The human body is a recurrent theme in contemporary literatures in English. The aim of this collection of essays is to explore its multiple representations and functions within a wide range of texts drawn together from various Anglophone cultures. For thematic coherence, this volume is divided into four parts: Diseased Bodies, Invented Bodies, Gendered and Transgender Bodies, and Fragmented and Mutilated Bodies. By adopting multi-disciplinary perspectives, each group of essays illustrates the different ways in which these become multiply signifying sites of cultural and political representation, whether the mode is realistic or daringly speculative and fantastic, as in the case of genetically designed bodies, monstrous and machine bodies. This book contributes to understanding the body as a culture-specific construct.

Contemporary Literature and the Body: a Critical Introduction introduces readers to key theorists and shifting critical trends in the field from 1940 to the present and examines these in relation to close readings of texts from a range of different genres. It argues that scholarship on literature and the body is of fundamental importance to discussions about gender, race, sexuality, class, age, narrative form, and processes of reading and writing. Contemporary Literature and the Body: a Critical Introduction understands 'literature' in a broad sense: as fundamentally connected to changes in technology, culture and the environment. Offering a lively and accessible synthesis, it explores how literary writing of present and recent decades is concerned with the challenges of conveying physical experiences, experimenting with sensory perception, and thinking through the relationship between embodiment, identity and knowledge.

This collection brings together fifteen chapters written by scholars specializing in disciplines ranging from anthropology and sociology to literature, film, and performance studies. These scholars analyze complex questions about how the body is lived and imagined as a locus of meaning-making in contemporary Japan. Exploring such topics as mind-body dualism, aging and illness, spirit possession, beauty, performance, and gender, this collection addresses the wide array of socio-cultural and literary contexts in which the body is interpreted in Japanese culture and thought.

This Companion offers the first systematic analysis of the body in literature, from the Middle Ages to the present day.

This book compares three contemporary women writing in German: Herta Muller (from Romania), Libuse Monikova (from Czechoslovakia), and Kerstin Hensel (from the GDR). It looks at images of the body and their relationship to the structures of their writing as well as analysing the social, cultural, and political contexts.

However disconnected the essays in the volume might appear to be at first glance, the unifying factor is the very notion of ambiguity—which is one of the essential features of the postmodern age: how it can be defined as opposed to what it means or is, where it can be found, to what purposes it can be put, including questions of whether it is a positive or negative factor. But this, of course, is not a new phenomenon. Writers have always depended on equivocation, multiplicity of meaning, uncertainty of meaning—deliberate mystification one might say. Language itself is the base of ambiguity not only in literature but in everyday public discourse. Thus the papers in the volume should appeal not only to scholars working in the fields of modern or postmodern literature, but those who see the importance of ambiguity in the earlier texts, and perhaps their influences in later writing. Finally the essays included here not only provide specific analyses and proposed solutions for specific works or authors they also open the reader to other appearances of ambiguity, often not simply in literature or critical theory, but in the kinds of social issues the literary works deals with.

This ambitious and wide-ranging essay collection analyses how identity and form intersect in twentieth- and twenty-first century literature. It revises and deconstructs the binary oppositions identity-form, content-form and body-mind through discussions of the role of the author in the interpretation of literary texts, the ways in which writers bypass or embrace identity politics and the function of identity and the body in form. Essays tackle these issues from a number of positions, including identity categories such as (dis)ability, gender, race and sexuality, as well as questioning these categories themselves. Essayists look at both identity as form and form as identity. Although identity and form are both staples of current research on contemporary literature, they rarely meet in the way this collection allows. Authors studied include Beryl Bainbridge, Samuel Beckett, John Berryman, Brigid Brophy, Angela Carter, J.M. Coetzee, Anne Enright, William Faulkner, Mark Haddon, Ted Hughes, Kazuo Ishiguro, B.S. Johnson, A.L. Kennedy, Toby Litt, Hilary Mantel, Andrea Levy, Robert Lowell, Ian McEwan, Flannery O’Connor, Alice Oswald, Sylvia Plath, Jeremy Reed, Anne Sexton, Edith Sitwell, Wallace Stevens, Jeremy Reed, Jeanette Winterson and Virginia Woolf. The book engages with key theoretical approaches to twentieth- and twenty-first century literature of the last twenty years while at the same time advancing new frameworks that enable readers to reconsider the identity and form conundrum. In both its choice of texts and diverse approaches, it will be of interest to those working on English and American Literatures, gender studies, queer studies, disability studies, postcolonial literature, and literature and philosophy.

Shrill, beefy, drilled - hard bodies populate pop culture and science books alike. The essays in this volume trace the flexing muscles of the hard body in various disciplines and spatio-temporal contexts: from the medieval wooer in tights to the soldier in a bombsuit, from sculpted marble bodies to the treacherous images of German Terrormadels, from 19th century self-improvement manuals to 21st century technoporn, from Ballets Russes to Charlie's Angels, from Afro-Brazilian male sleeping beauties to the black female war machine. (Series: American Studies in Austria - Vol. 11)