Handsome Jack is a logger, nomad, and born dreamer. His young wife, Simone, has too many kids and never enough money to support or protect them. The family keeps on the move, shedding a grand total of twenty-seven homes. Their first child, Randy, is sensitive and brilliant and bold, protector of his younger siblings, the fearless star of their childhood adventures and misadventures—until something snaps inside him. The second child who comes a year after him, our narrator Barbara, is the lucky one, who can dream of getting out. Every time the family relocates, she feels “the hope in leaving and doing better next time.” Poverty, mental illness, sexual abuse, and injustice pursue them wherever they go. They live small-town life hard and suffer, most of all Randy. The great surprise of The Hope in Leaving isn’t that these characters descend increasingly into isolation and strife, but that despite this they remain a family, that there is always the spark of wit in their banter, and a kind of closeness no matter what happens, even a sense of normalcy. Gradually, the reader comes to understand why The Hope in Leaving is a book that had to be written. In it, Williams proves beyond doubt that there is one thing that can survive the worst of life and even death itself: love without judgment.

The searing memoir of an extraordinary woman who served as a nun for eleven years in Mother Teresa's order, Hope Endures is a compelling chronicle of idealistic determination, rigid discipline, and shattering disillusionment. InÊher life's journey from certainty to doubt, Colette Livermore enters the Missionaries of Charity order in 1973 with unwavering faith and total surrender ofÊher will and intellect after seeing a documentary on the order's work in India. Only eighteen at the time, Livermore has been studying to enter medical school -- a lifelong goal -- but virtually overnight severs her many ties with family, friends, and the life she's known in beautiful, rural New South Wales in order to train as a sister to aid the poor. In the process, she also gives herself over to the order's unexpectedly severe, ascetic regime, which demands blind obedience and submission. Given the religious name Sister Tobit, Livermore serves in some of the poorest places in the world -- the garbage dump slums of Manila, Papua New Guinea, and Calcutta -- bringing hope and care to people who are desperately ill, hungry, abandoned, and even dying, and comforting whomever she can. Although she draws inspiration and strength from her humanitarian work, Livermore and other nuns risk their own physical health, as they are sent to dangerous areas while being unschooled in the languages and cultures, untrained in medical care, and sometimes unprotected by vaccines. Livermore herself succumbs to bouts of drug-resistant cerebral malaria that almost kill her and to a new strain of hepatitis. Over time she also beginsÊto notice that the order's rigid insistence on unquestioning obedience harms the young sisters mentally, emotionally, and spiritually -- and she experiences a terrible inner struggle to find the right path for herself. As she tries to respond to the suffering around her, she often falls into an incomprehensible conflict between her vow to obey and her vow to serve, between religious strictures and the practice of compassion, between authority and personal conscience. Pressured to stay with the order by Mother Teresa and other superiors, as well as by the younger nuns, Livermore nonetheless decides to leave at age thirty and attain her medical degree, continuing to take health care and relief to impoverished people in remote areas -- the isolated aboriginal communities of the Outback and war-torn East Timor. Even as she serves others as a medical doctor, she continues in a crisis of faith thatÊeventually leads her to become an agnostic. Hope Endures is the eye-opening, deeply affecting story of a brave woman's search for meaning in a world that is rent with tragedies and contradictions. It is also an unflinching critique of any faith that insists on blind obedience. For true hope to endure, Dr. Livermore demonstrates, we must always strive to question, to face the hard truths, and to discover the courage to follow our convictions.

A NEW YORK TIMES BESTSELLER • "A memoir in essays about so many things—growing up in an abusive cult, coming of age as a lesbian in the military, forced out by homophobia, living on the margins as a working class woman and what it’s like to grow into the person you are meant to be. Hough’s writing will break your heart." —Roxane Gay, author of Bad Feminist Searing and extremely personal essays, shot through with the darkest elements America can manifest, while discovering light and humor in unexpected corners. As an adult, Lauren Hough has had many identities: an airman in the U.S. Air Force, a cable guy, a bouncer at a gay club. As a child, however, she had none. Growing up as a member of the infamous cult The Children of God, Hough had her own self robbed from her. The cult took her all over the globe--to Germany, Japan, Texas, Chile—but it wasn't until she finally left for good that Lauren understood she could have a life beyond "The Family." Along the way, she's loaded up her car and started over, trading one life for the next. She's taken pilgrimages to the sights of her youth, been kept in solitary confinement, dated a lot of women, dabbled in drugs, and eventually found herself as what she always wanted to be: a writer. Here, as she sweeps through the underbelly of America—relying on friends, family, and strangers alike—she begins to excavate a new identity even as her past continues to trail her and color her world, relationships, and perceptions of self. At once razor-sharp, profoundly brave, and often very, very funny, the essays in Leaving Isn't the Hardest Thing interrogate our notions of ecstasy, queerness, and what it means to live freely. Each piece is a reckoning: of survival, identity, and how to reclaim one's past when carving out a future. A VINTAGE ORIGINAL

