An innovative account of how thousands of acts of parliament sought to improve economic activity during the early industrial revolution.

Censorship profoundly affected early modern writing. Censorship and Conflict in Seventeenth-Century England offers a detailed picture of early modern censorship and investigates the pressures that censorship exerted on seventeenth-century authors, printers, and publishers. In the 1600s, Britain witnessed a civil war, the judicial execution of a king, the restoration of his son, and an unremitting struggle among crown, parliament, and people for sovereignty and the right to define “liberty and property.” This battle, sometimes subtle, sometimes bloody, entailed a struggle for the control of language and representation. Robertson offers a richly detailed study of this “censorship contest” and of the craft that writers employed to outflank the licensers. He argues that for most parties, victory, not diplomacy or consensus, was the ultimate goal. This book differs from most recent works in analyzing both the mechanics of early modern censorship and the poetics that the licensing system produced—the forms and pressures of self-censorship. Among the issues that Robertson addresses in this book are the workings of the licensing machinery, the designs of art and obliquity under a regime of censorship, and the involutions of authorship attendant on anonymity.

Condemned as 'useless and dangerous', the House of Lords was abolished in the revolution of 1649, shortly after the execution of the King. When it was reinstated, along with the monarchy, as part of the Restoration of 1660, the House entered into one of the most turbulent and dramatic periods in its history. Over the next half century or more, the Lords were the stage on which some of the critical confrontations in English and British constitutional and political history were played out: the battles over the exclusion from the throne of the later James II; the key debates over the 'abdication' of William III; the many struggles over the Act of Union with Scotland. This highly illustrated book presents the first results from the research undertaken by the History of Parliament Trust on the peers and bishops between the Restoration and the accession of George I. It shows them as politicians at Westminster, engaging with the central arguments of the day, but also using Parliament to pursue their own projects; as members of an elite intensely conscious of their status and determined to defend their honour against commoners, Irish peers and each other; as a class apart, always active in devising new schemes - successful and unsuccessful - to increase their wealth and 'interest'; and as local grandees, to whom local society looked for leadership and protection. From the proud Duke of Somerset to the beggarly Lord Mohun, from the devious Earl of Oxford to the disgruntled Lord Lucas, the material here presents an initial impression of the nature of the Restoration House of Lords and the men who formed it, showing them in their best moments, when they vigorously defended the law and the constitution, and in their worst, as they obsessively concerned themselves with honour and precedence and indefatigably pursued private interests. Edited by Ruth Paley and Paul Seaward, with Beverly Adams, Robin Eagles, Stuart Handley and Charles Littleton