A “soul-stirring debut,” Boys of Alabama tells the “bewitching” (Michelle Hart, O, The Oprah Magazine) tale of sixteen-year-old Max’s first year in America. “Daring, unusual . . . and startlingly fresh” (Don Noble, Alabama Public Radio), Boys of Alabama announced Genevieve Hudson’s place in the canon of the southern gothic alongside Donna Tartt and Harper Lee. Newly arrived in Alabama, Max falls in love, questions his faith, and navigates a strange power. Although his German parents don’t know what to make of a South pining for the past, shy Max thrives after being taken in by the football team. But when he meets fishnet-wearing Pan in physics class, they embark on a quixotic, consuming relationship. Writing in “prose that is always imaginative and sensual” (Sarah Neilson, Believer), Hudson offers a complex portrait of masculinity, religion, immigration, and the adolescent pressures that require total conformity.

The author grew up in all-encompassing, grinding and often dehumanizing poverty. Twenty years later, her life is unrecognizable. She's a prizewinning novelist who has travelled the world. Lowborn is her exploration of where she came from. She revisits the towns she grew up in to try to discover what being poor really means in Britain today and whether anything has changed

Contains coming-of-age stories and memoirs published over the course of twenty-five years in "The Hudson Review," including selections by Wendell Berry, Tennessee Williams, Elizabeth Spencer, and many others.

From the Upper West Side to Miami's pastel resorts, "Shadows on the Hudson" traces the intertwined destiny of survivors in the aftermath of the Holocaust.

From the prize-winning author of Tony Hogan Bought Me An Ice-Cream Float Before He Stole My Ma Winner of the Prix Femina Etranger London, in the frayed heat of summer. Alena is shoplifting shoes when Dave catches her in the act and so begins an unlikely relationship between two people with little in common and everything to lose. But the past is a dark place. And both of them have secrets they’ve no idea how to live with – or leave behind. Yet still they find themselves fighting with all they’ve got for a future together. But is love enough? 'Accomplished... Beautiful... Heart-wrenching' Independent on Sunday Shortlisted for the Prix Femina Prize

NATIONAL BESTSELLER A thrilling new telling of the story of modern Canada's origins. The story of the Hudson's Bay Company, dramatic and adventurous and complex, is the story of modern Canada's creation. And yet it hasn't been told in a book for over thirty years, and never in such depth and vivid detail as in Stephen R. Bown's exciting new telling. The Company started out small in 1670, trading practical manufactured goods for furs with the Indigenous inhabitants of inland subarctic Canada. Controlled by a handful of English aristocrats, it expanded into a powerful political force that ruled the lives of many thousands of people--from the lowlands south and west of Hudson Bay, to the tundra, the great plains, the Rocky Mountains and the Pacific northwest. It transformed the culture and economy of many Indigenous groups and ended up as the most important political and economic force in northern and western North America. When the Company was faced with competition from French traders in the 1780s, the result was a bloody corporate battle, the coming of Governor George Simpson--one of the greatest villains in Canadian history--and the Company assuming political control and ruthless dominance. By the time its monopoly was rescinded after two hundred years, the Hudson's Bay Company had reworked the entire northern North American world. Stephen R. Bown has a scholar's profound knowledge and understanding of the Company's history, but wears his learning lightly in a narrative as compelling, and rich in well-drawn characters, as a page-turning novel.

Offers a history of the Hudson River, looking at explorers and traders, the arrival of the colonies, how it was transformed, and the landscape.