An intimate memoir in essays by an award-winning Israeli writer who travels the world, from New York to India, searching for love, belonging, and an escape from grief following the death of her father when she was a young girl NAMED ONE OF THE BEST BOOKS OF THE YEAR BY KIRKUS REVIEWS This searching collection opens with the death of Ayelet Tsabari’s father when she was just nine years old. His passing left her feeling rootless, devastated, and driven to question her complex identity as an Israeli of Yemeni descent in a country that suppressed and devalued her ancestors’ traditions. In The Art of Leaving, Tsabari tells her story, from her early love of writing and words, to her rebellion during her mandatory service in the Israeli army. She travels from Israel to New York, Canada, Thailand, and India, falling in and out of love with countries, men and women, drugs and alcohol, running away from responsibilities and refusing to settle in one place. She recounts her first marriage, her struggle to define herself as a writer in a new language, her decision to become a mother, and finally her rediscovery and embrace of her family history—a history marked by generations of headstrong women who struggled to choose between their hearts and their homes. Eventually, she realizes that she must reconcile the memories of her father and the sadness of her past if she is ever going to come to terms with herself. With fierce, emotional prose, Ayelet Tsabari crafts a beautiful meditation about the lengths we will travel to try to escape our grief, the universal search to find a place where we belong, and the sense of home we eventually find within ourselves. Praise for The Art of Leaving “The Art of Leaving is, in large part, about what is passed down to us, and how we react to whatever it is. . . . [It] is not self-help—we cannot become whatever we put our mind to—yet it suggests that we can begin to heal from what has broken us, if we only let ourselves. . . . Tsabari’s intense prose gave me pause.”—The New York Times Book Review “Shortlist” “Told in a series of fierce, unflinching essays . . . an Israeli Canadian author explores her upbringing and the death of her father in this stark, beautiful memoir.” —Shelf Awareness (starred review) “The Art of Leaving will take you on an emotional journey you won’t soon forget.”—Hello Giggles “Candid, affecting . . . [Ayelet Tsabari’s] linked essays cohere into a tender, moving memoir.”—Kirkus Reviews (starred review)

Ten-year-old David Lears life is turned upside down when he is sent to boarding school and must figure out how to make his way in the world.

Three million kids have grandparents parenting them. Are you one of those grandparents? Are you in need of some help? Are you in a crisis with your teen that you're not sure anyone has an answer for? There are natural communication barriers between grandparents and their teenage grandkids: • new and old cultures collide and the relationship sometimes flies out the window • hurtful words stab at a grandparent trying to help • memories are missed and arguments explode in a family Both grandparents and grandkids face these triggers, but from opposite sides. And sometimes they result in teens getting into drugs, kids smoldering in unexpressed anger that deepens into depression, and kids even harming themselves. The teenagers want attention and relationships; grandparents want to help. Help is available from author and well-known family expert Mark Gregston who has worked in teenage and family ministries such as Young Life and his own program, Heartlight, for over forty years. For Gregston, it’s all about relationships. Teens need to find out why they think no one understands them. And they need help to guide them through this contradictory world. Grandparenting Teens is a valuable resource that helps grandparents love their teens and relate to them in genuine, honest, life-changing ways. This book gives practical tips on how to start grandparenting teens in a way that fosters connection. Mark teaches skills such as getting everyone to listen—really listen. As a grandparent, you can help your teen learn to paint their honest, big-picture perspective, so no one’s left out of their world. They will learn gratefulness instead of giving grief. They will recognize when their grandparent understands their troubles and becomes their role model for life when everyone else turns away. And both grandparents and teens will find their point of contact—their bond. Gregston’s stories will entertain you. They will teach you. They will move you. Some will even change your life. This book is a must for every grandparent who wants to continue to have an influence on the life of their teen grandchildren. In this ever-important role, grandparents can offer something to their grandkids that they can receive from no one else.

Told in an inimitable voice, Leaving Breezy Street is the stunning account of Brenda Myers-Powell’s brutal and beautiful life. “Careful—don’t think prostitution is just about money. It’s never just the money. It’s about slipping in at all the wrong places. Getting into dangerous situations and getting out of them. That’s exciting. That’s what you want. But you want something else, too.” What did Brenda Myers-Powell want? When she turned to prostitution at the age of fifteen, she wanted to support her two baby daughters and have a little money for herself. She was pretty and funny as hell, and although she called herself “Breezy,” she was also tough—a survivor in every sense of the word. Over the next twenty-five years, she would move across the country, finding new pimps, parties, drugs, and endless, profound heartache. And she would begin to want something else, something huge: a life of dignity, self-acceptance, and love. Astonishingly, she managed to find the strength to break from an unsparing world and save not only herself but also future Breezys. We have no say into which worlds we are born. But sometimes we can find a way out.

The activist and TED speaker Megan Phelps-Roper reveals her life growing up in the most hated family in America At the age of five, Megan Phelps-Roper began protesting homosexuality and other alleged vices alongside fellow members of the Westboro Baptist Church in Topeka, Kansas. Founded by her grandfather and consisting almost entirely of her extended family, the tiny group would gain worldwide notoriety for its pickets at military funerals and celebrations of death and tragedy. As Phelps-Roper grew up, she saw that church members were close companions and accomplished debaters, applying the logic of predestination and the language of the King James Bible to everyday life with aplomb—which, as the church’s Twitter spokeswoman, she learned to do with great skill. Soon, however, dialogue on Twitter caused her to begin doubting the church’s leaders and message: If humans were sinful and fallible, how could the church itself be so confident about its beliefs? As she digitally jousted with critics, she started to wonder if sometimes they had a point—and then she began exchanging messages with a man who would help change her life. A gripping memoir of escaping extremism and falling in love, Unfollow relates Phelps-Roper’s moral awakening, her departure from the church, and how she exchanged the absolutes she grew up with for new forms of warmth and community. Rich with suspense and thoughtful reflection, Phelps-Roper’s life story exposes the dangers of black-and-white thinking and the need for true humility in a time of angry polarization.

Tells how a renowned preacher left her ministry to rediscover the authentic heart of her faith. A moving reflection on keeping faith amidst the relentless demands of modern life.