Translated from Anthony Hlynka's personal memoirs, this is the compelling story of the only sitting member of parliament of Ukrainian origin from 1940 to 1945. Representing the constituency of Vegreville, Alberta for the Social Credit party, Hlynka was a high-profile Member of Parliament who garnered much attention from the English language press and was instrumental in raising awareness of the plight of displaced persons following the Second World War.This book is a unique historical document drawn from his memoirs, press reports from the era, and material provided by Stephanie Hlynka, his widow.

Dorise Nielsen was a pioneering feminist, a radical politician, the first Communist elected to Canadaís House of Commons, and the only woman elected in 1940. But despite her remarkable career, until now little has been known about her.From her youth in London during World War I to her burial in 1980 in a heroís cemetery in China, Nielsen lived through tumultuous times. Struggling through the Great Depression as a homesteaderís wife in rural Saskatchewan, Nielsen rebelled against the poverty and injustice that surrounded her, and found like-minded activists in the CCF and the Communist Party of Canada. In 1940 when leaders of the Communist Party were either interned or underground, Nielsen became their voice in Parliament. But her activism came at a high price. As a single mother in Ottawa, she sacrificed a close relationship with her family for her career. As a woman in an emerging political organisation, her authority was increasingly usurped by younger male party members. As a committed communist, she moved to Mao's China in 1957 and dedicated her lifeís work to a cause that went seriously awry.Faith Johnston illuminates the life of a woman who paved the way for a generation of women in politics, who tried to be both a good mother and a good revolutionary, and who refused to give up on either.

At the time, Canadian policies regarding ethnic communities were preoccupied with the involvement and loyalty these communities had with their homeland's politics and the fear of infiltration from either the left or right of the political spectrum. Focusing on the creation and operation of under-examined government institutions and committees devised to exercise subtle control of minority groups, Ivana Caccia explores the shaping of Canadian identity, the introduction of government-inspired citizenship education, and the management of ethnic relations. An engaging work that offers an important account of nation building in Canada and the treatment of ethnic minorities in times of heightened international tensions, Managing the Canadian Mosaic in Wartime provides crucial insights into multicultural policy and the possibility of parallels with the preoccupations with security and surveillance in the aftermath of 9/11.

This collection fills a serious gap in the existing literature by providing a comprehensive policy history of Medicare in Canada.

Ethnic elites, the influential business owners, teachers, and newspaper editors within distinct ethnic communities, play an important role as self-appointed mediators between their communities and “mainstream” societies. In Ethnic Elites and Canadian Identity, Aya Fujiwara examines the roles of Japanese, Ukrainian, and Scottish elites during the transition of Canadian identity from Anglo-conformity to ethnic pluralism. By comparing the strategies and discourses used by each community, including rhetoric, myths, collective memories, and symbols, she reveals how prewar community leaders were driving forces in the development of multiculturalism policy. In doing so, she challenges the widely held notion that multiculturalism was a product of the 1960s formulated and promoted by “mainstream” Canadians and places the emergence of Canadian multiculturalism within a transnational context.

Over the course of the twentieth century, sequential waves of immigrants from Europe, Asia, Latin America, and Africa settled in the cities of the Canadian Prairies. In Immigrants in Prairie Cities, Royden Loewen and Gerald Friesen analyze the processes of cultural interaction and adaptation that unfolded in these urban centres and describe how this model of diversity has changed over time. The authors argue that intimate Prairie cities fostered a form of social diversity characterized by vibrant ethnic networks, continuously evolving ethnic identities, and boundary zones that facilitated intercultural contact and hybridity. Impressive in scope, Immigrants in Prairie Cities spans the entire twentieth century, and encompasses personal testimonies, government perspectives, and even fictional narratives. This engaging work will appeal to both historians of the Canadian Prairies and those with a general interest in migration, cross-cultural exchange, and urban history.

More than any other book that I can think of, Bronze Inside and Out puts a human face on Western art - indeed, all art. It invites us to ponder the very nature of the creative process. From the foreword by Brian W. Dippie, University of Victoria Bronze Inside and Out is a literary biography of sculptor Bob Scriver, written by his wife, Mary Strachan Scriver. Bob Scriver is best known for his work in bronze and for his pivotal role in the rise of "cowboy art." Living and working on the Montana Blackfeet Reservation, Scriver created a bronze foundry, a museum, and a studio - an atelier based on classical methods, but with local Blackfeet artisans. His importance in the still-developing genre of "western art" cannot be overstated. Mary Strachan Scriver lived and worked with Boba Scriver for over a decade and was instrumental in his rise to international acclaim. Working alongside her husband, she became intimately familiar with the man, his work, and his process. Her frank, uncensored, and highly entertaining biography reveals details that give the reader a unique picture of Scriver both as man and as artist. Bronze Inside and Out also provides a fascinating look into the practice of bronze casting, cleverly structuring the story of Bob Scriver's life according to the steps in this complicated and temperamental process.

What does it mean to be Ukrainian in contemporary Canada? The Ukrainian Canadian writers in Unbound challenge the conventions of genre - memoir, fiction, poetry, biography, essay - and the boundaries that separate ethnic and authorial identities and fictional and non-fictional narratives. These intersections become the sites of new, thought-provoking and poignant creative writing by some of Canada's best-known Ukrainian Canadian authors. To complement the creative writing, editors Lisa Grekul and Lindy Ledohowski offer an overview of the history of Ukrainian settlement in Canada and an extensive bibliography of Ukrainian Canadian literature in English. Unbound is the first such exploration of Ukrainian Canadian literature and a book that should be on the shelves of Canadian literature fans and those interested in the study of ethnic, postcolonial, and diasporic literature.

With this book, the editors have brought to light a little-discussed aspect of ranching: the valuable contributions of women in an industry traditionally thought of as the domain of men. To them, the ranch means many things; it is a business, a home, and a place to raise their children. In their own words, they share their experiences, their successes, and their hardships, and clearly demonstrate the important role women have played, and continue to play, in the history and economy of the ranching industry in Canada.