The secret history of our most vital organ: the human heart. The Man Who Touched His Own Heart tells the raucous, gory, mesmerizing story of the heart, from the first "explorers" who dug up cadavers and plumbed their hearts' chambers, through the first heart surgeries -- which had to be completed in three minutes before death arrived -- to heart transplants and the latest medical efforts to prolong our hearts' lives, almost defying nature in the process. Thought of as the seat of our soul, then as a mysteriously animated object, the heart is still more a mystery than it is understood. Why do most animals only get one billion beats? (And how did modern humans get to over two billion, effectively letting us live out two lives?) Why are sufferers of gingivitis more likely to have heart attacks? Why do we often undergo expensive procedures when cheaper ones are just as effective? What do Da Vinci, Mary Shelley, and contemporary Egyptian archaeologists have in common? And what does it really feel like to touch your own heart, or to have someone else's beating inside your chest? Rob Dunn's fascinating history of our hearts brings us deep inside the science, history, and stories of the four chambers we depend on most.

'The Weight of a Human Heart' turns the rules of storytelling on their head. A series of graphs illustrates the disintegration of a marriage, step by excruciating step. A literary feud, and an affair, play out in the book review section of a national newspaper. A young girl learns her mother's disturbing secrets.

Short stories

The dramatic race to transplant the first human heart spanned two years, three continents and five cities against a backdrop of searing tension, scientific brilliance, ethical controversy, racial strife and emotional turmoil. It culminated in a terrifying moment in the early hours of 3 December 1967 when, in a cramped operating theatre in a Cape Town hospital, Professor Chris Barnard stared into an empty cavity from which he had just removed a heart. He knew that he had only minutes left to make history and save the life of a 55-year-old man by filling the gaping hole in his chest with a heart which had just been beating inside a 25-year-old woman. Every Second Countsis the story of this gripping race to conquer the greatest of medical challenges. It also reveals the truth about the man at the centre of it all, whose turbulent life story was just as gripping. The kind of true story that would be dismissed as far-fetched if presented as fiction, it combines an utterly compelling portrait of cutting-edge science with raw human drama, and shows how the course of medicine itself was changed for ever.

In Edgar Allan Poe's "The Tell-Tale Heart", the narrator tries to prove his sanity after murdering an elderly man because of his "vulture eye". His growing guilt leads him to hear the old man's heart beating under the floorboards, which drives him to confess the crime to the police.

Love,hate.. Isn't it all the same? If you think about it, all those complex emotions are either help or harm you as we age. Well the poetry in this book, they come from a dark time in my life. Some of them are cheeky, some of them are brutal, but they are apart of my life, my history, they are apart of me and I want to share them with you.

The heart has a history as long and complex, and often as sordid, as that of the secret life it once signified. This is the fascinating history that Milad Doueihi tells in a book that follows the adventures of the human heart from the myth of Dionysos to works of Dante, Boccaccio and Francis Bacon; from the Eucharist to the emergence of medicine; from antiquity to early modern times.

Based on a real scientific event and inspired by a beloved real human in the author's life, this is a story about science and the poetry of existence; about time and chance, genetics and gender, love and death, evolution and infinity -- concepts often too abstract for the human mind to fathom, often more accessible to the young imagination; concepts made fathomable in the concrete, finite life of one tiny, unusual creature dwelling in a pile of compost amid an English garden. Emerging from this singular life is a lyrical universal invitation not to mistake difference for defect and to welcome, across the accordion scales of time and space, diversity as the wellspring of the universe's beauty and resilience.