores a diverse group of authors, including Jane Barker, Jonathan Swift, Daniel Defoe, Eliza Haywood, Samuel Richardson, Henry Fielding, Charlotte Lennox, John Cleland, Frances Burney and Mary Robinson.