A startling exploration of the history of the most controversial book of the Bible, by the bestselling author of Beyond Belief. Through the bestselling books of Elaine Pagels, thousands of readers have come to know and treasure the suppressed biblical texts known as the Gnostic Gospels. As one of the world's foremost religion scholars, she has been a pioneer in interpreting these books and illuminating their place in the early history of Christianity. Her new book, however, tackles a text that is firmly, dramatically within the New Testament canon: The Book of Revelation, the surreal apocalyptic vision of the end of the world . . . or is it? In this startling and timely book, Pagels returns The Book of Revelation to its historical origin, written as its author John of Patmos took aim at the Roman Empire after what is now known as "the Jewish War," in 66 CE. Militant Jews in Jerusalem, fired with religious fervor, waged an all-out war against Rome's occupation of Judea and their defeat resulted in the desecration of Jerusalem and its Great Temple. Pagels persuasively interprets Revelation as a scathing attack on the decadence of Rome. Soon after, however, a new sect known as "Christians" seized on John's text as a weapon against heresy and infidels of all kinds-Jews, even Christians who dissented from their increasingly rigid doctrines and hierarchies. In a time when global religious violence surges, Revelations explores how often those in power throughout history have sought to force "God's enemies" to submit or be killed. It is sure to appeal to Pagels's committed readers and bring her a whole new audience who want to understand the roots of dissent, violence, and division in the world's religions, and to appreciate the lasting appeal of this extraordinary text.

One spring day in 2012, fresh from his circumnavigation of the British Isles, English designer Nick Hand set off on his bicycle from Brooklyn, New York, and pedaled north along the Hudson River toward its source in the Adirondack Mountains. His leisurely pace suited his simple agenda—to talk to the artists and craftspeople he met along the way. Conversations on the Hudson is a visual record of his five-hundred-mile journey through the hills, mountains, and countryside of the Hudson Valley. Hand's casual approach brings out the best in people, who eagerly open up their studios and workshops and share their personal stories. This one-of-a-kind collection pairs Hand's beautiful photographs alongside visits to a seed librarian, a printer and publisher, a brewer, a stone sculptor, a sheep farmer, a distiller, a maple syrup producer, and a boat restorer, among others.

In her debut collection of stories, Pretend We Live Here, Genevieve Hudson explores the idea of home and what it means to find one: in the body, in the world, in other people. Her characters are seekers, whose actions are influenced by their slippery identities and by the strange landscapes that surround them. In "Boy Box," a young woman yearns to test her luck with a wild punk girl crush. In "God Hospital," a character journeys deep into the woods of Alabama in search of an infamous religious healer, hoping he can fix her teeth. In "Adorno," someone in need of forgiveness crosses paths with a band of radical vegan activists and gets subsumed into their world. In "Dance!," a recluse writes a breakthrough song for her pink dolphin, but the song's success only drives her further away from society. Set in Amsterdam, the Pacific Northwest, and the Deep South, these stories hum with sexual tension, queerness, displacement, longing, humor, and dark nostalgia. "A terrific collection of stories. There are echoes here of Flannery O'Connor, Barry Hannah, and Denis Johnson, but Genevieve Hudson is her own writer--impressively and gloriously so. Her eye for the clinching detail is unnerving and her sympathies are fascinatingly conflicted. I hope, and suspect, this book will be the start of a long and inspiring career." -Tom Bissell, author of The Disaster Artist and Magic Hours "In Pretend We Live Here, characters bleed and breathe with a caustic energy that dares the reader to keep pace as they are taken from the Deep South to Western Europe and back again. Genevieve Hudson is a new, coming-of-age voice that spotlights rural America, injecting it with a queer freshness that makes her writing impossible to forget." -Jing-Jing Lee, author of How We Disappeared Genevieve Hudson is also the author of A Little in Love with Everyone (Fiction Advocate, 2018), a book on Alison Bechdel's Fun Home. Her writing has been published in Catapult, Hobart, Tin House online, Joyland, Vol.1 Brooklyn, Split Lip, The Collagist, No Tokens, Bitch, The Rumpus, and other places. Her work has been supported by the Fulbright Program and artist residencies at the Dickinson House, Caldera Arts, and the Vermont Studio Center. She received an MFA in Creative Writing from Portland State University, where she occasionally teaches Fiction Writing and Gender Studies courses. She lives in Amsterdam.